Mercy Mercy Mercy. This jam cranks, but that can’t be Stanley Jordan on bass (or guitar, or any other instrument) despite the Utoobage description, yet someone was playing a 6-string bass…
Chet Atkins & Les Paul Limehouse Blues 1978. Wait for the end – Atkins shows that he was playing a fold-up guitar.
Using instruments crafted from tin, 2×4’s and salvaged parts, RT has stated that RT N’ THE 44s was born out of “an attempt to make listenable music from junk.” [Wiki]
Here’s a related video from La armonía del vertedero – Orquesta de Instrumentos Reciclados de Cateura de Paraguay:
My late Uncle Bunk had what he called a “BoomBass” that consisted of a cookie tin nailed to a 2×3 with a single wire on a bridge that ran up to a fretboard, with tambourine thingys on the top and a spring peg on the bottom. You played it by banging it on the floor and hitting the wire with a notched dowel. It was also painted very nicely, and someone I know still has it.
Couldn’t make it through the original version. Then we thought we’d look for some recent retro bands and found this.
Japanese girl group Oh!Sharels cover the Chords’ 1954 classic Sh-Boom.
Contrary to popular belief, doowop (aka R&B aka Rhythm & Blues) was not the only form of early rock and roll, so let’s kick it up with some Retrobilly.
Molly Sue Gonzalez (And The Mean Mean Men) “Bad Example” is just the thing to wrap up this edition of The Saturday Matinee. Have a great weekend folks, be back here tomorrow.
Sister Rosetta Tharpe‘s version of “Didn’t It Rain” (Manchester, England in 1964). She exemplified the musical connection between gospel, blues and rock and roll. The song first appeared as piano sheet music in 1927, but I’d guess it dates to the 1800s [h/t Bunkessa].
What a treasure trove this is [via]. In the early 1960s The Blues was largely ignored in the U.S., yet many classic artists found a receptive audience in Britain. From the Utoobage description:
“Recorded live for TV broadcast throughout Britain, these historic performances have been unseen for nearly 40 years. Filmed with superb camera work and pristine sound, 14 complete performances and 4 bonus performances are included by Sonny Boy Williamson, Muddy Waters, Lonnie Johnson, Big Joe Williams, Lightnin’ Hopkins, Sugar Pie DeSanto, Howlin’ Wolf, Big Joe Turner, Junior Wells, and Sister Rosetta Tharpe.”
Spotted Willie Dixon on bass in that vid, so let’s post this:
Yeah, he stuttered in real life, yet Dixon wrote and performed an incredible amount of classic blues tunes.
This compilation should hold you for a while. Have a great weekend, folks, and may you never be nervous.
Four shorts in under 90 seconds, with balloon animals.
What a happy guy. After those two vids, we gotta walk it down.
Here’s Captain Beefheart and his Magic Band (1974) with “Upon The My O My.” We’re not quite at ground level yet, and since we neglected to honor Mardi Graslast week, let’s amend and repair the accidental and unintended oversight with this:
Leon Russell & Friends’ “Trouble In Mind.” The song dates to 1924 at least, and was recorded by Chippie Hill and Louie Armstrong in 1926 (and no, we’re not going to discuss the double entendres of the lyrics).
Here’s another great tribute to that classic song, featuring Barney Kessel, Tal Farlow, Charlie Byrd, Joe Byrd & Chuck Redd from 1988.
Have a great weekend, folks. May all your troubles be little ones, and all your little ones be trouble.
Doobie Brothers. Look how they danced around on stage back then. How could such good music become so embarrassing? Fortunately most of us only heard them on FM and 8-Track and never saw their awesome stage performance.
Speaking of performances, this one goes out to Jay Leno, one of the funniest modern comedians who never had to use vulgarity to score a laugh. He’s right up there with Johnny Carson, Jonathan Winters and Bill Cosby. I never met Leno, but some friends did. Each said essentially the same thing: “Jay’s an honest nice guy, and he’s funny as hell.” That’s how I want to be remembered when I’m gone. Leno’s still alive.
Sorry, but I can’t bring myself to post any of the more recent poor quality sucky sounding live versions of “Sweet Melissa.” God bless you, Jay, and thanks for all the entertainment.