Classic presentation of The Pledge Of Allegiance eloquently delivered by Red Skelton.
Let’s wrap it up with Stevie Ray Vaughan from 1983 with a killer version of “Texas Flood.”
Have a great Independence Day weekend, folks.
15 Seconds.
Helicopter/Camera Synch. [via]
Happy Shining.
Big Splash.
BB King, Stevie Ray Vaughan & Etta James at the Ebony Showcase Theatre Los Angeles, 15 April 1987, with The Wicked Wilson Pickett‘s “Midnight Hour.” (Check out the amazing background of Nick Stewart, founder of the EST linked above.)
Great way to wrap up this edition of The Saturday Matinee. Have a great weekend folks, see you back here tomorrow.
Earl Lewis & The Channels in 1997. “The Closer You Are” was a regional hit in New York in 1956. (It was covered by Frank Zappa in 1984 who made it sound kinda creepy.)
Little Isadore & The Inquistors’ early R&B style is spot on. Can’t find much about LI, and maybe that’s a good thing. A googoyle search provides little, except that it lead me to Rob Hyman and a band I’d forgotten about.
Hyman was a founding member of The Hooters. I have one of their CDs, but I don’t remember what caught my ear aside from the eclectic sound. “Karla With a K” would have fit my playlist in the late 80’s.
Lessee, what else was I listening to back then? A wide variety, including these guys:
Aswad live at Sunsplash 1984. No, I was never a stoner, but I liked de riddims.
Before anyone thinks I was some kind of pre-hipster indie weenoid back then, this was what I cranked after the sun went down.
Have a great weekend folks (and remember that real dads hate Fathers Day).
Roy Buchanan’s version of Link Wray’s “Jack The Ripper.” Guitar or chainsaw, you decide.
Link Wray’s “Switchblade.” Sorry, no action video, but that song is so nasty, I’m gonna listen to it again while I fish for other stuff, like this:
Link Wray’s version of “Unchain My Heart” from 1975.
Stevie Ray and Jimmy Vaughan on a single doubleneck guitar. Great stunt with the Fabulous Thunderbirds, and speaking of Kim Wilson…
I’ve prolly posted some of these before, but so what. Some are worth reposting, and it’s been a long week. Have a great weekend folks, see you back here tomorrow for more fun.
Okay. Let’s get this one out of the way as quickly and painlessly as we can. I axed FinPeng for a suggestion and, without hesitation, he came up with this.
Great promotional stunt. [via]
The Dead Milkmen were a late 80s punk band from Philly. (Watch for the Sonny Bono promo.)
Mumford & Sons, courtesy of Bunkarina. Cool song, just like this one:
B.B. King, with Stevie Ray Vaughan (in Neil Young/Sam Kinison garb), Etta James and others playing The Wicked Wilson Pickett’s “Midnight Hour.” I recobanize the harp player, but don’t remember his name… starts with an ‘S’ I think. From the Utoobage description:
Check out SRV looking for permission from the King to play a solo… the King bows his head… and there he goes! 🙂
Ebony Showcase Theatre in Los Angeles, April 15th 1987
Have a great weekend, folks. See y’all back here tomorrow.
The Unknown Comic, LIVE! [I showed up once as The UC at a party in college, came in unannounced and ran through 15 minutes of cheap jokes, left to change clothes and toss the bag, and returned as myself. People were still asking the host “How did you get HIM to show up?”]
Bunkarina turned me on to this vid from the Fleet Foxes, a band out of Seattle.
Fleet Foxes reminded me of the soundtrack to “Cold Mountain,” but since I couldn’t find a video of the Sacred Harp Singers of Liberty Church, I’ll go with “O Brother Where Art Thou” and The Song of the Sirens.
Okay, we’re gonna break out of that deadend theme and jump to a Stevie Ray Vaughan classic, “Texas Flood.”
Here are Bruce Springsteen and Neil Young completely blowing a rock classic. “All Along The Watchtower” was an acoustic Bob Dylan song that Jimi Hendrix electrified and made a hit. Even Dylan started playing Hendrix’ version. The lyrics make no sense, but if you reverse the order of the verses, it does. Kinda.
Have a great weekend, folks, be back here tomorrow.
American regional dialects are curious, and when I hear one I haven’t heard in a while I try to identify where the speaker grew up. If you listen closely, you can hear the ancestral accents and phrasing as well: English to the north, Scottish and Irish to the south. As for me, I have no accent, but Mrs. Strutts says I do… I sound a lot like central Ohio mixed with some faint Texan stuff. (Here’s a simple online test if you’re curious what accent mix you have.)
W.C. Clark backed by The Fabulous Thunderbirds, and featuring Angela Strehli is an awesome mix of Texas blues. Never heard of W.C. Clark? Try this:
Yep, that’s Stevie Ray Vaughan with W.C. Clark. Next question?
Bug a bug: Annoying a praying mantis. [Found here.]
I want this. It would make clothes dryers and salad spinners obsolete. [Found here.]
Leon Redbone is in a class all by ourselves.
Lonnie Mack and SRV with “Double Whammy,” for preview only.
Lonnie Mack with Albert Collins and Roy Buchanan, “Further On Up The Road.” Whatta classic lineup.
When you’re an 11-year-old girl at a sleep over, watching the results of “American Idol,” some things matter A LOT. [via Woosk.]
This is kinda cool, even though it’s contrived and the music drips with lameosity. Combines Picasso, Dali, Van Gogh and Escher imagery.
Thanks a wad to TR Commenter Breon for reminding me of the late great Danny Gatton. Here’s a kickass medley of Sun Records hits, in typical out-of-sync Utoobage fashion.
But I remember Gatton for THIS incredible stunt. (Phil, y’all pane-tension?)
Here’s Bunk’s favorite pissed-off blues crank, from Stevie Ray Vaughan.
Shortly after Vaughan passed on, Buddy Guy fronted SRV’s band, Double Trouble, on Austin City Limits in 1991. Here’s his tribute version of “You Better Leave My Little Girl Alone”.
Tacky Raccoons 