Joey Ramone‘s song and stop-motion vid New York City were made and released in 2012, 11 years after his death. The song was an overdub of a demo tape. Tommy Erdlai (Tommy Ramone) is in there somewhere (I think that’s him at 02:57).
Geddy Lee cranks it. I should have paid more attention to Rush; I liked the sound but couldn’t stand the vocals.
Stanley Clarke‘s Touch, live at the Newport Jazz Festival (2003). Another amazing bass solo (with some annoying narration stuck in the middle of it).
Hope those of you getting hammered by the record breaking cold get some relief soon, and that the following thaw doesn’t make it worse. We’ll all be here tomorrow. See you then.
First recorded in 1976, The Ramones‘ I Don’t Wanna Go Down To The Basement is sort of appropriate.
Sally Cruikshank‘s animations are Betty Boop on acid. Face like a Frog (1987) includes the Cab Calloway-esque song Don’t Go In The Basement (starts at 02:26 ). In 2017, Cruikshank herself added this to the YouTube comments:
“Danny Elfman composed the track for this film. Period. Copyright mine. Then a year or two later I gave his agents permission to include it on a compilation LP, I guess put out by [David] Geffen. Now they claim I got the music from the album or something. They’re wrong. My film came first. My husband’s going to get into it with Geffen.”
“I don’t always listen to Dead Man’s Party, but when I do so do the neighbors.” – YouTube comment
Oingo Boingo was a standout band of the 1980s, combining ska, punk, jazz & rock, and Dead Man’s Party became a Halloween party standard. According to Wikipedia:
The lyric, “I hear the chauffeur coming to my door / Says there’s room for maybe just one more,” is a reference to “The Bus-Conductor,” a short story by E. F. Benson about a hearse driver, first published in The Pall Mall Magazine in 1906.
Video is from the 1986 movie Back To School. Yeah, 34 years ago…
Happy Halloween, folks!
This year I’m gonna scare half the neighborhood by NOT wearing a mask. Hope you get all the tricks you deserve and all the treats that you don’t.
[Paranoia moons previously posted here. More Halloween-related posts in the archives.]
Android 207 is a fun stop-motion from Carrotkid (Paul Whittington). In 2007, the film received the Best Film, Best Technical and People’s Choice awards at the Vancouver Island Short Film Festival. I’ve posted it before, and it’s still one of my favorites.
Classic Talking Heads video won “Best Group Video” at the MTV Video Music Awards in 1987. I probably posted it before also – I couldn’t find a live version of …oh wait, just found one.
Lost another great talent this week. Johnny Nash (1940-2020) was born in Houston, Texas, but moved to Jamaica in 1965, where rocksteady was big and reggae was just beginning to gain in popularity. Video is from Dick Clark’s American Bandstand, 1968.
Krosfyah‘s single Pump Me Up (1995) was a hit in Barbados, went gold in Canada. Great Soca.
That’s a wrap, at least for now. See you tomorrow and we’ll mess with stuff.
The Chantays were from Santa Ana, California. The oldest was 17, the youngest 14, when they recorded their 1962 hit “Pipeline” (according to the liner notes on my LP.) I was a kid in the midwest when I first heard it, and I liked it, but I didn’t equate it with surfing. I imagined a rock n’ roll sludge pump.
According to Wiki, the Chantays originally called the song “Liberty’s Whip” but I have my doubts.
A year later, The Ventures co-opted the classic. Not sure if royalties were paid but their version didn’t make Billboard’s Top 100.
In the late 1970s and 1980s, paramedic Chris Porsz spent hours walking around Peterborough, a city in eastern England, snapping the photos of the everyday passerby.
I’ve posted this one before. It’s a clip from the BBC television series “Connections” (a segment from the 1978 episode entitled “The Trigger Effect“). The message is a good one, and since the missus and I are still binge-watching The Walking Dead, it seems appropriate.
Marc Bell, aka Marky Ramone (long time drummer for The Ramones) sits in with The Offspring. in 2013. This also seems appropriate due to the current rains in CA.
I don’t post many music videos that don’t have video, but I’ll make an exception for this one because it seems appropriate.
From the Utoobage description you can find your favorites:
01 Blitzkrieg Bop 00:00
02 Rockaway Beach 01:52
03 Sheena Is A Punk Rocker 02:58
04 Cretin Hop 06:55
05 She’s The One 08:44
06 Judy Is A Punk 10:54
07 The KKK Took My Baby Away 12:59
08 Teenage Lobotomy 16:06
09 I Wanna Be Sedated 18:11
10 Do You Remember Rock ‘N’ Roll Radio 20:21
11 Beat On The Brat 22:56
12 Bop ‘Til You Drop 26:08
“Judy Is A Punk” in Johnny Cash style is hilarious, and Elvis singing “Beat on the Brat” is awesome. That’s enough to keep your ears full while you’re searching for Yorkshire pudding recipes that don’t turn out like pizza crusts.
The following is not a video either, but it also seems appropriate.
I met Myldred Jones. She had been the highest ranking woman in the Navy ( Lt. Commander) but I didn’t know it at the time. All I knew was that she ran a shelter for teens in trouble, was planning to build a 2-story residence for runaways on the adjacent property, and seemed like a nice little old lady. I was just a year or so out of the midwest, so was polite and respectful. I don’t recall exactly what I said, but her response was, “Cut the crap. This is business.”
Check out who’s under cyber attack and from where. Live map.
Erdélyi Tamás, aka Tom Erdelyi, aka Tommy Ramone, assembled and helped create one of the most influential bands ever. The Ramones never had a hit single, despite hiring the legendary (and mentally disturbed) Phil Spector.
Tommy Ramone was not new to the recording industry when he and other Brooklyn friends decided to form a band to provide an alternative to the pre-packaged marketing-department formulaic garbage that infested the airwaves in the mid to late 1970s. The Ramones went back to rock and roll garage-band basics, with a twist – they played louder and faster.
That The Ramones rose to popularity by playing 3-chord rock in an obscure venue in the New York City Bowery district says a lot. Punk was born at CBGB’s, and although The Ramones’ garage-band style never garnered them a hit, their influence was huge.
Their message was, “Screw Emerson Lake and Palmer, Yes, Kansas, Foreigner and ELO! Screw CSN&Y and Boston! Listen to C, F & G!”
And The Ramones were spot on. R.I.P. Erdélyi Tamás, and thanks.
A wooden ball is set atop a long, wooden structure that might be a xylophone or a marimba, constructed in the middle of the woods. As the ball rolls downward, dropping onto each wooden “key,” it plays a note, and suddenly we are hearing Bach’s Cantata 147, “Jesu, Joy of Man’s Desiring.” .. “We did not add any artificial music at all,” Harano wrote (though they did adjust some levels to “bring out the sound of river and nature”).
Yeah, ultimately it’s a commercial, but it’s still very very cool. [via]
The New York Dolls were stuck between classic rock and proto-punk, but they had that pseudo-tranny stuff going on that turned off a lot of potential fans, at least in my opinion.
[Deleted the video. Screw ’em since they’ve blocked embedded links. If they don’t want free advertisement, then they shouldn’t post it on the Utoobage.]
So, in place of a cool video of the folks originally posted above, here are The Milenberg Joys. I think they had more talent than that Katzjamband anyway.
Red Nichols & His Five Pennies were awesome in their time.
Speaking of time, I’m out of it. Have a great weekend, folks. Be back here tomorrow for more fun.
