Bet your friend that after he scrambles the puzzle, that you can get the green side on the bottom and the red side on the top in less than 10 seconds. Hints on how to do this and other feats of amazement are included in the booklet (included for $1.00 extra).
This video, related to yesterday’s monkey taunting .gif post, is better with the sound off.
On the other hand, this video, that’s been around for a while is still amazing, and better with the sound up.
More Animals. Here’s Eric Burdon (from Newcastle-upon-Tyne, England) with “Tobacco Road” from1966(?).
Okay, I meant here’s the Nashville Teens (from Weybridge, Surrey, England) with “Tobacco Road” from 1964. Drummer Barry Jenkins joined the Animals in 1966.
Okay, I really meant, here’s the Edgar Winter Band (from Beaumont, Texas, England) with “Tobacco Road” from 1974(?).
Okay, what I really, really meant is: here’s Lou Rawls (from Chicago, England) with “Tobacco Road,” first recorded in 1963.
Enough animalia with nicotiana rural routes for now. Come back tomorrow for more fun.
Lookout Chess! Here’s a true game of strategy. Just like “Connect One,” it all has to do with the preparation. Like it says on the box, “It’s the most fun-filled action GAME you’ve ever played,” with “you’ve” meaning all four of you.
In 1949, George Jenks patented this apparatus “for ultimate attainment of an ideal golf swing.”
According to a duffer friend of Bunk’s, the game was named “Golf” because the English vulgar vernacular term for copulation was already taken.
Without access to the Jenks’ Patent description, it is intuitively obvious to the casual observer that Part No. 168 delivers either compressed Nitrous Oxide or beer from Cylinder 173 to regulator Part 167 and directly to the brain housed by Part No. 160, and if the subsequent motion of the golf club Part C does not please Assembly V, a painful shock to the student’s torso is conducted through Part 90 via Parts Nos. 93.
As brutal as it seems, it works. Only one golfer since 1949 has succeeded in mastering the rigors of this training, and his initials are Tiger Woods.
The late great Billy Preston had one of the greatest FRO‘s of all time. Preston, besides recording some classic ’70s songs (“Nothin’ FROm Nothin’ Leaves Nothin’” and “Outa-Space” and also recorded as the 5th Beatle (or Beatle Number 9, depending on how you count).
This session musician, with his awesome huge bouncing microphone cover FRO, was a fun keyboard player to watch, especially because his FRO (with sideburns and beard) ran 360 degrees, which reminds me of another Preston hit, “Will It Go Round In Circles.” Actually, it did.
Now, Roberta Flack‘s FRO was perfect. So perfect in fact that besides her many hit records, (known in the industry as “Flack’s Stacks O’ Wax”) she was the original model for the Arial Font’s “Period,” and was able to spin off a nice bonus profit with her own product line of custom swabs. She must have made tens of dollars with this:
Chuck Norris (yes, THE CHUCK NORRIS) took notice of Flack’s success, and decided that there was room for improvement in ear hygiene. In May of 1974, he formed NorrisSwabs Inc., and served as SpokesNorris for these:
(Bonus Chuck Norris Fact: Chuck Norris doesn’t go to the bathroom. The bathroom goes to Chuck Norris.)
[Preston image FROm here. Flack’s image with her brand of cotton swabs FROm Fantastical Nonsense. The Patented NorrisEarSwab FROm here. Somewhat related post here.]
Any band with just three members gets my attention. Any band that only has three members and they’re all female gets more of my attention. Any band that has three female members who happen to be Japanese and play late 1970’s retro-punk and can pull it off in style gets posted here.
Here’s their version of “I’m Blue (the Gong-Gong Song)” originally recorded in 1962 by the Ikettes, featuring Tina Turner. The 5678’s have been my favorite band for the last few minutes, and I hope they’ve been yours, too.
[Now for an awkward segue. I had 3 or 4 of the 5678’s videos lined up and later decided that one was enough to make the point.]
One of the greatest Fro’s in rock history, Billy Preston just jammed. Here is his Fro-ness on 1973’s “Midnight Special.” Check out that clear plexiglass double bass drumkit.
Sly and the Family Stone had some classic ‘Fros, too.
“Juvenile Delinquents might be nasty… and they might be rude…. and they might even be violent — But you can never accuse them of being sloppy. For instance, have you ever noticed how hoodlums always have PERFECT HAIR? It’s no accident… Every street hood knows that looking good is as important as knowing how to hotwire a car or jimmy open a vending machine. And now we’re going to share their secret with you…
“Delinquents With Combs looks like a classic switchblade knife. But when you press the button, a handy comb springs out instead of a blade. When open, the switchblade comb measures 9-inches long and even has a safety lock to prevent it from opening unexpectedly.
“Delinquents With Combs comes in a really cool package, too. It depicts a tough greaser fiercely wielding his switchblade comb. So if you want to look good and feel cool, get one of these babies. (a leather jacket and a ripped t-shirt wouldn’t hurt, either)”
Too hot to handle and too cold to hold, this rockin’ item will get ’em hooked and reeled in when you tame your mane with a springloaded lady killer like this. I got mine, and no, you can’t borrow it, lice brain. Stand up like a pup and put some glide in your stride. I gotcher hot tottie, gonna take her for a ride. So listen loser, the comb gets her home, so quit shadow boxing me and cough up your piggy bank before I rearrange your freckles, dork.
[Image from NoPuedeCreer, but the original source and description appear to be from here. Vaguely related post here.]
Bunk’s jaw dropped when his daughter Seraphina Strutts presented this excellent find from the Utoobage, and said, “I don’t know if you’ll like this, Dad, but Mom laughed her Hasselhoff.”
Bunk likes it, especially the mashup between 1938’s “You Can’t Take It With You” and the 5 Discs’ 1962 recording of “Never Let You Go.”
And speaking of the music of 1962, here’s music from 1964: Joey Dee and the Starlighters, limp-sinking a medley of their greatest hit. Joey’s head is huge in this video while the guy on the right looks like a pinhead. Must be a result of early video lens distortion. [Mr. Dee has a delightfully awful website here.] When I was a teenager, I found his album “Live at the Peppermint Lounge” at a garage sale. All the songs sound like this one, kinda like a pre-Ramones formula. (Papa Strutts once categorized it as “all drums and lights.”)
As sappy as this sounds, Joey Dee and the Starlighters had some serious connections to future rock n roll heavyweights. From Wikipedia:
“…the most famous lineup of Joey Dee and The Starliters is considered to be Joey Dee, David Brigati, Larry Vernieri (vocals), Carlton Lattimore (organ), and Willie Davis (drums). Later members of the touring group would include Eddie Brigati (David’s brother), Gene Cornish, and Felix Cavaliere – three-quarters of The Young Rascals – as well as guitarist Jimmy James (later known as Jimi Hendrix) and Charles Neville of The Neville Brothers.”
And speaking of the music of 1964, here’s an A&E clip about 1966, and James Marshall Hendrix.
Where else but here can you get semi-cognizant linkage between 1938 and 1966?