That one is 14-feet long. Giant squid can grow to over three times that size.
Yep, that looks like a bigass prehistoric ammonite fossil, and it’s not a snail fossil as the caption states.
Ammonites are perhaps the most widely known fossil, possessing the typically ribbed spiral-form shell as pictured above. These creatures lived in the seas between 240 – 65 million years ago, when they became extinct along with the dinosaurs. The name ‘ammonite’ (usually lower-case) originates from the Greek Ram-horned god called Ammon. Ammonites belong to a group of predators known as cephalopods, which includes their living relatives the octopus, squid, cuttlefish and nautilus [via].
I found the top image (with the erroneous caption) in here, and wondered about the story behind it. Since fossils are typically embedded in rock and I didn’t see any hole or excavation, something seemed off.
Ammonite fossils are common, but are rarely larger than about 9 inches in diameter. Sure, some larger species have been found, but why wasn’t this one encased in plaster, crated up and shipped to an archeological museum? How could something so heavy and brittle stay in one piece while being tilted up? How could four guys lift it, let alone one?
This “fossil” was a prop, and it had a cameo role in Episode 1: Seas of Life.
Perhaps you’re wondering why I suddenly found an interest in large fabricated ammonite fossils. It’s because I saw that top picture and wanted to do this with it:
This is entirely awesome.
There’s a happy patient. One squeeze and she’s happy; two squeezes and she’s dancing on the table; three squeezes and she’s prepared to serve in congress.
[Found here. Nice one, McGoo.]
Speaking of nature and mathema-Ticks:
The concept of Phi, graphically illustrated. [Found here.] Ken Nordine had a great take on the Fibonacci Sequence as well:
Bootsy’s New Rubber Band’s got a nice groovejam going with a left handed shredder.
Here’s a fun compilation, “Peavey Nation,” by the Sons of Zappa, featuring a cameo by Dick Clark.
Have a great Easter weekend, folks.
Saddened by the loss of his long-time hunting friend Inqui, Suaciq O’Neil mourns in front of a Fuji Kōgaku camera with a 50mm lens using 400+ASA film pushed to 1000, with a manually reduced f-stop that he mentally calculated as being in the realm of either 20/3×0.5, 21/3×0.5, 22/3×0.5, 23/3×0.5, or 24/3×0.5, and with an octopod for stability in the frozen arctic wind.
“Watch out where the huskies go,” he warned.