Well done satire, that.
Big Bug vid found here.
Clarence Gatemouth Brown & Roy Clark (with Leon Rhodes) do some serious pickin’ on Hee Haw (1979). If this ain’t roadtrip music, nothing is.
Ry Cooder, Buckwheat Zydeco and Lenny Kravitz, having some fun in New Orleans 2005.
The Fabulous Thunderbirds cover T-Bone Walker‘s The Hustle Is On (1950). Not sure of the date or location.
That’ll do for now. Gonna get some R&R and see you back here tomorrow as far as you know.
Post Horn Galop – The Bands of HM Royal Marines. Amazing post horn fanfare duel.
Hawaiians Kaipo Kapua, Josh Tatofi and Nu’u Maoli. This medley should be named “See A Minor, Effin’ G.” Those vocals are tight.
Redbone had a nice run in the 70s, Witch Queen of New Orleans being one of my favorites for the swamp-rock sound. Very underrated band IMO, even if they did wander into the pop playpen occasionally. “Come and Get Your Love” (1974) was an earful of soul.
Billy Preston sported one of the greatest ‘fros in the business, and wrote one of the best instrumental jams ever – Outta Space. This version is from 1987.
Have a great holiday weekend, have some fun despite what the scolds say, and we’ll do more stuff tomorrow.
George Duke showed up to play Zappa’s classic Uncle Remus with Dweezil Zappa‘s band in 2010. (If you like George Duke, this behind the scenes rehearsal from1978 is kinda fun. Jump to 02:50.)
Ignore the clickbait title – it’s a killer groove by MonoNeon. He’s right-handed, but plays left-handed on an upside-down right-handed bass. Dude can cover Zappa, too.
skArmy covers Save Ferris‘s cover of Dexy’s Mightnight Runners‘s Come On Eileen is a good one to wrap it up.
Have a great weekend folks, gonna do something tomorrow.
Very cool oddness. Bendito Machine is a series, and this is No. 6. You are allowed to start from the beginning with Bendito Machine I.
“Yaybahar is an electric-free, totally acoustic instrument designed by Görkem Şen. The vibrations from the strings are transmitted via the coiled springs to the frame drums. These vibrations are turned into sound by the membranes which echo back and forth on the coiled springs. This results in an unique listening experience with an hypnotic surround sound.”
Luna Lee plays ZZ Top’s La Grange on a Gayageum and it works. Her story and more here.
“You know when a long haired dude shows up in a cowboy hat, leopard spotted duster and rattle snake boots some shit is about to go down.”
Name another bluesman whose video of a soundcheck garners 19.4 million views. Having just woken up, he yawns, flicks a booger and then busts it out. Stevie Ray Vaughan was one of a kind.
Have a great weekend, folks, and we’ll see what happens tomorrow.
Asphalt Orchestra (the ambulatory arm of Bang on a Can) is pretty good, but they’re downright amazing when they pull off Zappa’s Zombie Woof.
Euphoria Brass Band cranks out Sublime’s What I Got at the Tijuana Jazz and Blues Festival 2015. Lotta not-so-subtle influences heard in that jam, and I like it.
“i found a cd of this band in a abandoned ship on the coast of uruguay – montevideo, never heard nothing about this band. really a surprise. grettings. good shit.” [2016 YouTube comment]
The Mudcat Blues Band featuring Danny ‘Mudcat’ Dudeck hails from everywhere, but apparently is anchored in Atlanta. This vid is from 2013, Matildas, Music Under the Pines in Alpharetta, Georgia – jump to 1:34 for Whiskey.
Well that seems to sum up my attitude for today. Have a great weekend folks, don’t worry ’bout the ‘Rona, and do what you wanna do. See you tomorrow for something or other.
The Funk Brothers were/are a rotating group of session musicians who performed on many Motown classics, including The Contours‘ 1962 hit “Do You Love Me.” This 2002 line up backed Bootsy.
I always liked that song even though nobody knows exactly what Procul Harum was singing about in 1967.
Robin Trower continued his career after leaving Procul Harum, had a nice solo run, and is still performing at 75. Jimmy Dewar‘s vocals always fit.
Have a great weekend, folks, don’t burn down or loot anything, turn in those who do, and we’ll see you back here tomorrow for something or other.
The flocking grackles(?) were recorded in a Walmart parking lot somewhere in Texas.
The Ramones covered the Trashmen righteously.
The latter took their name from a 1961 song by Kai Ray (aka Ray Caire) “Trashman’s Blues.”
The Lovell Sisters play roots-country/bluegrass, and that vid is from 2009. 2/3rds of The Lovell Sisters comprise Larkin Poe, and they just released their 5th studio album.
The first recorded (and published) version of “Jesus Make Up My Dying Bed” was by Blind Willie Johnson in 1927, but the origins of the hymn are unknown – it may date to 1600s England.
Apparently the Reverend Horton Heat got a Whole New Life in 2018, two full years ahead of the rest of us.
Have a great weekend folks, now that our keepers have generously returned a bit of freedom. I’m gonna get a haircut and eat cheeseburgers, and I dare anyone to stop me. See you back here tomorrow unless the apocalypse is expedited.
Lou Reed had an incredible a vocal range. In 2015, as he was about to be (posthumously) inducted into the Rock and Roll Hall of Fame, his sister wrote about their early years in A Family In Peril.
Tom Waits‘ “Telephone call from Istanbul” from the movie Big Time. The missus-to-be and I saw it at the Nuart in L.A., and I remember it being damn surreal.
Popa Chubby (aka Theodore Joseph “Ted” Horowitz) cranks out Hambone Willie Newbern‘s “Roll and Tumble Blues” (1929).
Have great weekend, folks, and be sure to wear a mask and maintain proper social distance if you decide to go looting and burning businesses in your neighborhood. See you back here tomorrow.
Right Click For The Tacky Map!
Fight Blogslutting. (Psst. Hey, buddy. Got a Buck 4 a Bunk? A dime a day keeps the meerkats away. Cutesy little standy-uppy weasel-lookin' bastards.)
