Every one of those images were derived from B&W photos, and if I’m not mistaken, they were created by Robert Crumb. You’ve heard their songs covered by others (like this one by Memphis Minnie & Kansas City Joe McCoy).
[Image found here.]
Odd scary animation. I love it.
Hardest Working Knees In Show Business.
(This one goes out to you, Calo. Chin up always.)
The Shadows were smokin’ on Lawrence Welk circa 1960.
Have a great weekend, folks. Remember to leave the seat up after you’re done peeing on it and always flush with your feet. All you guys, please do the same, and we’ll see you back here tomorrow.
“Rock Rock Rock” was the first video tape I ever purchased. Got it for $9.99 in a sale bin, then I saved up for a VCR player so that I could watch it. Classic performances by classic rockers wrapped around an unbelievably crappy story. It’s 90 minutes of fast-fowarding awesome (but I suggest you follow the plot at least once).
Rockabilly LA. Considering that Los Angeles had just about nothing to do with the advent of Rockabilly except to lure the hayseeds into fraudulent recording contracts, we’ll post it anyway.
So where do we go from here? How ’bout some vintage country ‘lectra blues?
That’s R.L. Burnside from 1978. Let’s go one more. This one’s from 1998.
That should hold y’all for a while. Have a great weekend, folks.
Postmodern Jukebox‘s “All About That Bass” has just the right amount of slink with a cool bass stunt.
This 6-string bass street jammer’s pretty good, too.
We’ve posted Willie Dixon‘s classic “Bassology” before, and it’s a good wrap up for this edition of The Saturday Matinee. Have a great weekend, folks.
Animals and mirrors [via].
Beware of The Doghouse. Been there. I overlooked the first Valentine’s Day post-marriage as I considered it to be a dating holiday. I ate damp corrugated cardboard for months [via].
The Greg Johnson Set is a band from New Zealand, sounds like a traditional Irish band, performs “People Can’t Talk In This Town” from 1992. Somehow the concept of Freedom of Speech is being quietly vanquished [via].
Lets lighten it up a tad. How ’bout some great rippin’ by Jimmie Vaughan with The Fabulous Thunderbirds?
Have a great weekend. Be back here tomorrow for more powerful stuff.
The Blues had fallen out of favor in the U.S. recording market in the 1960s, as it was considered retro and passé. Many talented blues musicians from the ’40s and ’50s were left with few options until British rock bands took notice and revived the genre by covering various classic American blues songs, often without credit, which fomented a resurgence of interest in the original recordings. The British were largely responsible for restarting the careers of such notables as Muddy Waters and Howlin’ Wolf. Even early blues-based rock and rollers Chuck Berry, Little Richard and Bo Diddley got career boosts, and all were more popular in England than they were in the United States at that time.
Riley B. “Blues Boy” King was one of the greatest bluesmen of all time, known for his roaring vocals and understated guitar solos. He paid the cost to be the boss, and this BBC documentary from 1972 is amazing. There’s no posing, no strutting or preening, just straight talk about influences and style in a refreshingly honest manner. There’s no point in posting other B.B. King videos here because this one covers it all.
R.I.P. Mr. King. That’s one hell of a legacy you left us.
“Boom Bapa Boom” recorded at JazzOpen Stuttgart 2014.
One of my earliest memories was puking on the Tilt-A-Whirl at LeSourdsville Lake and I loved the ride ever since. Have a great weekend, folks, see you back here tomorrow.
Interesting artsy spilly painty project [via].
Awesome slide by Jack Broadbent on the streets of Amsterdam in 2014 with a cover of Canned Heat’s “On The Road Again.”
“On The Road Again” was penned by the late Alan “Blind Owl” Wilson and Floyd Jones. Wilson died of a barbiturate overdose in 1970 at the age of 27, within a few weeks of the similar drug-related deaths of Jimi Hendrix and Janis Joplin. So what about Floyd Jones? Let’s hear him.
Here’s Floyd Jones‘ “Stockyard Blues” with his own commentary.
Have a great weekend, folks. See you back here tomorrow.
The Cleverlys are pure country, and their take on The Bangles’ 1985 hit is pure awesome.
Let’s move on to something entirely different. How ’bout some Magic Sam?
Have a great weekend, folks. Be back here tomorrow and maybe we’ll discuss the many ways to secretly deflate footballs and turn them into a national crisis.