How to breakdown and reassemble a Willy’s Jeep in under four minutes. [via]
The Cleverlys’ bluegrass version of “Walk Like An Egyptian.” [via]
After the Cleverly’s drummer’s action, it’s only proper to post a video of clogging, aka, Bluegrass Flamenco. Both bluegrass and clogging are closely related to Irish reels and dancing, so…
Here’s Earl Scruggs with the seminal Irish band The Cheiftains. Nice blend, that.
Have a great weekend, folks, y’all be back here tomorrow.
Great cover of Johnny O’Keefe’s “The Wild One.” Here’s Jerry Lee Lewis’ version of “Wild Child.”
Although Iggy Pop did a great cover (here’s the instrumental track if you want to sing along), Joan Jett’s version is pretty good, and looky who shows up on the street.
Speaking of covers, here’s The Blasters’ 1981 version of Little Willie John’s “I’m Shakin’.” From the Wikipud:
Phil Alvin explained the origin of the band’s name: “I thought Joe Turner’s backup band on Atlantic records – I had these 78s – I thought they were the Blues Blasters. That ends up it was Jimmy McCracklin. I just took the ‘Blues’ off and Joe finally told me, that’s Jimmy McCracklin’s name, but you tell ‘im I gave you permission to steal it.”
Big Joe Turner was a great big band blues singer in the early days of rock and roll rhythm and blues. “Shake, Rattle and Roll” was his first big hit in 1954, but was coopted by Bill Haley & His Comets (who cleaned up the lyrics for the white folks).
That’s all for now, have a great Memorial Day Weekend, see you back here tomorrow.
“El Cumbanchero.” The Buena Vista Social Club is awesome. Tip o’ the Tarboosh to Rodan for reminding me of them.
Continuing with Afro-Cubano jazz, here’s Tito Puente, Poncho Sanchez y Celia Cruz, with “Quimbara.” No idea what that translates to, but I guess it’s a dance style.
This was one of The Iguanas best songs, and the video doesn’t do it justice. (Here’s the studio version w/o video. As an aside, in the live video, the bass player looks like me in my 20s, but with a better haircut. Heh.) Since The Iguanas were from New Orleans, let’s move in that direction…
New Orleans is gonna be in the news again in a couple of days, but not for the right reasons. I suggest we ignore the msm and enjoy the music instead.
Have a great weekend and we’ll see you back here tomorrow.
The Unknown Comic, LIVE! [I showed up once as The UC at a party in college, came in unannounced and ran through 15 minutes of cheap jokes, left to change clothes and toss the bag, and returned as myself. People were still asking the host “How did you get HIM to show up?”]
Bunkarina turned me on to this vid from the Fleet Foxes, a band out of Seattle.
Fleet Foxes reminded me of the soundtrack to “Cold Mountain,” but since I couldn’t find a video of the Sacred Harp Singers of Liberty Church, I’ll go with “O Brother Where Art Thou” and The Song of the Sirens.
Okay, we’re gonna break out of that deadend theme and jump to a Stevie Ray Vaughan classic, “Texas Flood.”
Here are Bruce Springsteen and Neil Young completely blowing a rock classic. “All Along The Watchtower” was an acoustic Bob Dylan song that Jimi Hendrix electrified and made a hit. Even Dylan started playing Hendrix’ version. The lyrics make no sense, but if you reverse the order of the verses, it does. Kinda.
Have a great weekend, folks, be back here tomorrow.
Martin Mull in 1973 gets back to his roots in the Lake Erie delta.
Martin Mull’s college roommate was Steve Martin who was no slouch on banjo.
Awesome. I can play the plastic scale, too, but putting it into a high-speed vid makes the grade.
Now THIS is really annoying, so much so that I’m not going to post it here. You’re on you’re own, and I dare you to listen to the whole tutorial. I couldn’t do it, but I can listen through this:
David Grisman & Jerry Garcia doing B.B. King’s classic “Thrill is Gone.”
To close it out, here’s B.B. King himself with Billy Preston and, um, Bruce Willis on harp. Have a great weekend folks, and remember that most of us can play harp better than Bruce Willis, who’s got no business at all in that lineup.
Interview with ice sculptor at Orange County Fair 2010.
Haven’t had any Leon in a while. When he was on the Tonight show, he didn’t know what Diddy Wah Diddy meant… or so he claimed.
Ry Cooder covered Diddy Wah Diddy, too.
Here’s Captain Beefheart’s version of a different Diddy Wah Diddy, and with that we’re out until tomorrow. Have a great weekend folks.
[Update 7 August 2010 – Forgot to add that The Fabulous Thunderbirds did a great cover of Bo Diddley’s “Diddy Wah Diddy.” Couldn’t find a video for either versions.]
Redneck washing machine. When Steve McGranahan‘s not bending cast iron skillits for charity, this funny guy makes videos.
“Why Does Love Got To Be So Sad?” was one of Derek & The Dominos’ greatest hits.
One of my favorite Wailers songs.
Here’s a 44 year old Clarence Gatemouth Brown with a 32 yearold Johnny Jones playing “Chicken Fat” in 1968. [via]
Happy 74th Birthday to Buddy Guy, one of the last original bluesplayers. Here’s a guy who left the south for Chicago and played for sandwiches to keep from starving.
Have a great weekend, folks. See y’all back here tomorrow.
Cows & Cows & Cows. (Tip o’ the tarboosh to Bunkarina.)
If that wasn’t odd enough, try Cycles. (Thanx, Possum.)
Whoa. Whatta lineup. Kim Wilson, backed by Jimmy Vaughan and W.C.Clark with Angela Strehli. Might have posted the vid before, but so what.
Little Walter was an excellent harp player. Here he is with Coco Taylor in 1967, playing Howlin’ Wolf’s “Wang Dang Doodle.”
What was truly pitiful in the 60s was that the Brits were the ones to reintroduce American blues to Americans. (Look who introduces the great Howlin’ Wolf on this clip.)
Let’s wrap up with a healthy dose of Leon Redbone. Poor video, but a nice version of this song from 1916.
Have a great weekend, but be back here tomorrow for more fun.