Saturday Matinee – Swamp Dogg, Tamio Okuda w/ Super Chikan Johnson, and Ronnie Earl & The Broadcasters

Seems like Swamp Dogg has been around forever; he’s 90 and still recording: “Every time I listen to some new music that everybody thinks is the greatest thing since hot biscuits, it’s full of Auto-Tune.” He decided to give it a go, and used it to give “a sense of  emotional detachment” on his album Love, Loss and Auto-Tune (2022).

Tamio Okuda’s Blues. (2014). The guy on jerry can guitar is Tamio Okuda, and that’s James “Super Chikan” Johnson.

Ronnie Earl & The Broadcasters in 2013.

I’ll be around all day tomorrow. See you then.

Saturday Matinee: Swamp Edition – Talking Heads, Ry Cooder, The Sensational Alex Harvey Band & Swamp Dogg

Talking Heads‘ classic “Swamp” performed at the London Wembley Arena 1982. It was released the following year, creeped me out, and I became a TH fan.

Ry Cooder‘s swamp-rock cover of Elvis’ “All Shook Up” may have been posted here before but so what –  it’s awesome and it fits the theme of this post.

“Now, Amos Moses was a Cajun. He live by hissef in da swamp.”
This is the best cover of Jerry Reed‘s “Amos Moses” I’ve ever heard. The Sensational Alex Harvey Band took it and made it nasty. (This 1976 video is from the German TV show Pop Scop.)

Jerry Williams Jr. aka Swamp Dogg  at the North Sea Jazz Festival in Rotterdam 10 June 2010. “Synthetic World” has a very cool 60s R&B groove.

That’ll do for this edition of The Saturday Matinee. Have a great shopping spree, folks.