Proto punk soul singer and producer Genya Ravan blew me away when I heard Stay With Me (1970), and check out her 1977 interview here.
Pat Benatar‘s 1991 cover of Denzil Laing & the Wrigglers‘ 1958 cover of
Wynonie Harris‘ 1951 cover of Hank Penny‘s song from 1949.
Larkin Poe gets all nasty and swampy.
You know the drill. Have a great weekend.
Edward Sharpe & the Magnetic Zeros is a bit of an enigma to me. Some songs sound like folk busker music, some seem almost evangelical, and then they morph into a psychedelic jug band. Formed by singer Alex Ebert, the band’s name is based on a story he wrote about a messianic figure named Edward Sharpe.
The Contours should need no introduction, but not according to some of the comments in the Utoobage. The 1962 hit Do You Love Me was written by James Brown and Pee Wee Ellis.
A former James Brown impersonator, Charles Bradley & His Extraordinaires turned up the soul groove with this retro gem from 2014. Great bassline too.
Happy Memorial Day weekend, stay safe in your travels, and we’ll be sitting on the porch as usual if you want to stop by.
Aaron Hughes‘ impressive hand-drawn animation Five Cents:
“Drawn by hand on thousands of market data pages from The New York Times, The Wall Street Journal and the Financial Times with ink, white-out, gouache paint, gold leaf and other materials.”
[h/t Mme. Jujujive].
Formed in South London in 1980, The Meteors are considered the first verifiable psychobilly band (and the second band to use the term).
The Interrupters: Aimee Interrupter & the Bivona brothers always look like they’re having fun, probably because they are.
That’s all for now. Be back here tomorrow and we’ll make up stuff.
When you ask A.I. to create a Family Guy pizza commercial you get this.
Hot Club de Piracicaba performs Paganini in Django style.
Guitar great Jimmie Vaughan is still pickin’ the blues at 72.
At 04:12 he says it’s an Eddie Taylor song, but a 1952 Meteor Records 78rpm issue credits Elmore James & James Taub as the writers.
Robert Randolph and The Family Band
“In his adolescent years before being discovered by the secular community, [Randolph] was almost completely unaware of non-religious music. He went on exclaim in an interview that ‘I grew up and saw a lot of older guys playing lap steels and pedal-steel guitars in my church. I had never heard of the Allman Brothers, or even Buddy Guy or Muddy Waters.’ “ [Wiki}
And I had never heard the term sacred steel before today. Have a great weekend, see you back here tomorrow. Bring your laundry.
Mississippi John Hurt, recording from Pete Seeger’s “Rainbow Quest” series (1965/1966) a television show devoted to folk music.
The great John Hiatt, backed by The Jerry Douglas Band, gets all sweet and swampy and stuff.
Grammy nominee and Swayzees frontman Les Greene teams up with The Televisionaries, a surf punk band from Rochester New York, and the result is.. that.
Have a great weekend, see you on the back porch tomorrow.
This is the work of Billy Blob.
Sundance Film Festival award-winning short Bumble Beeing Part 1 – The Butterfly Effect (2002) has the back story, and Mr. Butterfly later agreed to do a Special Commentary interview.
“I started playing around the age of four, and started getting good at seven.” G.E. Smith is an unpretentious and underrated guitar player with an impressive resume, best known as the pony-tailed bandleader for The Saturday Night Live Band. The song is a cover of Robert Johnson’s 1936 recording of 32-20 Blues, which itself is a remake of Skip Jame’s 22-20 Blues.(1931).
Buddy Guy with Ally Venable (and vice versa) is a killer match up. From Venable’s studio album Real Gone (2023).
Chicago legends Lonnie Brooks and James “Sugar Blue” Whiting jammed with the Nicholas Tremulis Orchestra in 1999.
And that’ll do it for this installment. Have a great weekend and we’ll have a sit down on the back porch tomorrow.
Propellerheads, with Shirley Bassey, the Welsh vocalist known for her renditions of themes to three James Bond movies.
“Propellerheads were a British big beat music band, formed in 1995, from Bath made up of electronic producers Will White and Alex Gifford. The term ‘Propellerhead’ is Californian slang for a computer nerd, and when Gifford and White heard a friend from California drop this into conversation, they thought it the perfect name for their band.”
From Birmingham, UK, Harry & The Howlers features what Harry (Haley) Jordan calls “sleaze-fuelled rock and roll.”
Roy Rogers is one of those guitslingers who doesn’t need a backup band to sound good, but give him one and the results are amazing.
Have a blessed Easter.
Lots of gloopy in this oddity by Swedish animator Alexander Unger, aka Guldies.
According to their bio, The Howlin’ Brothers sound “like what would happen if a bunch of Appalachian punk rockers formed a jug-band.”
Close enough.
Luther and Cody Dickenson and bassist Chris Chew make up The North Mississippi Allstars. They’ve been around for a while, and crank out some damn fine roots blues and bluegrass, like this cover of Charley Patton’s Mississippi Bo Weevil Blues (1929).
Gonna leave it right there. See you tomorrow.
World’s Largest Laser Gun (2018) by Corridor.
Oorutaichi is a “free-form, improvisational electropop artist from Osaka. Inspired by The Doors and The Residents,” he once had a band called Urichipang, and the Utoob description (via Google Translate) doesn’t help much:
PV of “Atlantis” from the album “Giant Club” by Urichipan-gun, which has been well received by UA, Ryuichi Sakamoto, Seiichi Yamamoto, and many other people as one of the masterpieces in J-POP history.
What a laid-back groovy groove. The Heavy Heavy is “a reverb-drenched collision of psychedelia and blues, acid rock and sunshine pop” based in Brighton, UK.
Jake’s and Elmore’s long lost nephew.
Paul Janeway of St. Paul & The Broken Bones nails the Stax/Volt soul sound, while Janelle Issis makes the video even better.
Might get a haircut tomorrow before someone starts calling me “mulletman” – again. See you back here for popcicles and beer.
What is hip? Tokyo Groove Jyoshi is. They’re a groove band formed in 2018 by three session musicians:
Juna Serita – Bass
Emi Kanazashi – Keyboard
Yuriko Seki – Drums
w/ Shinobu Kawashima – Shamisen
[h/t Feral Irishman]
Blind Boy Fuller‘s Step It Up and Go (1940) as covered by blues roots historian Edward Phillips.
New York retro-rockers The Raunch Hands were underrated and overrated at the same time. [h/t Gord S.]
Hope you have a wet weekend and we’ll check the rain gauge tomorrow.
Tacky Raccoons 