Saturday Matinee – Grace Potter & The Nocturnals, Big Brother & The Holding Company, Roomful Of Blues

Grace Potter and The Nocturnals performing “Treat Me Right” at the 8×10 in Baltimore, MD on September, 14 2006. They pretty much nailed the Big Brother & The Holding Company sound.

So here is Janis Joplin with BB & The HC  “Summmertime / I need a man to Love” at the Holllywood Palace Oct. 26 1968.

Roomful of Blues is a great band to see live. Here they are in 2010 with Big Joe Turner‘s “Boogie Woogie Country Girl.”

That’s it for today. Have a great weekend folks.

Saturday Matinee – Rocket Booster Ride, R.L. Burnside, Jeff Beck & Tal Wilkenfeld

I like the soundtrack. [via]

RL Burnside‘s “Let My Baby Ride.” I don’t usually post “slideshow” videos, but this is a good ‘un.

Jeff Beck with Tal Wilkenfeld on bass playing “Nadia.” Nice tune to round out a lazy Saturday.

Have a great weekend, see you back here tomorrow.

Saturday Matinee – Rodent Gravitron, Tedeschi & Vaughan, and Ray Charles

2 Gerbils 1 Wheel is the rodent equivalent of The Gravitron. [via]

“Let The Good Times Roll” – Susan Tedeschi with Jimmie Vaughan & Double Trouble, from Austin City Limits, 12 January 1998.

Crispness is clumping and the geezer’s getting fat. Here’s Ray Charles singing Mel Tormé‘s 1944 classic “The Christmas Song (Chestnuts Roasting On An Open Fire).”

“Tiny tots with a nose full of snots” is my favorite line in that song. Although it’s been said that Barney loves Fred, Merry Christmas To You.

Saturday Matinee – Pigeon Pong, Axe Cop and Jonathan & Darlene Edwards

Pigeon Pong. [via]

New Axe Cop animated series! (If you don’t know why Axe Cop is pure awesome, you haven’t been paying attention. CLICK HERE and follow the links.)

A fun holiday song (that Bunkarina named “dafuq?”).  Watch for the possum.

Have a great weekend, folks. There’s more awesome coming to a blog near you.

Saturday Matinee – Didgeridoo, Drums, Piano & Music Theory

How to play the didgeridoo.

How to play the drums.

How to play piano.

How to sing a Christmas Song.

Now all that’s left is to figure out how to get you back here tomorrow. Have a great weekend.

Saturday Matinee – Imelda May, Jimmy & The Rackets; Ron Levy & Ronnie Earl; J. Geils, Duke Robillard & Gerry Beaudoin

Imelda May is way cool. That’s her version of  Buddy Holly’s “Looking For Love” which was also covered by The Stray Cats. It was never covered by Andy Tielman as far as I know, but here on The Saturday Matinee, one vid and three links just don’t make the nut.

Yep. That’s Jimmy & The Rackets as if I had to tell you, but now I’m torn between two more vids to post. I’ll resolve the dilemma by posting them both, back-to-back, because each of them made me smile for different reasons. Have a great weekend folks, and we’ll see you back here tomorrow.


.

Saturday Matinee – Current Events, Helicopter Synch, Happy Shining, Big Splash and BB, SRV & EJ

15 Seconds.

Helicopter/Camera Synch. [via]

Happy Shining.

Big Splash.

BB King, Stevie Ray Vaughan & Etta James at the Ebony Showcase Theatre Los Angeles, 15 April 1987, with The Wicked Wilson Pickett‘s “Midnight Hour.” (Check out the amazing background of Nick Stewart, founder of the EST linked above.)

Great way to wrap up this edition of The Saturday Matinee. Have a great weekend folks, see you back here tomorrow.

Saturday Matinee – Alfred, Iggy, Tom, Billy & the Beat Farmers

1926 Hitchcock debut [via].

Posted this one before, but it’s one of my favorites, featuring Iggy Pop & Tom Waits.

Very pretty song by Billy Paul about adultery. I doubt he would have gotten a hit singing about Mr. Jones, but we’re not gonna go there. Mr. Jones was pissed enough.

The Beat Farmers are still around, and we’re going to be around for a while as well. Have a great weekend, see you tomorrow.

Saturday Matinee – Operation Ivy Mike, Zippo Tricks & Ohio Players

1 November was the 60th Anniversary of the first thermonuclear blast known as Operation Ivy Mike – 10 megatons set off on Eniwitok Atoll.
[h/t Soylent Green]

Papa Strutts was on the flagship USS Estes, and said that although they were miles away,  the shock wave blew out all the light bulbs on the ship. He’s an official member of  The Glow In The Dark Society.

Zippo tricks were a necessary evil growing up, at least they used to be a million years ago when we’d flip the cap on the downstroke and flick the wheel coming up, on our jeans. A quick 1-2 flourish. Zippos rock.

And that’s about as silly a performance of pure funk that I’ve ever seen. The Ohio Players, introduced by Helen “I Am Woman” Reddy in 1975.

That’s about all I can take for tonight. Have a great weekend, folks.

Saturday Matinee – Gainsbourg & Cassal, Robert Gordon, Papa Charlie Jackson & Gnarlemagne

Serge Gainsbourg singing “Chez Les Ye-Ye.” Serge is Pee Wee Herman on sopors. He rocked, but not as much as Pierre Cassel whose shoes became glued to the floor during the video. Cassel’s son is a rapper named “Rockin’ Squat.” Go figger.

Now there’s some Red Hot Rockin’ Squat by Robert Gordon with Link Wray in 1978. That’s a cover of a 1958 hit by Billy Lee Riley, titled simply “Red Hot.” The song can be traced to the work of Robert Johnson.

Personally, I think Robert Johnson was/is overrated, and his fame is due to his recordings covered by British rockers of the early 60s.

Yeah I know, Blasphemy. Johnson got picked, while others, like Papa Charlie Jackson were overlooked. I’m not an authority on musical anthropology, so take it for what it’s worth.

Jackson’s “Airy Man” showed up on a Yazoo Records album that the Missus gave me years ago. The chords were unusual, and the liner notes said this:

“Airy Man Blues,” a work in the key of D, illustrates Jackson’s most complex blues picking in the uptempo idiom at which he and very few other bluesmen excelled.  Two fingers play melody and harmonies with support from a thumb  which is quite steady within several different patterns. Often he executes complex or seemingly impromptu runs on three or more strings.  The basic chord changes are:

D, D, G7, D;
G, D, E, A/A7;
D,  D, G7, D;
G7, D, E/A7, D.
In the break he changes to
B, B7, E, E7, A, A7 D/D minor, D.

Despite the length of these phrases and the comedy of his lyrics, the song is well within the basic blues idiom, lacking in all essential ragtime qualities except speed.

So I looked for a live vid of Papa Charlie Jackson, but instead found a cool tribute by “Gnarlemagne.” It works.

With that we’re out. Have a great weekend, folks and be back here tomorrow for more inane entertainment.