Even though it looks like a hoax, it makes me sad – no respect.
Yeah Daddio, Blackboard Jungle, 1955. Not much has changed since then, and they busted 78s in that movie, too. On the other hand, it introduced Bill Haley & The Comets, redefined them from rockabilly into rock and roll.
“Groovie Movie” short from 1944 – How to Jitterbug. Pay attention – there’s some hot stuff there, but nothing beats the Slim Slam Allstars.
Slim Galliard (piano, guitar) and Slam Stewart (bass) from the 1941 movie Hellzapoppin’. Killer stuff, that. Yeah, we posted it before, but so what. It’s great, especially because the clip begins with a tribute to jazz that was still popular just a few years prior.
Have a great weekend, folks, and tell your mom Bunk said Happy Mothers Day.
Cinco de Mayo has its roots in the French occupation of Mexico, which took place in the aftermath of the Mexican-American War of 1846-48, the Mexican Civil War of 1858, and the 1860 Reform Wars. These wars left the Mexican Treasury in ruins and nearly bankrupt. On July 17, 1861, Mexican President Benito Juárez issued a moratorium in which all foreign debt payments would be suspended for two years. In response, France, Britain, and Spain sent naval forces to Veracruz to demand reimbursement. Britain and Spain negotiated with Mexico and withdrew, but France, at the time ruled by Napoleon III, decided to use the opportunity to establish a Latin empire in Mexico that would favor French interests, the Second Mexican Empire. [Wiki]
So in other words, a nearly bankrupt country stopped paying bills until three big debt collectors showed up. Two of them settled, but the third took it a step further. Mr. Françoise (aka Lucky Pierre) knocked on the door and said, “Nice place you got here. Shame if anything should happen to it.” The rest is history.
In celebration of Cinco de Mayo, here’s Herb Alpert & the Tijuana Brass with some very embarrassing people of European heritage dancing. (No one in Alpert’s band was actually Hispanic.)
Jonco finds stuff on the internest that nobody else can see, and here’s proof.
Any band named HorrorPops gets my vote (and we’ve posted about them here before). There’s something inherently cool about a mashup between punk, psychobilly, hotrods and Denmark. Besides, they got a curvy girl with tatts on stand up bass singing lead.
“I’m just an entertainer, and I use music as a medium for entertaining. But I’m not really an entertainer either, because to be an entertainer it implies you have a great desire to want to entertain.”
Leon Redbone
Leon Redbone‘s take on Lonnie Johnson’s “Mr. Jelly Roll Baker” in 2009. (BTW, “jelly roll” was slang for something other than a pastry.)
On growing up in New Orleans Parish: “There was music all around us, and in my family you’d better play something, even if you just banged on a tin can.”
Lonnie Johnson
Lonnie Johnson created the single-note guitar solo in the 1920s, and decades passed before the guitar was regarded as more than a background rhythm instrument. I don’t know who’s on drums or piano, but that’s Willie Dixon on bass, and the vid is likely from the mid to late 1960s.
My first impression of “ethnomusicologist” Bob Brozman was that he’s a pretentious jerk. On the other hand, he’s crammed some great country/Delta blues licks into his American Steel.
Let’s wrap this baboso up with two of the greatest modern day slide guitar players, on stage together in Austin: Bonnie Raitt & Roy Rogers jamming “Gnawin’ On It.”
Tacky Raccoons 