Jimmie Durham did this.
“‘Some collide, some escape’: This was the title of a 2005 exhibition of works by Jimmie Durham that was held in a former cow barn belonging to Berlin’s Humboldt-Universität. The barn had been a site of agricultural research in the days of socialism.
Durham opened … with a vegetarian performance – he ate a flower – and, in the university cow barn, revealed his artistic cosmos. On display were an old toothbrush among rotten apples, medical instruments adorned with feathers, egg shells, bones, pelts and a good deal more.”
Durham’s also got a lot in common with Elizabeth Warren, Ward Churchill, Jamake Highwater, Diane Fisher & Andrea Smith (whoever they are) and Cher, who all claim Cherokee ancestry with no proof whatsoever, possibly because that’s the only Native American tribe they’ve heard of. In truth, they’re all members of of the two largest modern Indian nations, the Newager and the Wanabi.
To pursue, obtain and accept special perks and creds based upon something that might or might not have happened to your personal ancestors is specious at best, but to invent your genealogy in order to take advantage of those arguably racist programs and boons is not only unethical but fraudulent.
I despise liars more than thieves.
BTW, I am an Afro-Elbonian-Azteca-Swede-Erie-Scots-Mongolian-Slav-Inuit-Baboso-Haole-American. Bring it, chuchas.
[Image from here, top caption from here. Related posts here and here.]
In 1976 London there was some tabloid excitement about the Tate Museum’s tax-payer funded purchase and display of Carl Andre’s Equivalent VIII-a group of 120 bricks arranged in a rectangle.
The piece was originally part of an installation in New York in 1966. When no one bought the work at the time, the artist returned the bricks to the supplier. He had to obtain new bricks for the Tate. It reportedly cost the tax payers about $12,000.00, the equivalent of about $50,000.00 today.
[Image and caption from here, and yes, it’s a true story.]
[Found here, and yes, we discussed it at length yesterday when you weren’t paying attention.]
Ultra-High Speed photography .gifs are ultra-slow to load, but they’re worth the wait.
Johnny Ramone’s tee shirt.
Interesting essay on the existence and non-existence of the FBI Files on cartoonist Walk Kelly. [Related post here.]
“Michael row de boat ashore, Hallelujah!” Earliest known published lyrics of that song date to 1867 and were written in dialect. It was sung by former slaves whose owners had abandoned St. Helena Island prior to the arrival of the Union navy. [Wiki]
Gullah is still spoken on St. Helena Island. It’s a creole language.
Squirrel painlessly removes girl’s tooth. TRUE.
The Queen’s Green Screen.
[Top image: A parallel LC circuit or band-stop filter. Image found here, via here.]
Unusual animation from the 1980s. It reminds me of Terry Gilliam‘s “Brazil” from the same period, and it’s apropos, given yesterday’s #Brexit vote in the UK.
Ry Cooder‘s version of Johnny Cash‘s “Get Rhythm” (from the album of the same name) is introduced by Harry Dean Stanton. Cooder’s swamp rock take of Elvis’ “All Shook Up” is killer.
PeteR recommended Black Country Communion featuring Glenn Hughes, so here he is, there they are, and here we go.
Have a great weekend, folks, and if we’re not rockin’ tomorrow we’ll be rollin’.
[Found here, here and here]
I think the second one is a possum (not an opossum) and not a kinkajou. No idea what that last one is, but it reminded me of this.
I dunno. I kinda like the poster better.
[Found in here.]
“Won’t you please take me along for a ride?”
Cheap thrills in the Red Light Garage.