Shortly after recording what was arguably their best album at Abbey Road Studios, the Fab Four crossed that now famous intersection and posed for this publicity shot. (L to R: Paul, George, John and Ringo.)
Some say the Beatles were too popular, but you’ve got to admit that without “the British Invasion” of the 1960s there’d likely be no Tacky Raccoons.
Using letters, diaries and photographs,The Sunday Agerecounts events through the eyes of the diggers who battled on amid despair and death. Jonathan King reports.
APRIL – THE LANDING
The great challenge for the Anzacs on April 25 was to land at Anzac Cove against formidable opposition from the Turks and then dig in. We are now within a mile of the shore and the din has increased… the whole side of the mountains seems to be sending forth tongues of flame and the bullets fairly rain upon us… the water is churned up from rifle fire, machine-guns, Maxims, shrapnel and common shells… seven of the boys in our boat are killed and God knows how many in the others.
A Kosovo Serb peels an Easter egg during an Orthodox Easter service in a fire-gutted Serbian church, burned in 2004 by ethnic Albanians, in Mitrovica, 40 kilometres (30 miles) north of the Kosovo capital Pristina, April 5, 2010.
[More great images, including this one, from here. The history of the Easter Egg may be found here.]
This makes perfect sense on some level that I’m not aware of. Here’s a bit of trivia: The name manatee is an English corruption of “manatí” from the language of the Taíno, a pre-Columbian people of the Caribbean.
“Manatí” means “breast” in Taíno, hence the titillating title.
A wooden ball is set atop a long, wooden structure that might be a xylophone or a marimba, constructed in the middle of the woods. As the ball rolls downward, dropping onto each wooden “key,” it plays a note, and suddenly we are hearing Bach’s Cantata 147, “Jesu, Joy of Man’s Desiring.” .. “We did not add any artificial music at all,” Harano wrote (though they did adjust some levels to “bring out the sound of river and nature”).
Yeah, ultimately it’s a commercial, but it’s still very very cool. [via]
The New York Dolls were stuck between classic rock and proto-punk, but they had that pseudo-tranny stuff going on that turned off a lot of potential fans, at least in my opinion.
[Deleted the video. Screw ’em since they’ve blocked embedded links. If they don’t want free advertisement, then they shouldn’t post it on the Utoobage.]
So, in place of a cool video of the folks originally posted above, here are The Milenberg Joys. I think they had more talent than that Katzjamband anyway.
Red Nichols & His Five Pennies were awesome in their time.
Speaking of time, I’m out of it. Have a great weekend, folks. Be back here tomorrow for more fun.
Dan Hicks & His Hot Licks were mildly successful in the 70s with their 1930s hot club jazz/bluegrass style. “Crazy ‘Cause He Is” was my favorite Hicks ditty. (NSFK: flip off in the vid image, mild language warning. Fun song otherwise.)
Leon Redbone’s version of “Polly Wolly Doodle.” According to Wiki, there’s no secret meaning to the song, but here’s a verse I’d never heard:
“Behind the barn, down on my knees,
Sing Polly Wolly Doodle all the day;
I thought I heard a chicken sneeze,
Sing Polly Wolly Doodle all the day.
Oh he sneezed so hard with the whooping cough,
Sing Polly Wolly Doodle all the day;
He sneezed his head and his tail right off,
Sing Polly Wolly Doodle all the day.”
I suspect that the song predates The War Between The States even though the popular tune is played in ragtime. So let’s play some ragtime!
Yep. 1980s hits played in ragtime. There’s something wrong with piano players who can pull off stuff like this (actually, I think there’s something wrong with piano players in general). Must be a subconscious and deep-rooted jealousy thing just because I can’t do what they do.
And with that, we’re done. Have a great weekend, folks. Be back here tomorrow for more fun.
Remember “Zezu” Zidane’s infamous headbutt at the 2006 World Cup? He’s running a training camp now. Here’s some more of his dickery.
In 1986, this was state of the art computer animation. Here’s Pixar’s “pencil test” of the most recognizable early computer animation of all time.
In 1988, Brian Jennings’ and Bill Kroyer’s “Technological Threat” combined digital animation with Tex Avery’s classic style. It was nominated for best animation short (but was beat out by Pixar’s “Tin Toy”).
So now, let’s fast forward to 2011. Computer animation is at its peak with this example of awesome. I love it.
[Courtesy of Bunkessa.]
And with that, have a great weekend, folks. Be back here tomorrow for more fun.
Before you get all humpy like this is just a last minute hodge-podge throw-it-together post for the Saturday Matinee, chill. It’s all good, and it’s all connected in an odd sort of way…