Meet Beta, a woman from Venus who collects alien monsters as a hobby. She’s the heroine of La Nave de los Monstruos (Ship Of Monsters), a classic film that’s showing tomorrow as part of a celebration of Mexican science fiction in New York. Star Lorena Velázquez appeared in 300 movies, alongside legendary Mexican masked superhero El Santo, who defeats a Martian invasion in another film.
[Found here.]
Tornado damage captured by security cams – scary stuff.
[Found here.]
Weather Report was a breath of fresh air from the garbage that was being pumped out over the airwaves in the late 1970s. Although it is pure jazz-fusion, they initiated a resurgence of a nuanced genre based upon the substantial willingness of proper associative mindset awareness and shit. Jaco was great.
Meanwhile, Tom Waits was working the other end of the jazz resurgence spectrum as a hep-cat jazzbo 50s street poet.
Leon Redbone took the jazz resurgence in a completely different direction – right to it’s early American roots. “Diddy Wah Diddy” was a song by itself, complete with the requisite innuendo, but listen to the cornet solo. It’s a note-for-note copy of King Oliver from 1926, “Sugar Foot Stomp.”
And for you babosos who don’t give a carp about weather, this vid of Dick Dale & The DelTones (ca. 1963) is supposedly a rare video of the King of Surf Guitar, but nothing is rare on the internest, and I dare you to name the dances. Double dog dare you.
Have a great weekend, folks. More stuff coming tomorrow.
Approximately 200-400 years ago during Japan’s Edo period, an unknown artist created what is easily the most profound demonstration of human aesthetics ever committed to parchment. I am referring to He-Gassen a.k.a. 屁合戦 a.k.a. “the fart war.” In this centuries-old scroll, women and men blow each other off the page with typhoon-like flatulence. Toss this in the face of any philistine who claims that art history is boring.
Ancient Japanese art is a gas – but my hoax-alert antennae are twitching with the reference to “He-Gassen” even though I found another source here.
[Found here, h/t Princess Natasha.]
Mardi Gras Indians are the Mardi Gras most people don’t see. Modern Day Indians came from a time when African Americans felt left out of the traditional Mardi Gras krewes and parades. Residents from wards around New Orleans formed their own sort of Krewe and named them after their streets or wards. The Indians created elaborate costumes and names themselves after Native Americans- as tribute to the Native American tribes’ role in freeing the slaves. They designated someone to be the Spy, the Flag boy and the Big Chief and these tribes led processions through the streets. In the past, Mardi Gras Indians were violent, but today most tribes simply act out a scene when passing other tribes. Indians do not follow any schedule or parade route and a rare thing to see on Mardi Gras.
Of course there are also a lot of beads, beer, boobs and blues:
Everyone should experience Mardi Gras in New Orleans at least once. The parades are awesome, the music is great, and there are uninhibited and inebriated college girls. There are also pickpockets, drug dealers and people who will fight you over a plastic necklace. The beer/drinks are cheap (since they deal in volume) and the streets and sidewalks flow with unmentionable liquids so you’ll need to burn your shoes afterwards. Again, everyone should experience Mardi Gras in New Orleans at least once.
[Top image and story found here; 2nd image found here. There are hidden bonuses, too – click a pic.]
[via]
There was a reason the nursery rhyme didn’t mention an egg. According to Wiki, the earliest known publication was in 1803:
According to the Oxford English Dictionary the term “humpty dumpty” referred to a drink of brandy boiled with ale in the seventeenth century. The riddle probably exploited, for misdirection, the fact that “humpty dumpty” was also eighteenth-century reduplicative slang for a short and clumsy person.
Although there are other unproven theories that the rhyme references an historical figure or event, Humpty Dumpty was merely a riddle of the “What Am I” sort, and the answer was “an egg.” (And ten dozen guys couldn’t figure out how to make an omelette?) Try this one:
I am white
And wet to touch;
I can blind
If you stare too much.
There you have it. A.M. Bacon invented personal space. Awesome.
From A. M. Bacon, Manual of Gesture (1875).
[Found here.]
Etta James passed away on 20 January 2012, and there aren’t many live vids out there on the Utoobage (this one’s from 1962). She was tough on the eyes, but gorgeous on the ears.
We also lost the great Johnny Otis on 17 January. Although I never saw The Johnny Otis Show on television, his 1990s radio show was great, playing old R&B and early R&R. (I spoke with him on the phone once about some trivia about The Contours.)
So here are The Contours live in 1963. I love early R&B, so we might as well continue with that theme.
Ruth Brown recorded “(Mama) He Treats Your Daughter Mean” in 1953, and it’s a great example of “jump blues” that morphed, terminology-wise from “Race Records” into “Rhythm and Blues” and later into “Rock and Roll.”
According to the late Eubie Blake, the phrase “Rock and Roll” originated in the late 1800s. It described a ragtime piano style that kept the patrons of brothels moving along. (Even the name “ragtime” is bawdy, and you can connect the dots for yourselves.)
Jump Blues. From the Utoobage description:
Illinois Jacquet and his band in the “Jive Crazy” scene from the 1949 noir movie “D.O.A.” — at least, according to the movie publicity.
So that might not be Illinois Jacquet’s band, but it’s still a great scene. And that makes five jumpy and jivey vids for the Saturday Matinee. Have a great weekend folks.
Tacky Raccoons 