How to get a baboon to tell you where the water is in the Kalahari. Amazing. [Found here.]
The logical follow up to that video is The Baboons‘ “Drinkin’ Gasoline.” (Don’t laugh, they were on Walker, Texas Ranger, and if Mr. N says they’re awesome then they ARE awesome.)
The logical follow up to that video is more Rockabilly. Here are the Guana Batz with “Streetwise.” Following the Guana Batz we have:
The Aquabats! Here’s a live version of “Fashion Zombies.” One last one before we go:
The Skatalites‘ rock steady ska with “Lawless Street.” Have a great weekend folks, see y’all tomorrow.
December 31, 2009 — Jonna Doolittle Hoppes speaks about her Grandfather, General Jimmy Doolittle from her new book “Calculated Risk” and the importance of recording history for future generations at the Historic Flight Foundation’s “B-25 Grumpy Welcome Reception”. This clip includes original film footage of the crews on the historic “Doolittle Raid” of WWII, which proved to the US and the Japanese Empire that America could and would strike back.
There’s obviously more to the story than we’re able to present here. The anniversary of the Doolittle Raid deserves recognition, as it was not only unimaginably dangerous and ballsy, but very necessary to send a message to Japan, as well as to the American public. It was created, orchestrated and accomplished in a little over 4 months after the unwarranted attack on Pearl Harbor.
Military Magazine recently published a first person account of a pilot who volunteered for the mission without knowing what it was. The mission wasn’t revealed until the modified bombers had been loaded onto the U.S.S. Hornet and the Hornet was at sea. Of the pilots who volunteered, all were given opportunities to decide for themselves whether they wanted to go on, without reprimand or dishonor, and not one of them sat down.
“Blues for Greasy,” performed by an amazing lineup of talent from 1950: Harry ‘Sweets’ Edison: trumpet; Lester Young: Tenor Sax; Flip Phillips: Tenor Sax; Bill Harris: Trombone; Hank Jones: Piano; Ray Brown: Bass; Buddy Rich: Drums; Ella Fitzgerald: Vocals.
Sorry to switch gears so quick. Here’s Stevie Wonder’s classic “Higher Ground” live in 1973. Always take it.
The Tea Party protesters are really getting out of hand. Here’s footage from 20 March 2010 in Washington D.C. [Update: Oop. My mistake. Those aren’t Tea Party people.]
Neil Innes was a protester before you were a protester.
Johnny Cash’s snare drum is awesome.
Turn up the treble for this classic from Eddie Cochran.
I’m 16% behind Weird Al on this, and 84% behind him on this one:
Here’s to Fess Parker (August 16, 1924 – March 18, 2010).
When Disney’s semi-historical series on Davy Crockett ran out (Crockett was killed at the Alamo), Fess Parker had garnered a lot of fans. What to do next? Cast him as Daniel Boone, of course.
As Daniel Boone, Fess Parker’s costar was Ed Ames, who portrayed an Indian scout. Here he is demonstrating his famous hatchet throwing skills.
I’d forgotten all about Ella Mae Morse until I restumbled upon her here. Freddy “Daddy” Slack, along with Ray McKinley and Will Bradley provided the backup. The Will Bradley Trio was a small big band that never quite found their niche, but left a big mark.
Never heard of ’em? Try this.
Here’s Maurice Rocco, a poundin’ on the whites and a slappin’ on the blacks in this version of McKinley & Bradley’s classic “Beat Me, Daddy, Eight To The Bar.” (See any influence on Little Richard or Jerry Lee Lewis there?)
Meanwhile, here’s Commander Cody, Jerry Garcia, Elvis Costello and Sammy Hagar, all in one pile of stuff that you’re probably glad you didn’t pay to see. Good god that’s embarassing. I’ll tell you the truth, I didn’t listen to the whole trainwreck either. My heroes are gone… except for one.