The Chantays were from Santa Ana, California. The oldest was 17, the youngest 14, when they recorded their 1962 hit “Pipeline” (according to the liner notes on my LP.) I was a kid in the midwest when I first heard it, and I liked it, but I didn’t equate it with surfing. I imagined a rock n’ roll sludge pump.
According to Wiki, the Chantays originally called the song “Liberty’s Whip” but I have my doubts.
A year later, The Ventures co-opted the classic. Not sure if royalties were paid but their version didn’t make Billboard’s Top 100.
From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.
What a convergence of talent at the right time and the right place. God Bless Stax Records.
Have a soulful weekend, folks, be back here tomorrow.
Jimi Hendrix – no slouch on a reversed and restrung 12-string.
Stevie Ray Vaughan burns it. The clip is apparently from a television show in France, date unknown. Some think that may be an impostor because his face is hidden, but I seriously doubt that any impostor who plays like that would need to pretend.
Way too few Little Isidore videos in this world IMO. (Click that link to be amazed.)
Rhett & Link, singin’ the order… then they had to pay for it. Posted in 2009, here’s the caption:
Yes! the guy’s reaction is totally authentic. He had no idea we were coming, and he really got the order right (almost right). We couldn’t believe it either, so we understand the questions….
[h/t Octopus.]
To those suffering the wrath and aftermath of Hurricane Matthew, here’s this:
Herd mentality experiment [via]. That explains a lot.
This is THE rope trick [via]. Now let’s rock and roll.
Kim Wilson has always amazed me. One of the best blues harp players around, Wilson doesn’t get the recognition he deserves, IMO. I’m no slouch on a Hohner chromatic with a Ham Radio bullet mic, but I sure as hell can’t pull off what he does.
Dinosaurs are always fun, and this video has a great cast of relative unknowns. It’s over an hour long, but that’s just a day in dinotime.
Ted Hawkins (1936-1995) had more success in the UK than the US, although he had a local fan base in Venice Beach CA where he was a popular busker. Check out his background at the link.
[h/t Charlie L.]
This version of Stevie Wonder’s “Higher Ground” is fascinating, as it appears that all the players recorded remotely. Playing For Change is not a band, it’s an organization based in Venice California that records musicians from around the world, and is dedicated to creating and supporting music schools particularly in developing countries.
„Digi Fonful” ieste un instrument muzical inventat de Ştefan Popescu, fost concurent la „Românii au talent .În ciuda numelui, instrumentul nu are nicio componentă digitală. Digi Fonful, care seamănă cu un fluier, este făcut să cânte cu ajutorul unui deget introdus într-un capăt al intrumentului şi al aerului suflat printr-un orificiu.În clipul de mai sus îl puteţi vedea pe cel mai mare „virtuoz” al Digi Fonfului, Ştefan Popescu, în acţiune.
Buddy Guy from February 2015, pushing 80 years at the time of that interview. He always looked like he had fun playing, as he did in this 1989 vid with Stevie Ray Vaughan:
That wraps it up for this edition of the Saturday Matinee. Have a great weekend, and we’ll have more fun tomorrow.
BB King, Stevie Ray Vaughan & Etta James at the Ebony Showcase Theatre Los Angeles, 15 April 1987, with The Wicked Wilson Pickett‘s “Midnight Hour.” (Check out the amazing background of Nick Stewart, founder of the EST linked above.)
Great way to wrap up this edition of The Saturday Matinee. Have a great weekend folks, see you back here tomorrow.
