The Fokker D.VII is the only aircraft mentioned by name in the Armistice demands of November, 1918. Germany was ordered to surrender “1,700 airplanes (fighters, bombers – firstly, all of the D 7’S and all the night bombing machines)” (number of aircraft to surrender are not always the same).
In the end, not all D.VII’s were handed over. Some were flown back to Germany by their pilots and hidden in sheds. From the ones that were flown to the collection points of the Inter-Allied Control Commission, some were wrecked during landings or taxiing. After the war, some were sold abroad. Anthony Fokker flew from Germany and smuggled six trains with sixty wagons each full of aeroplanes and tools to Holland. Among these were 120 D.VII’s.
UPDATE: The photographer is Sory Sanlé. “I grew up in a rural area of what is now Burkina Faso, but I moved to Bobo-Dioulasso, the country’s second city, when I was about 17. There was a real buzz about the town. I started taking ID photos, straight-up portraits, for a small fee. With the help of my cousin Idrissa Koné, who was a musician and entrepreneur, I was able to set up a studio called Volta Photo. That’s when it all began.”
Maybe it’s Transparent or Transplant. I’m going with Transplat.
[It was known as] C.C. Cannan Field since 1918 and as an informal flying field and race track before that. In 1925 the field was purchased by Vince Hays for his Houston Aerial Transport Company. It was on this field that Shorty Walker and Guy Hahn made and flew their airplanes and aircraft engines. [Source]
[Top image found here, 1923 C.C. Cannan Field article found here, 1923 Detroit Free Press ad here.]
“In the mid twentieth century there was made a series of photographs advertising Soviet “An” planes to western buyers. Some of these photos have been revealed just recently. Party leaders didn’t allow them to be used abroad and the photos were kept in the archives of “Antonov” company.”
[Image and caption found in here. More about the Ukraine-based company here.]
“‘Some collide, some escape’: This was the title of a 2005 exhibition of works by Jimmie Durham that was held in a former cow barn belonging to Berlin’s Humboldt-Universität. The barn had been a site of agricultural research in the days of socialism.
Durham opened … with a vegetarian performance – he ate a flower – and, in the university cow barn, revealed his artistic cosmos. On display were an old toothbrush among rotten apples, medical instruments adorned with feathers, egg shells, bones, pelts and a good deal more.”
To pursue, obtain and accept special perks and creds based upon something that might or might not have happened to your personal ancestors is specious at best, but to invent your genealogy in order to take advantage of those arguably racist programs and boons is not only unethical but fraudulent.
I despise liars more than thieves.
BTW, I am an Afro-Elbonian-Azteca-Swede-Erie-Scots-Mongolian-Slav-Inuit-Baboso-Haole-American. Bring it, chuchas.