Edward Sharpe & the Magnetic Zeros is a bit of an enigma to me. Some songs sound like folk busker music, some seem almost evangelical, and then they morph into a psychedelic jug band. Formed by singer Alex Ebert, the band’s name is based on a story he wrote about a messianic figure named Edward Sharpe.
The Contours should need no introduction, but not according to some of the comments in the Utoobage. The 1962 hit Do You Love Me was written by James Brown and Pee Wee Ellis.
Aaron Hughes‘ impressive hand-drawn animation Five Cents: “Drawn by hand on thousands of market data pages from The New York Times, The Wall Street Journal and the Financial Times with ink, white-out, gouache paint, gold leaf and other materials.”
[h/t Mme. Jujujive].
Formed in South London in 1980, The Meteors are considered the first verifiable psychobilly band (and the second band to use the term).
The Interrupters: Aimee Interrupter & the Bivona brothers always look like they’re having fun, probably because they are.
That’s all for now. Be back here tomorrow and we’ll make up stuff.
Justin Johnson‘s unusual cover of Howlin’ Wolf fits my mood.
Cam Cole, busker, bluesman, rocker, recording artist, and “the most impressive one-man band you will ever see” has a new EP out, but this one is still my favorite.
Porch time is on schedule for tomorrow, so we’ll see you there.
Robert Randolph and The Family Band “In his adolescent years before being discovered by the secular community, [Randolph] was almost completely unaware of non-religious music. He went on exclaim in an interview that ‘I grew up and saw a lot of older guys playing lap steels and pedal-steel guitars in my church. I had never heard of the Allman Brothers, or even Buddy Guy or Muddy Waters.’ “ [Wiki}
And I had never heard the term sacred steel before today. Have a great weekend, see you back here tomorrow. Bring your laundry.
“I started playing around the age of four, and started getting good at seven.” G.E. Smith is an unpretentious and underrated guitar player with an impressive resume, best known as the pony-tailed bandleader for The Saturday Night Live Band. The song is a cover of Robert Johnson’s 1936 recording of 32-20 Blues, which itself is a remake of Skip Jame’s 22-20 Blues.(1931).
Propellerheads, with Shirley Bassey, the Welsh vocalist known for her renditions of themes to three James Bond movies.
“Propellerheads were a British big beat music band, formed in 1995, from Bath made up of electronic producers Will White and Alex Gifford. The term ‘Propellerhead’ is Californian slang for a computer nerd, and when Gifford and White heard a friend from California drop this into conversation, they thought it the perfect name for their band.”
Boney D. (1996) by Bill Plympton & Jonathan Lee . Better than computer animation, and Plymptoons always made me smile.
Elise LeGrow‘s unusual take on Fontella Bass’ 1965 hit Rescue Me is sultry and sleazy, yet still respectful to the original.
Boogie woogie master Jools Holland and his Rhythm & Blues Orchestra head over to Fat Freddie’s Place. Don’t know who the soloists are in this lineup, but that trumpet player melts it.
Fun times this week, and I’m getting a bit tired of it. See you back here tomorrow and we’ll cook up a big ‘ol pot of drudgery. Have a great weekend.