Saturday Matinee – Willie Dixon, Stones, Gatemouth Brown

Willie Dixon’s “Nervous.” (Dixon was one of the most prolific bluesmen of his time, and was a stutterer in real life, rarely sang because of it.)

“19th Nervous Breakdown” is a cool limp synch by the Anti-Beatles.

Gatemouth Brown was awesome, played Texas blues/swing with finesse and class.

Short post for Saturday as I’m out of town. See you back here tomorrow with more BoogedyBoogedy.

WTF From The Future

Tim Curry‘s Gramma & Grampa.

[Found here.]

Saturday Matinee – Goose Parade, Bimbo’s Initiation, Jurassic Snark, Kitty Town, Allman Bros.


[Found here.]


Bimbo was Betty Boop’s boyfriend/dog pal back when Betty was still a dog in a miniskirt. (Note that Mickey Mouse shows up to mess with Bimbo at 00:28. The Fleisher Bros. were Disney’s closest competitor in the animation business at the time.)


The Best Of Jurassic Park That You Don’t Recall. [via]


Welcome to Kitty Town.


The Allman Brothers’ “Jessica” is one of the great country rock jams. Seems appropriate, since I’ve got a bit of traveling coming up next week.

Have a great weekend, folks, and be back here tomorrow for more hot muffins from the internest.

Saturday Matinee – Tom Waits, Leon Redbone, The Remains, Mink DeVille, The Black Keys

“Ol’ 55” became one of my favorite Tom Waits songs once I found that The Eagles only did a cover.

“Diddy Wah Diddy” is one of my favorite Leon Redbone songs, even though it was  a cover of Blind Blake’s original, not to be confused with Bo Diddley’s DWD. that was covered by Captain Beefheart as well as The Fabulous Thunderbirds (All four versions linked are worth a listen because Bunk knows what Diddy Wah Diddy means.)

The Remains‘ version of Bo Diddley’s song is, um, a version, but the retroness kinda makes up for the lameness of the Boston band’s cover.

Willy “Mink” DeVille was a punk rocker before the Sex Pistols screwed it all up. Moon Martin’s “Cadillac Walk” was a classic, and DeVille did a great cover.

The Black Keys just blow me away, and not just because of the retro rock sound. A 3-man group has to be good to crank, but for two guys to load and pull the trigger is pure awesome.

Have a great weekend folks. Be back here tomorrow.

Growing Meerkats

They’re healthier when they’re grown from seed, and they taste sweeter, too.

[Found in here.]

Saturday Matinee – Knuffingen Airport, Buster Keaton & Fatty Arbuckle, Gene Vincent, The Bees, Doug & The Slugs

This is the biggest little airport, and it’s awesome. [via]

How to eat spaghetti correctly. Buster Keaton and Fatty Arbuckle in 1918.

How to rock correctly. Gene Vincent in 1964.

Dedicated to the OWS crowd who can’t figure it out on their own.

Doug and the Slugs was a great bar band, fronted by the late Doug Bennett. and there’s proof.

Have a great weekend folks. Bunk off.

Saturday Matinee – Rosemary Clooney, Eric Clapton & Derek Trucks, Susan Tedeschi & Jimmie Vaughan with Double Trouble, Otis Rush, Memphis Slim

Rosemary Clooney‘s “Blues in the Night.” A Hooey Da Hoo-ee.

Classic Clapton jam from 2007, featuring Derek Trucks. Nice version, even with Clapton’s guitar feed dropping out midway through.

Derek Trucks is married to Susan Tedeschi, and here she is backed by Jimmie Vaughan and Double Trouble.

Double Trouble took it’s name from this Otis Rush song.

Let’s wrap it up with some awesome boogie woogie with Memphis Slim from 1975. Have a great weekend, folks, and we’ll see you tomorrow for more fun.

Mr. P

[Found here.]

Ramona Lisa

[Gwen found this.]

Saturday Matinee – Black Keys, Benjamin Tehoval, Slim Harpo,The Marcels & Stéphane Grappelli

I love the retro sound of The Black Keys, and I dance like that guy.
[h/t to garycooper]

I can’t play harmonica and guitar at the same time. Heck I can’t play guitar and sing either. Okay, my guitar playing sucks, I can’t sing and my harp is middling.
Benjamin Tehoval amazes me. [h/t to Bagua.]

Slim Harpo‘s “Scratch My Back” with a nice vid attached.

The Marcels‘ “Blue Moon” is a classic. They recorded their 1961 hit in just two takes – and the recordings are almost indistinguishable from each other.

The late Stéphane Grappelli‘s version of “Blue Moon” is closer to the 1934 original, and it’s a pretty song to end this post with.

Have a great weekend folks. Come back here tomorrow for more inanity.