Posts Tagged ‘jazz’

Malacophilous Hot Links

Sunday, 2 August 2020

You Tell Her – I Stutter, The Georgians (1923).
The Georgians were a subset of the Paul Specht Orchestra. Specht had a gig at the Hotel Alamac in New York City in 1920. The orchestra played music for dancing in the ballroom and afterwards a smaller version of the group that went by the name of the Georgians played in the cocktail lounge.

The Wrestling Match.

It’s Gonna Work Out Fine.

Mission Impossible Theme.

The Good The Bad & The Ugly.

C D B. D B S A BZ B. I 8 D BZ B.”

Comparison of Quetzalcoatlus vs. Cessna 172 .

Black Mambo Dog Hats are sold out… thank God.

Metallic Pony Ant workers are gamergates and can reproduce without Metallic Pony Ant queens. BTW, their painful sting might kill you.

[Top & bottom images from Children of the Streets (London 1954).]


From the Archives: 1 year ago. 5 years ago. 10 years ago.


Heterochromatic Hot Links

Sunday, 12 July 2020

Red Hot Mama, instrumental, unknown orchestra.
Written by Bud Cooper, Fred Rose & Gilbert Wells 1924.

The Arc Of The Penguin.
The Range Of The Penguin.
The Aim Of The Penguin.
[h/t Geoff]


Q: Do lizards dream?
A: Don’t know, but a lot of people are trying to find out:
Partial homologies between sleep states in lizards, mammals, and birds suggest a complex evolution of sleep states in amniotes.

[Found via here, via here.]


[Found in this Wonderful Vat Of Knowledge.]


The biggest sandwich of the world.

Here Is Your Redpill. Discuss amongst yourselves.

Google “National Heterochromia Day” and scroll down to the images. I’m 3rd from the left.

[Top image: Lt. Col. Randy “Laz” Gordon, accomplished test pilot, engineer, and F-22 Raptor squadron commander lectures at MIT.


From the Archives: 1 year ago. 5 years ago. 10 years ago.


Saturday Matinee – Asphalt Orchestra, Euphoria Brass Band & Mudcat

Saturday, 11 July 2020

Asphalt Orchestra (the ambulatory arm of Bang on a Can) is pretty good, but they’re downright amazing when they pull off Zappa’s Zombie Woof.

Euphoria Brass Band cranks out Sublime’s What I Got at the Tijuana Jazz and Blues Festival 2015. Lotta not-so-subtle influences heard in that jam, and I like it.

“i found a cd of this band in a abandoned ship on the coast of uruguay – montevideo, never heard nothing about this band. really a surprise. grettings. good shit.” [2016 YouTube comment]

The Mudcat Blues Band featuring Danny ‘Mudcat’ Dudeck hails from everywhere, but apparently is anchored in Atlanta. This vid is from 2013, Matildas, Music Under the Pines in Alpharetta, Georgia – jump to 1:34 for Whiskey.

Well that seems to sum up my attitude for today. Have a great weekend folks, don’t worry ’bout the ‘Rona, and do what you wanna do. See you tomorrow for something or other.

Saturday Matinee – Chet Atkins w/ Jerry Reed, Creedence, and Les Paul w/ Dickey Betts

Saturday, 23 May 2020

Last week I erroneously (and embarrassingly) confused Nena Kerner with Nina Hagen. I lost a lot of karma for that blowzit, so I’ll try to make up for it.

Chet Atkins & Jerry Reed play Bob Dylan. Not sure of date / place.
(Long intro, jump to 02:00.)

Creedence Clearwater Revival, 1970 Oakland California.

Video caption: The audio track is from the CD commemorating the concert and while I had to make some adjustments in speed to match the video, it sounds a hell of a lot better.

Les Paul with Dickey Betts on a Les Paul from 2001.
(Jump to 02:00 to bypass banter.)

Hope that absolves me somewhat. Have a great weekend, folks, and take a moment to remember what Memorial Day is all about.

Saturday Matinee – How Countries Fight Their Wars; Les Paul with Carol Kaye & Justin Johnson

Saturday, 2 May 2020

Awesome [via BlenderGuru email].

Les Paul with Carol Kaye.
Don’t know who she is? You’ve heard her many times before.

Justin Johnson covers ZZ Top‘s “La Grange” with no backup.

Ah, May is here, and in a few more months we’ll be “allowed” to have some of our freedoms back. Perhaps soon we’ll find out who’s been doctoring the statistics to justify their abhorrent destruction of prosperity.

Ah well. Have a great weekend, folks, ignore the scolds and have fun anyway. That’ll really piss ’em off. 😀

Laissez les Bons Temps Rouler! – It’s Mardi Gras!

Tuesday, 25 February 2020

King Oliver & His Creole Jazz Band – Sugar Foot Stomp (1926)
Louis Armstrong played 2nd cornet, married the piano player Lil Hardin.

Lil Armstrong & Buck Washington – Or Leave Me Alone (1936)
That’s Mrs. Louis Armstrong to you.

Al Hirt – When The Saints Go Marching In
Not sure what year, but I’m pretty sure that’s Pete Fountain on clarinet.

Might as well throw some Cajun into the mix while we’re at it. No idea who the artist is or what year, but the song is called Toot Toot.


Joyeux Mardi Gras!
J’espère que vous en avez un gros!

[Gator roast .gif found here.]

Saturday Matinee – Ronco’s Greatest Hits, Han Li, Sam Chatmon, Magic Slim & The Teardrops

Saturday, 14 December 2019

Just a few more shopping days left. Go for it [via].

“We found the happiest lady [Han Li] in China. We told her that you don’t need a real hula hoop to have fun. She agreed.”

Khruangbin made me smile [found here].

Sam Chatmon (1897-1983) sang his version of a classic cheatin’ song in 1978. Apparently the vid was filmed by Alan Lomax.


The origin of the song “Make Me A Pallet On The Floor” is fuzzy and dates to the 1800s. It appeared in sheet music in 1908 in “Blind Boone’s Southern Rag Medley No. One: Strains from the Alleys.

Now check out John William Blind Boone‘s amazing story…


Magic Slim, aka Morris Holt (1937-2013). Nice Chicago blues [via].

Magic Slim was forced to give up playing the piano when he lost his little finger in a cotton gin mishap. He first came to Chicago in 1955 with his friend and mentor Magic Sam. The elder (by six months) Magic (Sam) let the younger Magic (Slim) play bass with his band and gave him his nickname.


Have a great weekend folks. Be back here tomorrow for more stuff.

Saturday Matinee – Trapeze Strip Tease, Al Cohn, Shaye Cohn & Tuba Skinny

Saturday, 21 September 2019

From the Utoobage description:

Laverie Vallee, known better as Charmion, was a Sacramento born trapeze artist who possessed strength and a physique most men would be envious of. However, she was most well known for her risqué striptease performances. The act was incredibly impressive and provocative for the era. One of her greatest fans was Thomas Edison. As a result of that adoration, on November 11, 1901 Charmion committed a simplified version of her act to film for Edison. Charmion eventually retired to Santa Ana, California. She passed away on February 6, 1949 at the age of 73.

[Video found here. It’s silent. Talkies didn’t become commercially viable until the 1920s, so don’t crank up the volume and blow your speakers later.]


The Al Cohn Quartet at the Sanremo Jazz Festival 1987.
Al Cohn (1925-1988) was one of the greatest improvisational jazz saxophonists of all time. Now check this out:

That’s Shaye Cohn, Al Cohn’s granddaughter, playing stride.
Now check THIS out:

Tuba Skinny on Royal Street, New Orleans, April 2013 (covering Bessie Smith‘s “You’ve Got To Give Me Some” 1929).

Current lineup:

Shaye Cohn – Cornet, Piano, Fiddle, Accordion, Banjo & Spoons
Craig Flory – Clarinet & Saxophone
Barnabus Jones – Trombone, Banjo, Fiddle, Guitar, Vocals
Todd Burdick – Tuba
Gregory Sherman – Vocals, Guitar & HarmonicaMax Bien-Kahn – Guitar & Banjo
Jason Lawrence – Banjo & Guitar
Robin Rapuzzi – Washboard & Drum set
Erika Lewis – Vocals & Bass drum

Dang. I’ve been impressed with Shaye Cohn’s stuff for years without knowing her pedigree, and now I know where she got it from. Note how she cues the band while playing.

Have a great weekend, folks, and we’ll do something else tomorrow.

Saturday Matinee – Leon Redbone (1892-2019)

Saturday, 1 June 2019

“Why don’t they play pretty music any more?”

Leon Redbone was an iconic performer who reinvigorated the music of the late 19th to early 20th century, including blues, ragtime, dixieland jazz and country. That he pulled it off in the mid 1970s is an interesting commentary of the state of music of the time (mainstream rock was sucking donkeys). You couldn’t get more retro than Leon Redbone at that time, and he stepped right into the mix.

Rolling Stone described his repertoire as “so authentic you can hear the surface noise of an old 78 rpm.” During a 1974 interview (prior to release of any album) they asked where he first played in public. Redbone responded, “In a pool hall, but I wasn’t playing guitar, you see. I was playing pool.” Apparently he was pretty good at it.

I learned of the song “Ain’t Misbehavin” via some sheet music my late grampa had, and I liked the tune. I’d never heard of Fats Waller before I heard Leon Redbone’s version.

Then I heard Redbone’s over-the-top absurd version of The Sheik of Araby, a cover of this (1937) which was a cover of this (1922). I became a fan.

In the early ’80s I saw Mr. Redbone perform at The Golden Bear (a small but famous venue with no bad seats). His props were a rattan chair, a side table with a lamp, and his guitar. He was in the middle of a song when he saw the flash of a Kodak Instamatic camera. With lightning speed, he stopped, grabbed a Polaroid Swinger and took a photo of the photographer, then sat quietly humming until the image appeared. He held it up to view.

“Ahhh. Not a bad likeness.”

Then he resumed the song exactly where he left off.

I wasn’t aware of this until today, but there is a documentary on Leon Redbone. Here’s the trailer:

“He was always mysterious, he was always coming and going. It was almost like he was there one second and he’d be gone the next… and you never knew where he’d gone or why or how he’d even left, but suddenly he wasn’t there anymore.” – Jane Harbury, Publicist.

Here’s a link to the full documentary if you’re interested. It’s only 16 minutes, but it’s worth it.

Leon Redbone, you were a breath of fresh air into the stagnant late 70s music scene. May You Rest In Peace.

[Related posts here.]

Mardi Gras 2019!

Tuesday, 5 March 2019

Heureux Mardi Gras!

Mo gris gris gumbo yaya here.


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