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Posts Tagged ‘Music’

Saturday Matinee – John Holeman & Dom Flemons, Tony Joe White, D.L. Menard & Kent Gonsoulin

Saturday, 14 July 2018

Hambone was an early precurser to diddley-bow and Rap. Here’s a demonstration featuring John Holeman & Dom Flemons found here. Related posts here.

BTW, that’s “Poke Salat,” not “Polk Salad,” and everyone who heard that song thought Tony Joe White was a black cajun guy.

That’s classic D. L. Menard. Might as well keep rolling with the theme.

Like this.

Have a great weekend, folks. See you back here tomorrow with more victimization and undeserved personal grievances. =D

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Saturday Matinee – God’s Cricket Chorus, The Steve Gibbons Band, Amy Helm & Third World

Saturday, 7 July 2018

God’s Cricket Chorus is awesome. I want that played at my funeral, by humans, followed by “Holiday For Strings.” played by crickets. [h/t Octopus]

Here’s Tom Waits‘ response when asked by NPR, “What is the most interesting recording you own?”

“It’s a mysteriously beautiful recording from, I am told, Robbie Robertson’s label. It’s of crickets. That’s right, crickets. The first time I heard it … I swore I was listening to the Vienna Boys Choir, or the Mormon Tabernacle choir. It has a four-part harmony. It is a swaying choral panorama. Then a voice comes in on the tape and says, “What you are listening to is the sound of crickets. The only thing that has been manipulated is that they slowed down the tape.” No effects have been added of any kind, except that they changed the speed of the tape. The sound is so haunting. I played it for Charlie Musselwhite, and he looked at me as if I pulled a Leprechaun out of my pocket.” [via]

In 1977 The Steve Gibbons Band covered Chuck Berry‘s 1969 recording of Tulane and did a decent job of it.

Amy Helm can wail, and her band jams it down your throat.

Third World‘s classic “96 Degrees In The Shade” seems appropriate given this week’s heat wave (and not for the political message).

Keep cool, folks, and we’ll see you back here tomorrow.

Saturday Matinee – Dan Hicks & His Hot Licks

Saturday, 30 June 2018

Dan Hicks and His Hot Licks had an unusual sound for a band based in San Francisco at the peak of the psychedelic music era. From an obit in the New York Times 7 February 2016:

“He came to call his music “folk swing,” but that only hinted at the range of influences he synthesized. He drew from the American folk tradition but also from the Gypsy jazz of Django Reinhardt, the Western swing of Bob Wills, the harmony vocals of the Andrews Sisters, the raucous humor of Fats Waller and numerous other sources.”

Hicks was still performing up until his demise at the age of 74.

THAT is the prettiest (and only) cover of Tom Waits‘ classic “The Piano Has Been Drinking” I’ve ever heard. The backup vocals are sultry, and note the subtle hat-tip at about 03:00.

Have a great weekend folks, and a long one if you’re taking advantage of a mid-week Independence Day.

Saturday Matinee – Alt Math, Rag’n’Bone Man & Tom Waits

Saturday, 16 June 2018

This is scary. The Correct Answer Is 22.

Rag’n’Bone Man‘s cover of the Stones “Gimme Shelter” is killer.

More about that talented Brit via Wiki:

Rag’n’Bone Man’s first hit single, “Human“, was released on Columbia Records in July 2016. It peaked at number one in the Official Singles Charts in Austria, Belgium, Germany, and Switzerland. It was certified Gold in Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland.

That’s is an entirely different version and a precursor to the one I’m familiar with:

Tom Waits is amazing.

Have a great weekend, folks, and for Fathers’ Day, buy your Dad a big bacon cheeseburger with fries and a pint of stout. He’ll love it, despite what your Mom says about it causing tumors in rats.

Saturday Matinee – Jurassic Parkour, Eliane Rodrigues, Doña Oxford & The All Night Long Blues Band

Saturday, 9 June 2018

Not quite Sweded, but close. [Found here.]

Brazillian concert pianist Eliane Rodrigues discovered that her piano was defective, descended into Hell, then came back smiling. She’s no prima donna.

Doña Oxford ain’t no slouch either, and her keys melt. Let’s do one more.

The All Night Long Blues Band featured Sean “Bad” Apple, Dixie Street and Martin Grant with a nice cover of Hambone Willie Newbern‘s 1929 recording “Roll and Tumble Blues.” [Harp player Martin Grant passed away in March of 2015.]

Have a great weekend, folks. See y’all back here soon.

Saturday Matinee – Kmac2021, Stevie Ray Vaughan with Jeff Beck, and Don Nix with the Mar-Keys

Saturday, 2 June 2018

Kmac2021 is a one-man Spinal Tap. Reminds me of the vids entitled, “What It’s Really Like To Work In A Music Store.”
Part I
Part II
Part III
Part IV
Part V

Okay, so where do we go from here? Goin’ Down.

Stevie Ray Vaughan & Jeff Beck covered Don Nix‘s “Going Down.”
I always thought it was a Freddie King song. So what else did Nix do? A lot.

From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.

What a convergence of talent at the right time and the right place. God Bless Stax Records.

Have a soulful weekend, folks, be back here tomorrow.

Saturday Matinee – Allotria Jazz Band, Fats Waller, Leon Redbone & Captain Beefheart

Saturday, 19 May 2018

Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.

Two decades later, Fats Waller was playing the same style.

Nice lip-sync of a pretty song. According to the UToobage:
“Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”

In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.

That’s a version of Blind Blake‘s recording from 1929.

Captain Beefheart recorded an entirely different song called “Diddy Wah Diddy” that was later covered by The Fabulous Thunderbirds.

Whoa. I just found out that “Diddy Wah Diddy” was written by Willie Dixon and Bo Diddley, and was recorded in 1956.

Now it all makes sense.

Have a great weekend folks and be back here tomorrow for more diddy wah diddy.

Saturday Matinee – Porcapizza (aka Massimo Tortella)

Saturday, 12 May 2018

Porcapizza is amazing [via].

Saturday Matinee – The Skids, Linkin Bridge & Cinco De Mayo Madrid Flash Mob

Saturday, 5 May 2018

The Skids “Into The Valley” [via]. Nice Ramones influence.

Today is the start of The 2018 Kentucky Derby, and yes, it has a themesong.

Linkin Bridge‘s “My Old Kentucky Home” is killer

Oh, and Cinco De Mayo has everything to do with selling beer in the US and nothing to do with Mexican Independence Day.

This is kinda cool. Mariachi flash mob showed up in Madrid, but Mariachis originated in Mexico not Spain. Go figure.

Have a great weekend. folks, see you back here tomorrow.

 

Saturday Matinee – Dave Allen, NYC 1911, Hormel Pepperoni, YES & The Sensational Alex Harvey Band

Saturday, 28 April 2018

That’s Dave Allen (1936-2005) and that’s a 1965 VW 6-volt Beetle. It didn’t have headlights. It had glowlamps. I know because I owned one.

1911 New York City restored hand-cranked film, speed corrected and with an added soundtrack humanizes the populace a bit. A lot of interesting things happened in 1911, itemized here and here. Sheet music sales determined the popularity of songs and Scott Joplin’s rags were hot, like Treemonisha.

Hormel Pepperoni advertisement [h/t Calo]. I’m speechless. Let’s get out of here.

YES stood out a bit from the music of the 70s. Sure, they were art rock, their lyrics were inane and incomprehensible, they’ll make you out and out, but their music was killer.

The Sensational Alex Harvey Band was very underrated IMO.

Have a great weekend, folks. See you back here tomorrow.


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