
Saddened by the loss of his long-time hunting friend Inqui, Suaciq O’Neil mourns in front of a Fuji Kōgaku camera with a 50mm lens using 400+ASA film pushed to 1000, with a manually reduced f-stop that he mentally calculated as being in the realm of either 20/3×0.5, 21/3×0.5, 22/3×0.5, 23/3×0.5, or 24/3×0.5, and with an octopod for stability in the frozen arctic wind.
“Watch out where the huskies go,” he warned.