Joey Ramone‘s song and stop-motion vid New York City were made and released in 2012, 11 years after his death. The song was an overdub of a demo tape. Tommy Erdlai (Tommy Ramone) is in there somewhere (I think that’s him at 02:57).
Geddy Lee cranks it. I should have paid more attention to Rush; I liked the sound but couldn’t stand the vocals.
Stanley Clarke‘s Touch, live at the Newport Jazz Festival (2003). Another amazing bass solo (with some annoying narration stuck in the middle of it).
Hope those of you getting hammered by the record breaking cold get some relief soon, and that the following thaw doesn’t make it worse. We’ll all be here tomorrow. See you then.
A wooden ball is set atop a long, wooden structure that might be a xylophone or a marimba, constructed in the middle of the woods. As the ball rolls downward, dropping onto each wooden “key,” it plays a note, and suddenly we are hearing Bach’s Cantata 147, “Jesu, Joy of Man’s Desiring.” .. “We did not add any artificial music at all,” Harano wrote (though they did adjust some levels to “bring out the sound of river and nature”).
Yeah, ultimately it’s a commercial, but it’s still very very cool. [via]
The New York Dolls were stuck between classic rock and proto-punk, but they had that pseudo-tranny stuff going on that turned off a lot of potential fans, at least in my opinion.
[Deleted the video. Screw ’em since they’ve blocked embedded links. If they don’t want free advertisement, then they shouldn’t post it on the Utoobage.]
So, in place of a cool video of the folks originally posted above, here are The Milenberg Joys. I think they had more talent than that Katzjamband anyway.
Red Nichols & His Five Pennies were awesome in their time.
Speaking of time, I’m out of it. Have a great weekend, folks. Be back here tomorrow for more fun.
Tacky Raccoons 