Saturday Matinee – Ghalia Volt, Thorbjørn Risager & The Black Tornado, and Soledad Brothers

Belgian guitarist (and occasional one-woman band) Ghalia Volt grew up listening to her grandparents’ traditional Spanish music and flamenco songs, then moved onto punk, garage rock, psychobilly and roots rock. She began performing as a street busker in Europe and is now anchored in New Orleans.

“This is the sort of band that gets booked by unwary festival promoters as an early evening support only to discover they’ve stolen the show by 8 pm.”
Since their beginnings as a Copenhagen bar band, Thorbjørn Risager & The Black Tornado have been dubbed Denmark’s premier roots rockers. The septet has performed in Scandinavia, Europe, Canada, the US and Asia for the past twenty years.

Soledad Brothers were an American garage rock trio from Maumee, Ohio. Taking strong influence from blues rock and punk, the band produced four albums and were active from 1998 to 2006. They took their name from a trio of convicted members of the Black Panther Party, incarcerated at Soledad Prison in the early 1970s.

Panic walks amok: This week’s news feeds shifted to stories of dignitaries chowing down in China, a possible super El Niño, un-salmandering the gerrymandering, snorkeling near the USS Arizona, and the Rat Turd Virus. All in all it made for a slight respite, and Porch Time is scheduled for porchtime o’clock. See you then and there.

Saturday Matinee – Redwood Logging in 1946, Maxim Zhestkov, The Count Five, The Cramps, Tom Petty & The Heartbreakers

Redwood logging in 1946. Dangerous work. [Found here.]

Hypnotizing art “installations.”

Maxim Zhestkov (b.1985, Russia) is a media artist and director whose practice centres around the influence of digital media on shifting the boundaries of visual language.

He grew up in a small town on the Volga river named Ulyanovsk. From childhood, Maxim was fascinated by art, physics and computers which led him to university, where he studied architecture and fine art.

I’m kinda in an odd mood, change of the seasons, sun angles and all, so let’s roll with it.

“Psychotic Reaction” by The Count Five, peaked at No. 5 in 1966 on the Billboard Hot 100. Classic garage band / early psychedelic rock. Since then it’s been covered by a number of indy/punk/rock bands, including this one by The Cramps in 1983:

Meh. I can do without that, but this one’s not too bad:

Tom Petty & The Heartbreakers probably did the best cover of ‘”Psychotic Reaction” in 1991, preserved the soul of the original.
The intro is cool, song starts at 2:20.

Have a great weekend, folks. Be back here tomorrow for more stuff and stuff.