Following a performance in France in 2010, Taj Mahal and Clive Barnes joined Eric Bibb to play his song Needed Time.
Cory Wong with Victor Wooten and band lay down some funky groovidity.
Anna Scionti won the Melbourne Blues Appreciation Society’s (MBAS) Blues Performer of the Year 2023 (Solo/Duo Category) and represented the MBAS at the International Blues Challenge in Memphis Tennessee in January 2024.
Outta time, outta steam, see you tomorrow.
The Colour of Don Don, The Cactus Channel (2012)
The Cactus Channel is/was a hip hop funk & soul group from Melbourne AU. Nice Stax/Volt influence. The 7-10 piece group has apparently disbanded to pursue other projects.
Fugu [via Bunkerville].
“People have raised concerns…”
Asteroid City [via Mme. Jujujive].
In ’71, after I graduated high school…
“What’s your source?” [via Mogadishu Matt].
The last Woolworth’s Lunch Counter [h/t Paul Y.]
Carnival of Venice, Mosé Tapiero on ocarina, 1908.
Making ocarinas in South Korea [via Memo Of The Air].
California’s 3rd largest city is a ghost town [h/t Paul Y.]
Beautiful rendition of the Theme to Titanic [h/t Charlene J.]
[Top image: 1954 Hubley’s Atomic Disintegrator. A weapon like this may fetch $300 or more at auction.]
From the Archives: 1 year ago. 5 years ago. 10 years ago. 15 years ago.
The Hoodoo Men: Gerry Höller / guitar, Peter Samek / harp & vocals, and Wolfgang Leinweber / washboard. Great 1950s Chicago blues from Vienna.
In 2004, Australia’s Spiderbait did a bangup job covering Ram Jam’s cover of Leadbelly’s Black Betty.
The Pointer Sisters‘ classic soul/funk/gospel cover of Allen Toussaint‘s Yes We Can Can features the great Gaylord Birch on drums.
Passed a milestone of sorts this week, and I’m happy. See you on the porch tomorrow and I’ll tell you all about it for the 100th time.
Wendy Saddington with Jeff St. John & Copperwine ca. 1971. From the Utoobage comments: “I dislike it when people say that she was ‘Australia’s Janis’ or ‘Australia’s Aretha’ – she was Wendy, a one of a kind and no imitation of an imported product.”
Matthew ‘Dutch’ Tilders, dubbed the Godfather of Australian Blues, was born in the Netherlands in 1941. His family moved to Oz in 1955 when he was 14, just in time for the rock and roll era and the resurgence of American blues. Self-taught on guitar, by 1960 he was playing original songs in the local coffee houses.
Lachy Doley channels Jimi Hendrix on his Hammond C3.
All Australian blues for this edition of the Saturday Matinee [h/t Archie]. It’s a mystery to me why these musicians got so little exposure in the US.
Time is getting compressed and the days are speeding past again, at least for me. Have a great weekend – we have some serious porch sitting to do tomorrow.
K-Jee, The Nite-Liters (1971)
The Nite-Liters were formed in 1963 in Louisville, Kentucky by Tony Churchill and Harvey Fuqua. After recording two albums in the early 1970s, the group morphed into the 17-piece ensemble New Birth.
A Thin Layer of Slugs. Eep.
The Syllabus of Frankenstein’s Monster.
Techno unplugged [via Memo Of The Air].
Van Morrisson & the contractual obligation.
Escape From Pooky Park [via Mme. Jujujive].
The tides of the Korean War [h/t Bunkerville].
Rogue waves slam Roi Namur Island restaurant.
[Top image: AI-generated fast food venue found here, via here.]
From the Archives: 1 year ago. 5 years ago. 10 years ago. 15 years ago.
Tuba Skinny, featuring bandleader Shaye Cohn on cornet. Although we were in NOLA last May, I didn’t get a chance to see them because I was too busy chillin’ on a balcony with the dogs.
Formed in 2016, Lucky Chops began as a group of subway buskers from Fiorello H. LaGuardia High School, New York City, and now they perform world-wide.
German bluesman Timo Gross has been around for a while but he’s relatively unknown in the US; I had to run his Wikipedia entry through Google Translate.
One man ska band JER / Skatune Network rang in the New Year in 2016 and somehow I missed it. Turnitup!
Yep, it’s almost time to turn the calendar ahead again, but before we do, we have a porch that needs sitting on. See you there.
16 Horsepower was a Denver-based group that mixed rock, bluegrass and Appalachian gospel. They released four studio albums before egos got in the way: they disbanded in 2005, citing “mostly political and spiritual” differences.
French blues rock singer and guitarist is a vocal powerhouse. Although she’s got two albums out and another soon to be released, I couldn’t find much background except for an interview.
Véronique Gayot: vocals
Yannick Eichert: guitar, vocals
Jerome Wolf: bass
Jérome Spieldenner: drums
Delbert McClinton has been performing on stage since 1957, has been called the sound of Texas soul, and has backed Sonny Boy Williamson II, Howlin’ Wolf, Lightnin’ Hopkins, and Jimmy Reed. Eventually he had a national hit, playing harmonica on Bruce Channel‘s “Hey! Baby” in 1962. His biggest hit came in 1980 with Giving It Up for Your Love, which scored No. 8 on the Billboard Hot 100.
It’s almost time, and I’m not ready for it, so we’ll put off the Christmas cheer until it becomes mandatory. Have a great weekend and we’ll see you back here tomorrow.
What is hip? Tokyo Groove Jyoshi is. They’re a groove band formed in 2018 by three session musicians:
Juna Serita – Bass
Emi Kanazashi – Keyboard
Yuriko Seki – Drums
w/ Shinobu Kawashima – Shamisen
[h/t Feral Irishman]
Blind Boy Fuller‘s Step It Up and Go (1940) as covered by blues roots historian Edward Phillips.
New York retro-rockers The Raunch Hands were underrated and overrated at the same time. [h/t Gord S.]
Hope you have a wet weekend and we’ll check the rain gauge tomorrow.
He was 30 years old when he ripped up The Judy Garland Show in 1964. From the Utoobage comments:
“The ‘Best Boy Dancer’ happened to be the choreographer for this dance. His name is Bobby Banas. He also played Joyboy in Westside story.”
I’d say the girl did a bang up job but she got no credit.
Al Jackson Jr., Steve Cropper, Duck Dunn, Booker T. Jones,
aka Booker T. & the M.G’s, groovin’ in 1971.
Zontar Venus. You’re on you’re own with this one. [h/t Gord S.]
Modern soulfunkgroove (with some serious technical music skills embedded).
MonoNeon: lead vocal, background vocals, guitar, bass;
Davy Nathan: keyboards, drum programming.
Guess that’ll do for now. Hope the summer heat is cooling down to a more tolerable level for y’all, and remember: it ain’t the heat, it’s the humanity. See you back here tomorrow.
I get the grins whenever I hear The Reverend Peyton’s Big Damn Band. Don’t let the silly stuff distract you; The Reverend has some killer chops.
Leo Pellegrino (of Too Many Zooz & Lucky Chops) really blows it in 2017 and breaks into Charles Mingus’ Moanin’ at about 3:14.
In 2019 Pellegrino sued Epic Games for allegedly using his likeness when designing the “Phone it in” dance emote. “Because of his externally rotatable feet, he eventually developed his own unique dancing style and his signature and original movements – viz., the Signature Move,” reads the filing.
Jeff Beck & Imelda May – great take on The Shangri-Las‘ 1964 breakout hit Remember (Walking In The Sand).
I hear there’s a football game this weekend, so burn your masks, fix up a batch of chili and we’ll see you tomorrow.
Tacky Raccoons 