More about that here.
[Updated 6 April 2012 -fixed broken link.]
Tornado damage captured by security cams – scary stuff.
[Found here.]
Weather Report was a breath of fresh air from the garbage that was being pumped out over the airwaves in the late 1970s. Although it is pure jazz-fusion, they initiated a resurgence of a nuanced genre based upon the substantial willingness of proper associative mindset awareness and shit. Jaco was great.
Meanwhile, Tom Waits was working the other end of the jazz resurgence spectrum as a hep-cat jazzbo 50s street poet.
Leon Redbone took the jazz resurgence in a completely different direction – right to it’s early American roots. “Diddy Wah Diddy” was a song by itself, complete with the requisite innuendo, but listen to the cornet solo. It’s a note-for-note copy of King Oliver from 1926, “Sugar Foot Stomp.”
And for you babosos who don’t give a carp about weather, this vid of Dick Dale & The DelTones (ca. 1963) is supposedly a rare video of the King of Surf Guitar, but nothing is rare on the internest, and I dare you to name the dances. Double dog dare you.
Have a great weekend, folks. More stuff coming tomorrow.

…brains… nomnomnom… brains… blonde… gnarfgnarfgnarf…
[Found here.]
[Found here.]
“Dog Factory,” an odd Edison film from 1904, is viewable and downloadable here. [Found here.]
The Country Sisters’ “Cotton Eyed Joe” is interesting. Jump to 02:10 for cool.
God is everywhere. [via]
Awesome interactive Scale Of The Universe that Wheels found.
Oxford Dictionaries Spelling Bee. On “Fiendish” I got 13/15. I blame the pronunciations and lack of spellcheck. 😛
One Tiny Hand is the appropriate title for this website. [h/t Dan S.]
Zo Rachel has some things to say about Sweepin’ The Hug Under The Rug.
[Found here.] And speaking of slinkys…
…be sure to watch this, especially if you’re squeamish. [via]
Apparently this was from a French 1963 remake of a 1914 film about a crime fighter who wears masks. [Found here.]
Ruin is an animated action short film set “way in the future” in a green post-apocalyptic universe. Directed by Wes Ball, who has been working in Hollywood for 8 years doing graphic work for HBO and DVD/Blu-ray featureetes. Described as his “passion project”, Ball has been working on Ruin off and on for the last two years.
[Found here.] And now we’re gonna rock.
This last one made me wanna puke, too, and I’d rather overwork a slinky, eat a giant wood grub, don a cockatiel head and ride the Road to Ruin than hear that again. Have a great weekend folks. See you back here tomorrow for palate cleansers.