This exclusive video depicts Armstrong and his All Stars recording the master take of “I Ain’t Got Nobody,” as well as silent footage of them listening to the playback. Also featured in the clip are Trummy Young, trombone, Peanuts Hucko, clarinet, Billy Kyle, piano, Mort Herbert, bass and Danny Barcelona, drums.
I always thought Kid Ory came out of King Oliver’s Creole Jazz Band (along with Johnny Dodds, Baby Dodds and Louis Armstrong) but according to Wiki:
Ory had one of the best-known bands in New Orleans in the 1910s, hiring many of the great jazz musicians of the city, including cornetists Joe “King” Oliver, Mutt Carey, and Louis Armstrong, who joined the band in 1919; and clarinetists Johnny Dodds and Jimmie Noone.
So how ’bout some more in the same vein? Trombone Shorty’s tribute to Louis Armstrong ain’t bad, and he’s got one hell of a breathing trick.
[Confidential to Calo – That one’s for you. Condolences.]
Have a great weekend, folks, and be back here tomorrow for more, you know, stuff.
“Percolatin’ Blues” courtesy of Smoking Time Jazz Club.
Grampa Eliot sings the truth.
Doreen’s Jazz is entirely awesome.
Have a great weekend, folks, remember the Presidents who afforded us our freedoms and those who assist in taking them away, and be back here tomorrow for more stuff.
Spoondog is a dog with a spoon [via].
Since tomorrow is the SuperBowl, here’s how one New Orleans reporter trolled an inebriated videobomber.
Joe Bonamassa‘s “Just Got Paid” at the 2009 North Sea Jazz Festival. So much groove crammed into one jam, and it’d take me too long to post all of the obvious influences. “Wheedlie-wheedlie-spoo” guitar solos turn me off because they sound silly and self-indulgent, but this ‘un is a good ‘un.
Have a great weekend folks, and I hope your team wins.
Don’t disturb deer, and don’t mess with a stag during rutting season. [via]
“He really, really, really hates plastic bottles.” [via]
The Neville Brothers with “Brother John / Iko Iko” 1995, Stuttgart.
According to Wikipedia:
The song “Iko Iko” was written in 1953 in New Orleans by James “Sugar Boy” Crawford about two competing Mardi Gras Tribes/Krewes. “Jock-a-mo” was the original version of the song “Iko Iko” recorded by The Dixie Cups in 1965. Their version came about by accident. They were in a New York City studio for a recording session when they began an impromptu version of “Iko Iko,” accompanied only by drumsticks on studio ashtrays.
[Listen to it on the Utoobage here. Lyrics are in the notes.]
Other trivia: Crawford formed a band which local DJ Doctor Daddy-O named “The Chapaka Shawee” – Creole for “We Aren’t Raccoons.”
Fun Facts to Know and Tell. Have a great weekend, folks.
Mardi Gras Indians are the Mardi Gras most people don’t see. Modern Day Indians came from a time when African Americans felt left out of the traditional Mardi Gras krewes and parades. Residents from wards around New Orleans formed their own sort of Krewe and named them after their streets or wards. The Indians created elaborate costumes and names themselves after Native Americans- as tribute to the Native American tribes’ role in freeing the slaves. They designated someone to be the Spy, the Flag boy and the Big Chief and these tribes led processions through the streets. In the past, Mardi Gras Indians were violent, but today most tribes simply act out a scene when passing other tribes. Indians do not follow any schedule or parade route and a rare thing to see on Mardi Gras.
Of course there are also a lot of beads, beer, boobs and blues:
Everyone should experience Mardi Gras in New Orleans at least once. The parades are awesome, the music is great, and there are uninhibited and inebriated college girls. There are also pickpockets, drug dealers and people who will fight you over a plastic necklace. The beer/drinks are cheap (since they deal in volume) and the streets and sidewalks flow with unmentionable liquids so you’ll need to burn your shoes afterwards. Again, everyone should experience Mardi Gras in New Orleans at least once.