Aviator Amy Johnsonwas honored with an Underwood typewriter animation.tribute [via]. She achieved worldwide recognition when, in 1930, she became the first woman pilot or aviatrix to fly solo from England to Australia. She flew the G-AAAH Jason, a second-hand trainer airplane.
“Check out the Prancercise Website Here: http://www.prancercise.com This video shows the 4 modes of Prancercise® .You can visit me at http://www.prancercise.com where you can learn more about Prancercise®: “A springy, rhythmic way of moving forward, similar to a horse’s gait and is ideally induced by elation.” copyright 1989, taken from my book Prancercise®:The Art of Physical and Spiritual Excellence, now available to the public for the first time!”
I don’t care about Mick Fleetwood either, but he was/is one hella talent.
Cadillac in the Swampis a torrid, steaming album, powered by the gutsy, powerful songwriting and singing of harpist Anthony Thompson. Smokehouse reworks the deep, swampy groove of New Orleans and Delta blues, adding the electric energy of Chicago blues. Thompson is a raw, greasy harmonica player, evoking the classic licks of Little Walter. He’s not as good a singer — his range is quite limited — but he is a forceful and emotional vocalist and he’s one hell of a songwriter; unlike many of his contemporaries, he is not afraid of tackling big social issues. Guitarist Robert Thomas is equally impressive, spitting out firey solos and muscular riffs throughout the record. That musical dexterity and sinewy energy shines throughout Cadillac in the Swamp, a first-rate modern blues album. ~ Stephen Thomas Erlewine, AMG Enjoy !!!
I don’t know where that recording came from, but it sounds a lot like Howlin’ Wolf to me. Nasty blues with a very cool video.
Have a great weekend, folks, and we’ll be back here tomorrow.
Fishbone was, and is, one of the tightest high-speed ska bands I ever heard. [The above is dedicated to Professor Christine Ford, whose evil testimony under oath has been proven to be fabricated in order to impune the character of an innocent man.]
One of the best slide guitar players in the business. Ry Cooder‘s 1988 swamp rock take on Elvis‘ “All Shook Up” was awesome.
Killer stuff from Justin Johnson. Turn it up. It’s the musical equivalent to stress on the 405 through L.A. at rush hour and I love it.
Have a great weekend, folks, see you back here after I tear up my kitchen tomorrow.
In the late 70s, there was a shift away from hard rock, pop, disco, and other over-produced gag-inducing genres, and I took a liking to Country Rock Jazz fusion. The Marshall Tucker Band caught my ear with “The Last of the Singing Cowboys,” one of the prettiest songs ever written, featuring one of the greatest country rock vocalists ever: Doug Gray (and yeah, that’s one silly-ass hat on the guitar player.)
Domingo “Sam” Samudio is still live and howlin’ in this vid from 2000. IIRC, Sam took his nic “The Sham” because he only knew 3 chords. “Little Red Riding Hood” is probably my favorite STSATP song – even in elementary school we got the innuendo. “Oh, That’s Good” was fun due to our juvenile misinterpretation of the lyrics: “He operated on my 3rd leg…”
Complete Captain Beefheart concert, possibly in Toronto 1974 [via]. I saw CB and his Magic Band live in the early 80s at The [famous but now defunct] Golden Bear in Huntington Beach California. Bizarre tribal rhythmical poetry during his “Bat Chain Puller” tour.
Jared Dines commissioned the design of a 17-string guitar, paid $1,200 for it, then learned that it was made in China for $400. Pissed him off, so he destroyed it. He then ordered this 18-string from a legit Australian company. Nice catchy tune…
The Baboons‘ “It’s Dark” has a solid (but unattributed) Howlin’ Wolf groove, so let’s go there.
That’s Willie Dixon on bass. He wrote, arranged, produced, played and sang on some of the most influential blues standards in modern history, so it’s really a Dixon Groove.
Have a great weekend, folks. See you back here when you’re ready.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
