No idea where that came from, but y’all are invited. [Found here.]
Posts Tagged ‘Retro’
“She was 5 feet tall. She was less than 100 lbs “soaking wet”. She spent her childhood in Oregon and Idaho yet was proud of her family’s Southern roots. She could hunt and fish and, if you deserved it, she could punch your lights out! She was Lee Morse, one of the most popular female recording artists during the Jazz Age 20’s and 30’s. And, she is worth remembering.” ~Ian House
Jimmie Rogers (1897-1933) is considered the Father of Country Music for his long-lasting music influences, worked the railroad until he contracted tuberculosis in 1925. While fighting off the disease and unable to perform physical labor, he returned to his original love, writing and performing, until he succumbed at the age of 35.
Here’s Jimmie Rogers in the Columbia Pictures short “The Singing Brakeman” from 1930.
That’s it for this edition of The Saturday Matinee. Have a great weekend, folks.
In space, no one can hear you whizz. Just sayin’.
Here’s Dave Brubeck‘s partially discordant cool jazz classic “Take Five” in 5/4 time (also known as quintuple time, i.e, five beats per measure, quarter note gets the beat: 1-2-3-1-2, 1-2-3-1-2, etc.). Here’s an interesting take:
Sachal Studios, Lahore, Pakistan, with sitar and that boingy drum thingy.
That should hold you for a tad. Have a great weekend folks, and we’ll be back in a jiffy.
“Anijam” was a 1984 animation experiment created by Marv Newland, and appeared in the movie/video series “Animation Celebration.” No plot, just an exercise in surreal animation focused on an odd character named “Foska.” (Watch for some early computer animation sequences.)
“ANIJAM was created by 22 animators, each doing a different sequence. The first drawing of each sequence is the last drawing of the previous sequence. The animators did not know what action came before, or went after their own sequence. The animators were free to create any animation that they wished. They were required to begin and end their sequence with Foska.”
So where do we go after that level of bizarre? How ’bout this:
“The Flight of The Bumble Bee” [ca. 1900] on trombone is VERY tough to do. I could barely double-tongue on trumpet (dugga-dugga), or triple-tongue (dugga-ta-dugga-ta-dugga) but that guy was quadruple tonguing (dugga-dugga-dugga-dugga) on a trombone at high speed. Spike Jones’ band was awesome.
John Prine & Iris Dement at Sessions at West 54th (full concert) February 2014 [via]. The only thing I have against John Prine is/are his forced rhymes, but his voice and songwriting makes up for it. After all, it’s a Big ‘Ol Goofy World.
Have a great weekend, folks. Be back here tomorrow for more fun.