Brown was one of those rare musicians who could play the hell out of a 16d nail if you told him it was a musical instrument, and he had one tight band.
A TACKY RACCOONS EXCLUSIVE
This is a “found” recording ostensibly from Damone Ramone‘s only public performance (Burma, 1979) performed on sewing machines, and sent to us by the 5th Ramone himself.
Have a great weekend folks. Stick around for more stuff.
That’s some brutal stuff to play, and I like it. None of those players are reading sheet music and don’t need to stare at the keys. I never learned piano, but the ambidextriousity of it all amazes me.
That’s Terry Miles on the 88s, and apparently the girl in the checkers is his daughter. Security Goon tried to stop the fun. (Here’s another fun romp.)
Sam Chatmon (1897-1983) sang his version of a classic cheatin’ song in 1978. Apparently the vid was filmed by Alan Lomax.
The origin of the song “Make Me A Pallet On The Floor” is fuzzy and dates to the 1800s. It appeared in sheet music in 1908 in “Blind Boone’s Southern Rag Medley No. One: Strains from the Alleys.“
Now check out John William Blind Boone‘s amazing story…
Magic Slim, aka Morris Holt (1937-2013). Nice Chicago blues [via].
Magic Slim was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. He first came to Chicago in 1955 with his friend and mentor Magic Sam. The elder (by six months) Magic (Sam) let the younger Magic (Slim) play bass with his band and gave him his nickname.
Have a great weekend folks. Be back here tomorrow for more stuff.
The Password [via].
Seen that scene many times, but it wasn’t until recently that I connected it to something I read years ago.
The Code Breakers” by David Kahn is a classic book on the history of cryptology. In Chapter 2 he described the simple alphabet letter-shift that every schoolboy knows, but then he double-encrypts the shift with a password. Kahn used SWORDFISH as an example.
Using a simple alphabet shift from A to B:
TACKYRACCOONS reads SZBIXQZBBNNMR. Lot of repeated letters, but if you add a key like SWORDFISH to the shift, you get LWQBVGIUJGKJ, and it’s tougher to crack. That’s kind of how the WWII German Enigma machine worked.
Grace Slick’s vocals (sans backup music) on White Rabbit creeps me right out [via]. “Remember what the door mouse said.” Oh shut up. Go feed your cats or something.
I need an aural palate cleanser after that one, so let’s roll with this:
Yeah, Ernie Andrews, one of the greatest big band soul singers of all time, and “Do I Worry” is one of my all-time favorites.
Have a great weekend or two, folks. We’ll keep the porch light on.
I read an opinion recently in a nation-wide Sunday publication [Parade Magazine] suggesting that organ donation should be mandatory by default, unless a person acts and chooses to “opt out.” Think that one through, and it should scare the hell out of you.
Redwood logging in 1946. Dangerous work. [Found here.]
Hypnotizing art “installations.”
Maxim Zhestkov (b.1985, Russia) is a media artist and director whose practice centres around the influence of digital media on shifting the boundaries of visual language.
He grew up in a small town on the Volga river named Ulyanovsk. From childhood, Maxim was fascinated by art, physics and computers which led him to university, where he studied architecture and fine art.
I’m kinda in an odd mood, change of the seasons, sun angles and all, so let’s roll with it.
“Psychotic Reaction” by The Count Five, peaked at No. 5 in 1966 on the Billboard Hot 100. Classic garage band / early psychedelic rock. Since then it’s been covered by a number of indy/punk/rock bands, including this one by The Cramps in 1983:
Meh. I can do without that, but this one’s not too bad:
Tom Petty & The Heartbreakers probably did the best cover of ‘”Psychotic Reaction” in 1991, preserved the soul of the original.
The intro is cool, song starts at 2:20.
Have a great weekend, folks. Be back here tomorrow for more stuff and stuff.
