“Dylan Hears a Who” was a classic parody from 1997. The original website was promptly shut down by the heirs of the Dr. Seuss franchise, as if it were a threat to the profitability of the classic children’s book series.
[Click on the image for a sample, or download a .zip here. If you don’t trust that site, leave a request in the comments and I’ll forward a clean .zip file. It’s 59MB of fun. ]
Rain on the Tracks: Flooded train track is flooded.
Here’s to Fess Parker (August 16, 1924 – March 18, 2010).
When Disney’s semi-historical series on Davy Crockett ran out (Crockett was killed at the Alamo), Fess Parker had garnered a lot of fans. What to do next? Cast him as Daniel Boone, of course.
As Daniel Boone, Fess Parker’s costar was Ed Ames, who portrayed an Indian scout. Here he is demonstrating his famous hatchet throwing skills.
I’d forgotten all about Ella Mae Morse until I restumbled upon her here. Freddy “Daddy” Slack, along with Ray McKinley and Will Bradley provided the backup. The Will Bradley Trio was a small big band that never quite found their niche, but left a big mark.
Never heard of ’em? Try this.
Here’s Maurice Rocco, a poundin’ on the whites and a slappin’ on the blacks in this version of McKinley & Bradley’s classic “Beat Me, Daddy, Eight To The Bar.” (See any influence on Little Richard or Jerry Lee Lewis there?)
Meanwhile, here’s Commander Cody, Jerry Garcia, Elvis Costello and Sammy Hagar, all in one pile of stuff that you’re probably glad you didn’t pay to see. Good god that’s embarassing. I’ll tell you the truth, I didn’t listen to the whole trainwreck either. My heroes are gone… except for one.
This edition of Saturday Matinee is sponsored in part by ZooBooks.
[Found here.]
Cool animation with a nice version of “Brazil.” performed by The Real Tuesday Weld with Nick Phelps and Geert Chatrou.
Darkly bizarre, “Brazil” is one of my favorite anti-bureaucracy movies. (Ever see Michael Palin as evil?) This movie succeeded in large part to Terry Gilliam’s insistance that it not be edited; that cost him a lot of promotional backing, but it became a hit in its own right. “Half a dream and half a nightmare” sums it up pretty well.
Flashback to 1932 – Louis Armstrong, fresh out of King Oliver’s band, provides the soundtrack (and more) to a typically creepy yet benign Betty Boop cartoon, “I’ll Be Glad When You’re Dead You Rascal You.” Maybe they’re in Brazil.
“…And Now I’m Praying For The End Of Time” is THE best punchline in the history of protopunkrock, courtesy of Mr. Loaf.
Let’s wrap this up with George Thorogood’s classic take on John Lee Hooker’s “One Bourbon, One Scotch, One Beer.” Kinda sums up my attitude these days, En out de do’ ah went.
Oh yeah. This is the guy you want to raise money for your organization. Humongous Rock Star of the Universe.
Actually, Meat was entertaining, given that he jumped up onto a sweaty stage commanded by disco, glam rockers and over-produced arena rock of the late 1970s. Mr. Loaf has my admiration, and had an amazing career. He was a punk as much as anyone, and he had Ellen Foley, too.
[Found here. Meatloaf images found here and here.]
Phil reminded me of this classic from “Some Girls,” one of my favorite Stones albums. We played that album so often that if you held it up to the light you could see through it. (It’s also a shame that our crack team of webminers had to go to a Russian website to find Мик Джаггер и Кит Ричардс из этого шоу субботу вечером, что было жить из Нью-Йорка.)
So why stop there? Here’s a more recent version of “Shattered” from the same album.
From the album “Tattoo You,” the song “Waiting on a Friend” goes back to 1970, and I’m not even gonna comment on what Mick is wearing.
Otis Redding couldn’t get no satisfaction, even with Steve Cropper, Duck Dunn and the Memphis Horns backing him up.
Bette Midler’s take on “Beast of Burden” was excellent.