25 April – ANZAC DAY


Here’s to all the diggers.

Using letters, diaries and photographs, The Sunday Age recounts events through the eyes of the diggers who battled on amid despair and death. Jonathan King reports.

APRIL – THE LANDING

The great challenge for the Anzacs on April 25 was to land at Anzac Cove against formidable opposition from the Turks and then dig in. We are now within a mile of the shore and the din has increased… the whole side of the mountains seems to be sending forth tongues of flame and the bullets fairly rain upon us… the water is churned up from rifle fire, machine-guns, Maxims, shrapnel and common shells… seven of the boys in our boat are killed and God knows how many in the others.

Continue reading “25 April – ANZAC DAY”

One Easter Egg

A Kosovo Serb peels an Easter egg during an Orthodox Easter service in a fire-gutted Serbian church, burned in 2004 by ethnic Albanians, in Mitrovica, 40 kilometres (30 miles) north of the Kosovo capital Pristina, April 5, 2010.

[More great images, including this one, from here. The history of the Easter Egg may be found here.]

Steam Powered Flying Breasts

This makes perfect sense on some level that I’m not aware of. Here’s a bit of trivia: The name manatee is an English corruption of “manatí”  from the language of the Taíno, a pre-Columbian people of the Caribbean.

Manatí” means “breast” in Taíno, hence the titillating title.

[Found here.]

We Heard You Were Coming

Obvious inspiration for someone whose initials are Walt Disney.

[Found here.]

Saturday Matinee – Xylophone Ad, Joey Ramone, New York Dolls, The Milenberg Joys, Red Nichols

A wooden ball is set atop a long, wooden structure that might be a xylophone or a marimba, constructed in the middle of the woods. As the ball rolls downward, dropping onto each wooden “key,” it plays a note, and suddenly we are hearing Bach’s Cantata 147, “Jesu, Joy of Man’s Desiring.” .. “We did not add any artificial music at all,” Harano wrote (though they did adjust some levels to “bring out the sound of river and nature”).

Yeah, ultimately it’s a commercial, but it’s still very very cool. [via]

R.I.P. Joey Ramone  (d. 15 April 2001)

The New York Dolls were stuck between classic rock and proto-punk,  but they had that pseudo-tranny stuff going on that turned off a lot of potential fans, at least in my opinion.

[Deleted the video. Screw ’em since they’ve blocked embedded links.  If they don’t want free advertisement, then they shouldn’t post it on the Utoobage.]

The Katzenjammers. Nice trumpetingness. [h/t to Bunkessa]

So, in place of a cool video of the folks originally posted above, here are The Milenberg Joys. I think they had more talent than that Katzjamband anyway.

Red Nichols & His Five Pennies were awesome in their time.

Speaking of time, I’m out of it. Have a great weekend, folks. Be back here tomorrow for more fun.

Saturday Matinee – Nippoless Nippleby, Dan Hicks, Leon Redbone, 80s Ragtime


Nice absurd animation from the 1980s.


Dan Hicks & His Hot Licks were mildly successful in the 70s with their 1930s hot club jazz/bluegrass style. “Crazy ‘Cause He Is” was my favorite Hicks ditty. (NSFK: flip off in the vid image, mild language warning. Fun song otherwise.)

Leon Redbone’s version of  “Polly Wolly Doodle.” According to Wiki, there’s no secret meaning to the song, but here’s a verse I’d never heard:

“Behind the barn, down on my knees,
Sing Polly Wolly Doodle all the day;
I thought I heard a chicken sneeze,
Sing Polly Wolly Doodle all the day.
Oh he sneezed so hard with the whooping cough,
Sing Polly Wolly Doodle all the day;
He sneezed his head and his tail right off,
Sing Polly Wolly Doodle all the day.”

I suspect that the song predates The War Between The States even though the popular tune is played in ragtime. So let’s play some ragtime!

Yep. 1980s hits played in ragtime. There’s something wrong with piano players who can pull off stuff like this (actually, I think there’s something wrong with piano players in general). Must be a subconscious and deep-rooted jealousy thing just because I can’t do what they do.

And with that, we’re done. Have a great weekend, folks. Be back here tomorrow for more fun.

The First Jimmy Buffett Fan

[Found here.]

Saturday Matinee – Island Soccer, ZZ Embarasses A Keeper, Pencil Test, Technological Threat & Rocket Pen

Great video worth watching. Pure awesome. [via]

Remember “Zezu” Zidane’s infamous headbutt at the 2006 World Cup? He’s running a training camp now. Here’s some more of his dickery.

In 1986, this was state of the art computer animation. Here’s Pixar’s “pencil test” of the most recognizable early computer animation of all time.

In 1988,  Brian Jennings’ and Bill Kroyer’s “Technological Threat” combined digital animation with Tex Avery’s classic style. It was nominated for best animation short (but was beat out by Pixar’s “Tin Toy”).

So now, let’s fast forward to 2011. Computer animation is at its peak with this example of awesome. I love it.
[Courtesy of Bunkessa.]

And with that, have a great weekend, folks. Be back here tomorrow for more fun.

Saturday Matinee – The Cowans, Fats Waller, Art Tatum, George Clinton & Leon Redbone

Before you get all humpy like this is just a last minute hodge-podge throw-it-together post for the Saturday Matinee, chill. It’s all good, and it’s all connected in an odd sort of way…

September 2008: Fran & Marlow Cowan played an impromptu recital together in the atrium of the Mayo Clinic. The song is Arthur Clough’s “Put On Your Old Grey Bonnet” from 1910.

Fats Waller‘s “Aint Misbehavin'” (1929) was my introduction to early jazz before I knew who Fats Waller was. 1930s Jazz = Best Jazz in my book.

And then Art Tatum ripped it all apart and completely rebuilt the engine.

Gonna jump a few decades to Miles Davis‘ “Tutu.”

George Clinton‘s Mothership! [via Coldwarrior] One more? Heh. You got it.

Yep, Leon Redbone on Carson, playing “Diddy-Wah-Diddy,” which is somehow apropos for Mardi Gras gris gris gumbo yaya.

Have a great weekend folks, and be back here tomorrow for more fun.

Saturday Matinee – Frank Portolese, Joe Cocker & Leon Russell, The Chips, The Blues Brothers

“Hail Fredonia,” written and performed by Frank Portolese with Brian Sandstrom (Bass) and Rusty Jones (Drums).

Now for a completely unrelated vid, here’s Joe Cocker and Leon Russell from 1970 – “Cry Me A River.” Lotta noise, but a lotta fun.

Here’s CCR‘s “Ramble Tamble from 1970, pasted onto a time lapse cross-country roadtrip. The tune reminds me of The Chips‘ greatest hit  (sorry, no video action except for a spinning 45):

And then there’s Dan Akroyd‘s awesome and accurate rendition (lyrics previously posted here.)

Hell ride ricky ticky hubba lubba great weekend, folks. See you back here in a Hi-low ‘n sum a-chickawa.