
It sounds exactly what my daughter’s boyfriend listens to. At first I thought it was a hoax, but apparently it’s not.

It sounds exactly what my daughter’s boyfriend listens to. At first I thought it was a hoax, but apparently it’s not.
The Temptations lip-synch “Ain’t Too Proud To Beg” from 1966. Awesome collars & peg pants.
The Tee Tones are better known as occasional backup singers for these folks:
And Postmodern Jukebox makes me smile.
Have a great weekend, folks. See you back here tomorrow.
“Hand Full of Keys,” performed here by Stephanie Trick, is a Fats Waller composition, circa 1938. Awesome stride piano style. Although I’m somewhat ambidextrous and have a basic understanding of music theory and chords, there’s no way I could cut those chops.
Tuba Skinny is my favorite band these days.
I had a conversation with some of my co-workers recently, and the topic of Yellow Snow came up. I tried to explain Nanook of the North and failed, so we’re forced into Zappa mode.
You can find Zappa’s “Nanook Rubs It” on the Utoobage on your own, but “Deathless Horsie” is amazing.
Have a great SuperBowl Weekend folks. Seattle sucks big green donkeys because Seattle sucks big green donkeys. Everyone outside of Seattle knows Seattle sucks big green donkeys and so does Seattle. Seattle sucks big green donkeys.
This is why I could never stand Country Pop, but the mashup is clever and funny [via]. It reminds me of National Lampoon’s classic send up of CSN&Y.
The Cleverlys are pure country, and their take on The Bangles’ 1985 hit is pure awesome.
Let’s move on to something entirely different. How ’bout some Magic Sam?
Magic Sam Maghett graduated from a diddlybow to electric guitar. Pure country bluesman who travelled up the Mississippi to Chicago’s Cobra Records.
Have a great weekend, folks. Be back here tomorrow and maybe we’ll discuss the many ways to secretly deflate footballs and turn them into a national crisis.
Canadian lawn sprinkler.
Norwegian street limbo.
Swedish ooga chacka. Blue Swede‘s 1974 recording was based upon B.J. Thomas’ 1968 hit “Hooked On A Feeling” as corrupted by Britain’s Jonathan King in 1971.
Have a great weekend folks. We’ll be back here tomorrow to mess around some more.
[First two vids found somewhere in here.]
When I’m Gone (The Cup Song) Jim Huish of the Nashville Americana-pop group Amber’s Drive offers up a cover of the song “Cups (When I’m Gone)” [via].
Jim Stafford‘s “My Girl Bill” popped into my head the other day for no good reason. I’d forgotten about it for decades, and kinda wished it had stayed that way. So where do we go from here? Maybe this.
I never watched SHR, but that one seems familiar.
Amber’s Drive has good harmonies, a nice vibe, and a song that jives with my attitude these days. Have a great weekend, folks. Be back here tomorrow.
Keller Williams with The Travelin’ McCourys‘ “Pumped Up Kicks” made me laugh. Clever stuff that.
How ’bout some Muddy Waters? Here’s a jam from 1978. (Note that James Cotton is not the first harp blower on the vid.)
Killer blues tribute with a great lineup. 45 minutes of pure awesome.
Have a great weekend, folks. See you back here tomorrow.
#OccupyFarmland.
? & The Mysterians, featuring Rudy Martinez as (?). Don’t ask me how I know. The video is from Detroit’s “Swingin’ Time” 1966.
The J. Geils Band was the Best Bar Band in the Land in the late 70s, and there’s proof. Need more? Check this out.
Have a great weekend, folks. See y’all in the Sears parking lot – You’ll recobanize me because I’m the one taking up two spaces.

There’s a bizarre history to that familiar song credited to The McCoys, and it traces to Dorothy Sloop of Steubenville Ohio who became a New Orleans singer and piano player with the stage name “Sloopy.” The song was originally recorded by The Vibrations in 1963, predating the McCoys’ version:
So how did a 60s soul group from LA decide to sing about a girl who moved to New Orleans?
“Sloopy” was Dorothy Sloop, a Bourbon Street piano player. Born Sept. 26, 1913, in Steubenville, she performed at a New Orleans nightspot under the stage name Sloopy.
‘Hang on Sloopy’ was written by Bert Russell Berns and Wes Farrell, two New York City songwriters. Berns also wrote The Isley Brothers and Beatles hit Twist and Shout. Farrell went on to become the musical brains behind the Partridge Family.
The song was originally recorded as My Girl Sloopy by the Los Angeles R&B vocal group the Vibrations. It debuted in April 1964 in the Top 40 of the Billboard pop chart, where it spent five weeks and reached No. 26.
A rock version, ‘Hang on Sloopy,’ was recorded by the McCoys, a Dayton garage band led by Celina native Rick Zehringer. Locally, the band was known as Rick and the Raiders, but it changed its name to avoid confusion with chart-toppers Paul Revere and the Raiders. Hang On Sloopy debuted in September 1965 in the Top 40 of the Billboard pop chart, where it spent 11 weeks and reached No. 1.
Rick Zehringer later changed his name to Rick Derringer and became one of the top rock guitarists and producers of the 1970s. He recorded with the Edgar Winter Group and scored a 1974 solo hit with Rock and Roll, Hootchie Koo. [More at this source]

“Dixie” Fasnacht operated a bar called Dixie’s Bar of Music on Bourbon Street in New Orleans. It was there that Dorothy’s acquaintance and co-writer of “Hang On Sloopy” Bert Berns-Russell found the inspiration for the song. During problems with the sound equipment and a crowd getting rowdy, he heard a regular call out to her “Hang on, Sloopy!” [Source]
I couldn’t find a recording of either Dottie Sloop or Yvonne “Dixie” Fasnacht, but there has to be a copy of the album in someone’s basement somewhere. One more piece of trivia: Ohio is the only State to have an Official State Rock Song.
The Best Damn Band In The Land adopted “Hang On Sloopy” as a signature song for the times when OSU was down a few points, and their a capella version is classic.
Have a great holiday weekend, folks.
Here’s Dave Brubeck‘s partially discordant cool jazz classic “Take Five” in 5/4 time (also known as quintuple time, i.e, five beats per measure, quarter note gets the beat: 1-2-3-1-2, 1-2-3-1-2, etc.). Here’s an interesting take:
Sachal Studios, Lahore, Pakistan, with sitar and that boingy drum thingy.
Another famous song in 5/4 is Lalo Schifrin‘s “The Theme To Mission Impossible.” Here’s a bizarre version that wavers between 5/4 and 4/4, by Kua Etnika.
Sting‘s “Seven Days” is in 5/4, too, as if you cared, and Zappa’s former drummer Vinnie Colaiuta explains it here.
Ginger Baker’s Air Force also cranked 5/4 in 1970 with “Do What You Like,” and it included a self-indulgent in-your-face mandatory drum solo (dissected by Marky Ramone).
That should hold you for a tad. Have a great weekend folks, and we’ll be back in a jiffy.