Saturday Matinee – The Tielman Brothers, Undercover S.K.A. and Kitty, Daisy & Lewis

They were the greatest early rock and roll band you never heard of.
The Tielman Brothers were of Indonesian/Dutch ancestry and made a name for themselves, first in East Indonesia, and later in the Netherlands. In 1958 they recorded Rock Little Baby of Mine, considered to be the first Dutch rock ‘n’ roll record

Undercover S.K.A., a third-wave band from San Francisco, began as a one-off gig for a backyard party in the 1990s. They lost band leader Bob Glynn in 2017.

Pure awesome.
Kitty, Daisy and Lewis Durham “giving a free gig at Brewdog Shorditch; to win tickets you had to draw a picture of one of their songs,” 11 April 2012. Those are their parents filling in on bass and rhythm guitar. [Previously posted vids and info here.]

Have a great weekend and stuff. Here. Tomorrow. Be.

Saturday Matinee – Avner the Eccentric, Khruangbin & Raskahuele Estridente

That’s some class clowning. While street performing in Paris,  Avner Eisenberg (aka Avner the Eccentric) was once arrested for buffoonery in public.

Space surf funk jazz mixed with world music = Khruangbin.
The name is Thai for “aeroplane,” and they make their recordings in a barn in  Burton, Texas (pop. 300). There’s more about them here than on their cool website.

Formed in 2004, L.A.’s Raskahuele Estridente is sort of a latino version of Fishbone, and I like their style.  Their song topics include socio-political / immigration issues mixed in with fun stuff.

Enjoy the rest of the weekend, fight for the leftovers, and we’ll see you back here tomorrow.

Sepicolous Hot Links

Echo Four-Two, Bad Manners (1980) Bad Manners hooked me with their cover of Millie Small‘s 1964 hit My Boy Lollipop (a cover of My Girl Lollipop credited to Robert Spencer of The Cadillacs and recorded by Barbie Gaye in 1956).  Bad Manners also recorded one of the prettiest reggae love songs ever: Samson and Delilah.

Problem.

Red Jelly.

The jazz retriever.

Amazing trick shots [via].

Elephants squashing squash.

Birth month frequency chart.

The Police Lip-Synch Challenge.

Fluid dynamics of swimming ducks.

LARRY FERRARI—Radio, Television & Recording Artist/

[Top image: Will Elder and Al Jaffee.]


From the Archives: 1 year ago. 5 years ago. 10 years ago.

Saturday Matinee – Pwnisher’s Render Challenge, Rex Race, The Reverend Peyton’s Big Damn Band & The Mighty Mighty Bosstones

Pwnisher hosted a competition that resulted in this mesmerizing compilation of entries based on the same “simple” animation:

It’s way beyond my capabilities, and I’m surprised no one walked the poor bastard up the stairs.

Nice find, Jonco.

The Reverend Peyton’s Big Damn Band is always a fun romp, and they have a new album in the works.
Rev. Peyton – Guitar/Vocals
Breezy Peyton – Washboard/Vocals
Sad Max Senteney – Drums/Vocals

The Mighty Mighty Bosstones don’t believe in anything anymore. It’s from their 11th studio album, When God Was Great (2021).

Yep, that’ll do for now. Have a great weekend, watch out for the bugbears and we’ll throw something on the floor to kick around tomorrow.

Saturday Matinee – A Banana, Бра́во, The Mighty Mighty Bosstones & Cam Cole

This banana comes with a cool Django Reinhardt vibe.
[Found here.]

Marty Robbins goes to Russia? Бра́во [Bravo] was founded in 1983 in Moscow, was one of the most popular underground acts.
Ветер знает [The Wind Knows] sounds just like the real deal. (There’s an English version here.)

The Mighty Mighty Bosstones‘ song intro has been stuck in my head for months and now that I’ve rediscovered it I can finally sleep at night. This live version is from 2011.

Cam Cole, busker, bluesman, rocker, recording artist, and “the most impressive one-man band you will ever see” nails the blues to your forehead and plugs it into your ears. This guy is definitely one to watch for.

Have a great weekend, something else will show up here tomorrow.

Saturday Matinee – The Specials, Rude Pride & The Interrupters

The Specials in 1979, with A Message To You Rudy.
From the Utoobage comments:

“For those who do not know the story already, the “rudy” of this song is not a person. In fact, it refers to the slang term “rude boy” (rude boy-rudie-rudy) that originated in Jamaica in the early ’60s to define a specific sub-culture that used to listen to ska and rocksteady. As you can imagine, the term “rude” refers to the not exactly in-line-with-the-law lifestyle they had. [..] This particular subculture heavily influenced the mods and the skinheads, particularly in the look. And in in regards of music too , obviously, since the genre Oi! is heavily influenced by ska.”

Rude Pride is/was a band from Madrid (2013-2020) that played 1970s style Oi! Although the sub-genre is often misconstrued as music by racist pro-fascist bands, this is not one of them. I just like the song. (BTW, that’s the Flag of Jamaica on the wall in the background.)

Keeping with the accidental theme, let’s go with some nasty ska.
The Interrupters cover Billie Eilish’ Bad Guy, and their version is better. Duh.

I think that’ll do for now. We’ll see what happens tomorrow.

Saturday Matinee – Orkestra Obsolete, Thee Sinseers, Kemuri & The Ghost Town Blues Band

“It’s like a bunch of 1930’s comic book villains got together and formed a band.” – YouTube Comment
Not much can be found about Orkestra Obsolete except that Scottish guitarist Angus McIntyre assembled the band for the BBC. The original un-colorized video was released ca. 2016 and is a cover of New Order’s 1983 electrobeat song of the same name.

Thee Sinseers have the chicano soul groove down and mix in a bit of Motown on the side. Wait’ll Joey Quiñones’ voice ages a bit and they’ll be even better.

Founded in Oxnard, California in 1995, disbanded 2007, reunited 2012, Kemuri is more to my liking these days. They released two albums back-to-back in 2015 and they’re still touring world wide.

Ignore the tacky stage decor, The Ghost Town Blues Band nails the Memphis sound of the early 70s.

That should hold you over for a while. Have a big fat sloppy weekend, but be back here tomorrow just because.

Saturday Matinee Halloween Edition – The Ramones, Sally Cruikshank & Oingo Boingo

First recorded in 1976, The RamonesI Don’t Wanna Go Down To The Basement is sort of appropriate.

Sally Cruikshank‘s animations are Betty Boop on acid.
Face like a Frog (1987) includes the Cab Calloway-esque song Don’t Go In The Basement (starts at 02:26 ). In 2017, Cruikshank herself added this to the YouTube comments:

Danny Elfman composed the track for this film. Period. Copyright mine. Then a year or two later I gave his agents permission to include it on a compilation LP, I guess put out by [David] Geffen. Now they claim I got the music from the album or something. They’re wrong. My film came first. My husband’s going to get into it with Geffen.”

“I don’t always listen to Dead Man’s Party, but when I do so do the neighbors.” – YouTube comment

Oingo Boingo was a standout band of the 1980s, combining ska, punk, jazz & rock, and Dead Man’s Party became a Halloween party standard. According to Wikipedia:

The lyric, “I hear the chauffeur coming to my door / Says there’s room for maybe just one more,” is a reference to “The Bus-Conductor,” a short story by E. F. Benson about a hearse driver, first published in The Pall Mall Magazine in 1906.

Video is from the 1986 movie Back To School. Yeah, 34 years ago…

Happy Halloween, folks!
This year I’m gonna scare half the neighborhood by NOT wearing a mask. Hope you get all the tricks you deserve and all the treats that you don’t.

[Paranoia moons previously posted here. More Halloween-related posts in the archives.]

The .Gif Friday Post No. 656 – Smiley Fireus & The Ska-letones

[Flaming emoji found here. Don’t remember where I found the other guys.]

Saturday Matinee – George Duke & Dweezil Zappa, MonoNeon & skArmy

George Duke showed up to play Zappa’s classic Uncle Remus with Dweezil Zappa‘s band in 2010. (If you like George Duke, this behind the scenes rehearsal from1978 is kinda fun. Jump to 02:50.)

Ignore the clickbait title – it’s a killer groove by MonoNeon. He’s right-handed, but plays left-handed on an upside-down right-handed bass. Dude can cover Zappa, too.

skArmy covers Save Ferris‘s cover of Dexy’s Mightnight Runners‘s Come On Eileen is a good one to wrap it up.

Have a great weekend folks, gonna do something tomorrow.

 

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