Tag: Fats Waller

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Ain’t Misbehavin’, Fats Waller (1929) The master of the stride piano, Thomas Wright “Fats” Waller (1904-1943) was playing at the age of six, dropped out of school around age 15 and became an organist at the Lincoln Theatre in Harlem. By 18 he was recording. According to one story, he was kidnapped at gunpoint by Al Capone’s henchmen and forced to perform at a birthday party for the mob boss.

Farts.

Belugaball.

The Spoiler.

The Elwood.

Gender confusion.

“Don’t say anything.”

There’s just no place.

Footnote citation verified.

Dealing with a burning EV.

Monkeys Spinning Monkeys.

Dress up to camp out (and more).

How to kill lobsters (thread story).

Mike Pacheco’s bongo earworms.

Recalling the Water Wiggle [via Memo Of The Air].

Die Eishöhle der schrecklichen Musik [via Bunkerville].

Realistic British seaside trip generator [via Mme. Jujujive].

[Top image: Ann-Margaret in The Swinger (1966) found here.)

From the Archives: 1 year ago. 5 years ago. 10 years ago. 15 years ago.

Saturday Matinee – Allotria Jazz Band, Fats Waller, Leon Redbone & Captain Beefheart

Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.

Two decades later, Fats Waller was playing the same style.

Nice lip-sync of a pretty song. According to the UToobage:
“Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”

In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.

That’s a version of Blind Blake‘s recording from 1929.

Captain Beefheart recorded an entirely different song called “Diddy Wah Diddy” that was later covered by The Fabulous Thunderbirds.

Whoa. I just found out that “Diddy Wah Diddy” was written by Willie Dixon and Bo Diddley, and was recorded in 1956.

Now it all makes sense.

Have a great weekend folks and be back here tomorrow for more diddy wah diddy.

Saturday Matinee – Stephanie Trick, Tuba Skinny, Nanook & Zappa

“Hand Full of Keys,” performed here by Stephanie Trick, is a Fats Waller composition, circa 1938. Awesome stride piano style. Although I’m somewhat ambidextrous and have a basic understanding of music theory and chords, there’s no way I could cut those chops.

Tuba Skinny is my favorite band these days.

I had a conversation with some of my co-workers recently, and the topic of Yellow Snow came up. I tried to explain Nanook of the North and failed, so we’re forced into Zappa mode.

You can find Zappa’s “Nanook Rubs It” on the Utoobage on your own, but “Deathless Horsie” is amazing.

Have a great SuperBowl Weekend folks. Seattle sucks big green donkeys because Seattle sucks big green donkeys. Everyone outside of Seattle knows Seattle sucks big green donkeys and so does Seattle. Seattle sucks big green donkeys.

Saturday Matinee – The Cowans, Fats Waller, Art Tatum, George Clinton & Leon Redbone

Before you get all humpy like this is just a last minute hodge-podge throw-it-together post for the Saturday Matinee, chill. It’s all good, and it’s all connected in an odd sort of way…

September 2008: Fran & Marlow Cowan played an impromptu recital together in the atrium of the Mayo Clinic. The song is Arthur Clough’s “Put On Your Old Grey Bonnet” from 1910.

Fats Waller‘s “Aint Misbehavin'” (1929) was my introduction to early jazz before I knew who Fats Waller was. 1930s Jazz = Best Jazz in my book.

And then Art Tatum ripped it all apart and completely rebuilt the engine.

Gonna jump a few decades to Miles Davis‘ “Tutu.”

George Clinton‘s Mothership! [via Coldwarrior] One more? Heh. You got it.

Yep, Leon Redbone on Carson, playing “Diddy-Wah-Diddy,” which is somehow apropos for Mardi Gras gris gris gumbo yaya.

Have a great weekend folks, and be back here tomorrow for more fun.