Cyriak outdoes himself creepy-wise, with “Indigestion.” [Found here.]
Frank Zappa‘s final live performance (with backup by Pražský výběr) 1991, Prague, Czechoslovakia, shortly after the collapse of the USSR. Long intro, but worth the listen.
Traffic, 1971. We played their albums in college so often that if you held the vinyl to a light you could see through the grooves.
A great cultural icon passed on this week. She possessed one of the greatest voices in the business, singing and performing gospel, blues, R&B, jazz, soul and pop. Multiple generations grew up listening to her recordings, myself included.
What a natural. Only 22 years old in 1964, and she was already amazing. Respect indeed.
R.I.P. Aretha Franklin (1942-2018).
Have a great weekend, folks. See you back here tomorrow.
“The center of an aspirin tablet is the exact same size as the center of a beach ball.” – Master Archer Byron Ferguson.
[Found here. Not sure what the target distance is, but it’s still impressive.]
The Mavericks (Raúl Malo / vocals, guitar; Paul Deakin / drums; Jerry Dale McFadden / keyboards, vocals; Eddie Perez / guitar) crank out some big band boogie woogie in Austin, 2004. It’s a cover of Merle Haggard‘s classic 1966 country hit “The Bottle Let Me Down.”
Jared Dines commissioned the design of a 17-string guitar, paid $1,200 for it, then learned that it was made in China for $400. Pissed him off, so he destroyed it. He then ordered this 18-string from a legit Australian company. Nice catchy tune…
The Baboons‘ “It’s Dark” has a solid (but unattributed) Howlin’ Wolf groove, so let’s go there.
That’s Willie Dixon on bass. He wrote, arranged, produced, played and sang on some of the most influential blues standards in modern history, so it’s really a Dixon Groove.
Have a great weekend, folks. See you back here when you’re ready.
Here’s Tom Waits‘ response when asked by NPR, “What is the most interesting recording you own?”
“It’s a mysteriously beautiful recording from, I am told, Robbie Robertson’s label. It’s of crickets. That’s right, crickets. The first time I heard it … I swore I was listening to the Vienna Boys Choir, or the Mormon Tabernacle choir. It has a four-part harmony. It is a swaying choral panorama. Then a voice comes in on the tape and says, “What you are listening to is the sound of crickets. The only thing that has been manipulated is that they slowed down the tape.” No effects have been added of any kind, except that they changed the speed of the tape. The sound is so haunting. I played it for Charlie Musselwhite, and he looked at me as if I pulled a Leprechaun out of my pocket.” [via]
Rag’n’Bone Man’s first hit single, “Human“, was released on Columbia Records in July 2016. It peaked at number one in the Official Singles Charts in Austria, Belgium, Germany, and Switzerland. It was certified Gold in Austria, Belgium, Germany, Italy, the Netherlands, Sweden, and Switzerland.
That’s is an entirely different version and a precursor to the one I’m familiar with:
Have a great weekend, folks, and for Fathers’ Day, buy your Dad a big bacon cheeseburger with fries and a pint of stout. He’ll love it, despite what your Mom says about it causing tumors in rats.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
