Grace Potter and The Nocturnals performing “Treat Me Right” at the 8×10 in Baltimore, MD on September, 14 2006. They pretty much nailed the Big Brother & The Holding Company sound.
So here is Janis Joplin with BB & The HC “Summmertime / I need a man to Love” at the Holllywood Palace Oct. 26 1968.
Imelda May is way cool. That’s her version of Buddy Holly’s “Looking For Love” which was also covered by The Stray Cats. It was never covered by Andy Tielman as far as I know, but here on The Saturday Matinee, one vid and three links just don’t make the nut.
Yep. That’s Jimmy & The Rackets as if I had to tell you, but now I’m torn between two more vids to post. I’ll resolve the dilemma by posting them both, back-to-back, because each of them made me smile for different reasons. Have a great weekend folks, and we’ll see you back here tomorrow.
BB King, Stevie Ray Vaughan & Etta James at the Ebony Showcase Theatre Los Angeles, 15 April 1987, with The Wicked Wilson Pickett‘s “Midnight Hour.” (Check out the amazing background of Nick Stewart, founder of the EST linked above.)
Great way to wrap up this edition of The Saturday Matinee. Have a great weekend folks, see you back here tomorrow.
Posted this one before, but it’s one of my favorites, featuring Iggy Pop & Tom Waits.
Very pretty song by Billy Paul about adultery. I doubt he would have gotten a hit singing about Mr. Jones, but we’re not gonna go there. Mr. Jones was pissed enough.
The Beat Farmers are still around, and we’re going to be around for a while as well. Have a great weekend, see you tomorrow.
1 November was the 60th Anniversary of the first thermonuclear blast known as Operation Ivy Mike – 10 megatons set off on Eniwitok Atoll.
[h/t Soylent Green]
Papa Strutts was on the flagship USS Estes, and said that although they were miles away, the shock wave blew out all the light bulbs on the ship. He’s an official member of The Glow In The Dark Society.
Zippo tricks were a necessary evil growing up, at least they used to be a million years ago when we’d flip the cap on the downstroke and flick the wheel coming up, on our jeans. A quick 1-2 flourish. Zippos rock.
And that’s about as silly a performance of pure funk that I’ve ever seen. The Ohio Players, introduced by Helen “I Am Woman” Reddy in 1975.
That’s about all I can take for tonight. Have a great weekend, folks.
Serge Gainsbourg singing “Chez Les Ye-Ye.” Serge is Pee Wee Herman on sopors. He rocked, but not as much as Pierre Cassel whose shoes became glued to the floor during the video. Cassel’s son is a rapper named “Rockin’ Squat.” Go figger.
Personally, I think Robert Johnson was/is overrated, and his fame is due to his recordings covered by British rockers of the early 60s.
Yeah I know, Blasphemy. Johnson got picked, while others, like Papa Charlie Jackson were overlooked. I’m not an authority on musical anthropology, so take it for what it’s worth.
Jackson’s “Airy Man” showed up on a Yazoo Records album that the Missus gave me years ago. The chords were unusual, and the liner notes said this:
“Airy Man Blues,” a work in the key of D, illustrates Jackson’s most complex blues picking in the uptempo idiom at which he and very few other bluesmen excelled. Two fingers play melody and harmonies with support from a thumb which is quite steady within several different patterns. Often he executes complex or seemingly impromptu runs on three or more strings. The basic chord changes are:
D, D, G7, D; G, D, E, A/A7; D, D, G7, D; G7, D, E/A7, D. In the break he changes to B, B7, E, E7, A, A7 D/D minor, D.
Despite the length of these phrases and the comedy of his lyrics, the song is well within the basic blues idiom, lacking in all essential ragtime qualities except speed.
So I looked for a live vid of Papa Charlie Jackson, but instead found a cool tribute by “Gnarlemagne.” It works.
With that we’re out. Have a great weekend, folks and be back here tomorrow for more inane entertainment.