
[Found in here. Zoom in and you can see the photographer and some nice wrought iron porch seats.]

[Found in here. Zoom in and you can see the photographer and some nice wrought iron porch seats.]

[Found here.]

That appears to be self-portrait artist Samuel Fosso, from a series titled African Spirits (ca. 2008). Born in Camaroon, he fled the Nigerian Biafra Wars, found refuge in Bangui, Central African Republic.



[Images found without captions here and credits Jean Marc Patras.]
[This fine collection was found here.]

In the mid-19th Century, not long after the invention of photography, John Benjamin Dancer (1812 – 1887) began printing tiny photographs onto glass slides at his studio in Liverpool, England. In Paris, René Dagron (1817 – 1900) wondered how to circumvent the need for an expensive microscope to view them. In 1859, Dagron patented the first Stanhope lens mounted with a mini-photograph.
He named it after the magnifying device invented 50 years earlier by Charles Stanhope, Third Earl Stanhope (1753-1816). In the late-18th century, Stanhope invented lenses which allowed all sorts of “viewers” to house images in secret. Stanhopes, also called Bijoux Photomicroscopiques, became known as ‘peep holes’, ‘peep-eye views’ or ‘peeps’.
And this little piggy had a secret…

[Un-photoshopped image found in here.]

[Photo essay by Nei Valente found here via here.]

Chat siamois en cage, Robert Doisneau, London, 1950.