AI meets Mandelbrot, and the results are beautiful, serene – and distubing. Computer artistry by Glenn Marshall, based upon a 3D Appolonian fractal animation by Inigo Quilez.
Our Deal, Best Coast (2010)
Cool 1960s reverb retro sound. The music vid for the song applied a West Side Story motif, and there’s a Dylan-ish live version here.
Excellent Buddy Guy cover by MONSTER TAI-RIKU (and that is how to play blues harp). Formed in 2012 and comprised of young session musicians, the band took a leave of absence in March of 2020.
Hubert Sumlin & Sunnyland Slim (with Willie Dixon on bass & Clifton James on drums) fromThe Stars of the 1964 American Folk Blues Festival, a German television program. Sonny Boy Williamson II did the introduction.
Scott H. Biram is a one-man ass-kickin’ rock machine. (Reposted from about ten years ago).
I’m yawning, gotta go, see you back here tomorrow.
Leave Me Alone, Nathaniel Mayer & The Fabulous Twilights (1962)Nathaniel “Nate Dog” Mayer was 18 when he recorded his first (and biggest) hit, Village of Love, in 1962. The members of The Fabulous Twlights are unknown. After a six year stint with Fortune Records, he disappeared into the East Detroit ghettos, only to resurface years later. Apparently he’d had a rough time, too – in 2009 he recorded The Puddle.
Harpya, by Belgian animator and filmmaker Raoul Servais, is based upon C.L. Moore’s 1933 creepy short story Shambleau.
Music video for the song Trudge by Tucson, Arizona duo Doo Rag, shot on 35mm film. Pure roots blues industrial punk is kinda hard on the earballs, but I like it.
Flat Duo Jets performed a cover of Benny Joy’s Wild Wild Lover on Letterman in 1990, with backup by Paul Schaefer’s Late Night band. Don’t know how I missed these psychobillies. Dexter Romweber was/is an animal.
[h/t Gord S for both Doo Rag & FDJ.]
L.A.’s Raskahuele is tight My Spanish is too slow to translate, but sometimes I don’t need to know the words.
Have a great weekend, see you back here tomorrow, at least for a while.
Auld Lang Syne Boogie, Freddie Mitchell Orchestra (1949) The Freddie Mitchell Orchestra (aka Hen Gates & His House Rockers, Hen Gates & His Gators) features Mitchell on sax and Rip Harrigan on piano.
“For years the rumor was that Hen Gates and His Gaters were in fact the Dizzy Gillespie band. In fact Hen Gates is Freddie Mitchell and the tracks on the album credited to them, Lets All Dance To Rock And Roll, are simply old Derby masters given new titles. When Derby filed for bankruptcy in 1954, Freddie Mitchell masters had been sold cheaply and had already been reissued on several labels before they turned up on Masterseal who thought they could pull a fast one and pass them off as tracks recorded by Hen Gates and His Gators who, according to the LP sleevenotes, were ‘a group of talented young Rock ‘N Roll musicians.’ ” [Source]
Argentine tango in black and white. Otros Aires is “a 21 Century Audiovisual ElectroTango project created, produced and directed by the Argentinean musician, architect & video artist Miguel Di Genova. It was made between Barcelona and Buenos Aires ports in 2003.“
Meanest cover of Dale Hawkins‘ Susie-Q I’ve ever heard. The Head Cat, live at The Key Club, West Hollywood, California, May 6th, 2010, consisted of Slim Jim Phantom (Stray Cats) Lemmy Kilmister (Motörhead) & Danny B. Harvey (Rockats). Lemmy died in 2015 at the age of 70 and was replaced by David Vincent (Morbid Angel).
Gunhild Carling is amazing. Someone told her the bag pipes are a musical instrument so she played them.
Happy New Year to all, and let’s hope the insanity abates in 2023.
Tacky Raccoons 