
Never forget that they were your age once…

Some folks take Batman lore very seriously. And why not? There are no laws, at least in this country, that forbid rabid BatFannage. This particular example is very deceiving in that it efficiently transforms the ubiquitous beetle into the ORIGINAL BATMOBILE with relatively little effort. Yeah, mock it all you want, but then compare it with the genuine item that we’ve provided for your viewing pleasure below:

Okay, the bottom image is a model of the 1940’s version, but you can’t deny the awesome resemblance. Therefore, the esteemed panel of judges at TR have voted unanimously to declare the VW Batmobile to be honored as a true and bonafide Babe Magnet.
On the other side of the coin is BatMockage, and here is a prime but innocent example. 7 out of 8 mocked him correctly. The other one is destined to be an online furnace filter consultant.

Top Image from this FINE collection of batpoopage
(pronounced, bot’ pu pazh‘). Second image, slightly doctored, from here. Bottom image from here. Continue reading “Babe Magnet: Batbug!”
Whatever happened to these guys? They were a blast when they came out in the late ’70s. Here’s the Bus Boys‘ promo video.
Better yet, whatever happened to The Paladins? Great 3-man flat head six rockabilly, and here they are live in Holland of all places. I saw them decades ago opening for The Fabulous Thunderbirds at the Golden Bear in Huntington Beach, California. Track down any of their records and you won’t be disappointed.
When I was dating the future Mrs. Strutts, we went to see the Paladins in L.A. Opening for them was Jimmy & the Mustangs.
Opening for the Paladins and the Mustangs: The Forbidden Pigs. Stand up bassman Billy Bacon was amazing, standing on it, rolling around with it, jamming it. At one point the drummer took a flip over his drumset to beat on the bass while Bacon fingered the chords. Great show.
When you’re an 11-year-old girl at a sleep over, watching the results of “American Idol,” some things matter A LOT. [via Woosk.]
This is kinda cool, even though it’s contrived and the music drips with lameosity. Combines Picasso, Dali, Van Gogh and Escher imagery.
Thanks a wad to TR Commenter Breon for reminding me of the late great Danny Gatton. Here’s a kickass medley of Sun Records hits, in typical out-of-sync Utoobage fashion.
But I remember Gatton for THIS incredible stunt. (Phil, y’all pane-tension?)
Here’s Bunk’s favorite pissed-off blues crank, from Stevie Ray Vaughan.
Shortly after Vaughan passed on, Buddy Guy fronted SRV’s band, Double Trouble, on Austin City Limits in 1991. Here’s his tribute version of “You Better Leave My Little Girl Alone”.
[.Gif from here.]

Bryan, OH (Strutts News Services) – Etch-A-Line-X from Ohio Art promises to be a big seller this season, second only to Etch-A-Dot. This excellent version allows children with Y-Y comprehension problems to ignore the difficulties inherent in the original product. Etch-A-Line-Y, the companion toy, allows children to explore the Y-Y axis by scrolling the “etch” vertically on the screen, i.e., up and down.
For those children who might be uncomfortable with two dimensions, Ohio Art has the Etch-A-Dot, which cleverly replaces the non-user-friendly single rolling knob with a red “Press This Button” activation device. Press the Red Button, and you’ve got a dot. The “Dot” provides instant gratification, a minimalist work of art, and it’s clever as well, since the “dot” is ALWAYS at the precise center of the screen.
What the Future Holds: Production of the fourth companion product, (Etch-A-Line-Z) is on hold for now. Preliminary evaluations resulted in the temporary blindness of a substantial number of volunteers. Prototype Z is being re-evaluated for distribution in late August of the year after next before this one.
[From here. Nice archive of other excellent gift ideas here.]

A fine specimen for FinPeng’s Archive. Related posts here.
[Lost the source for this image… maybe from Bits&Pieces.]
1959’s “Shombolar” by Sheriff and the Ravels post dated The Chips’ “Rubber Biscuit” by a few years, but had some of the same Hubba inna Jiggawa phrases. Gotta love it. (Watch for the Dick Dale cameo.)
Bill Haley & the Comets’ “Rip it Up” (ripping off Little Richard’s original verision). Awesome jitterbuggin’… Lookee here for mo betta.
1957’s “Untamed Youth.” Scary stuff.
This one’s for Aussie Phil. Ready for some speed blues? Here’s “PRESSURE COOKER.” Clarence Gatemouth Brown was one of the most underrated bluesmen of the modern era. He was one of those rare folks that if you told him a set of jumper cables was an instrument, he could play ’em.

[Image from Square America.]