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Posts Tagged ‘Link Wray’

Saturday Matinee – TUOOGB, Steppenwolf & Link Wray

Saturday, 14 April 2018

I’m embarrassed to say that I never heard of The Ukelele Orchestra of Great Britain (TUOOGB) until recently, even though they’ve been around for a while. From their website:

The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.

Great stuff. The world is your lobster if you have a bass ukulele.

Nice groove.
It’s a cover of Willie Dixons’ “Hoochie Coochie Man” by Steppenwolf at the Riverfront Festival in Louisville, KY, 7 October, 2000.

How ’bout some 1974 retro?

Link Wray played so dirty and nasty. No flourishes.
It was all in-your-face-deal-with-it-badass-rock the way it was always meant to be.

You still want toast?

Have a great weekend, folks. See you back here in a few hours.

 

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Saturday Matinee – Gainsbourg & Cassal, Robert Gordon, Papa Charlie Jackson & Gnarlemagne

Saturday, 27 October 2012

Serge Gainsbourg singing “Chez Les Ye-Ye.” Serge is Pee Wee Herman on sopors. He rocked, but not as much as Pierre Cassel whose shoes became glued to the floor during the video. Cassel’s son is a rapper named “Rockin’ Squat.” Go figger.

Now there’s some Red Hot Rockin’ Squat by Robert Gordon with Link Wray in 1978. That’s a cover of a 1958 hit by Billy Lee Riley, titled simply “Red Hot.” The song can be traced to the work of Robert Johnson.

Personally, I think Robert Johnson was/is overrated, and his fame is due to his recordings covered by British rockers of the early 60s.

Yeah I know, Blasphemy. Johnson got picked, while others, like Papa Charlie Jackson were overlooked. I’m not an authority on musical anthropology, so take it for what it’s worth.

Jackson’s “Airy Man” showed up on a Yazoo Records album that the Missus gave me years ago. The chords were unusual, and the liner notes said this:

“Airy Man Blues,” a work in the key of D, illustrates Jackson’s most complex blues picking in the uptempo idiom at which he and very few other bluesmen excelled.  Two fingers play melody and harmonies with support from a thumb  which is quite steady within several different patterns. Often he executes complex or seemingly impromptu runs on three or more strings.  The basic chord changes are:

D, D, G7, D;
G, D, E, A/A7;
D,  D, G7, D;
G7, D, E/A7, D.
In the break he changes to
B, B7, E, E7, A, A7 D/D minor, D.

Despite the length of these phrases and the comedy of his lyrics, the song is well within the basic blues idiom, lacking in all essential ragtime qualities except speed.

So I looked for a live vid of Papa Charlie Jackson, but instead found a cool tribute by “Gnarlemagne.” It works.

With that we’re out. Have a great weekend, folks and be back here tomorrow for more inane entertainment.

Saturday Matinee – Roy Buchanan, Link Wray, Stevie Ray & Jimmy Vaughan, Kim Wilson

Saturday, 6 August 2011

Roy Buchanan’s version of Link Wray’s  “Jack The Ripper.” Guitar or chainsaw, you decide.

Link Wray’s “Switchblade.” Sorry, no action video, but that song is so nasty, I’m gonna listen to it again while I fish for other stuff, like this:

Link Wray’s version of  “Unchain My Heart”  from 1975.

Stevie Ray and Jimmy Vaughan on a single doubleneck guitar. Great stunt with the Fabulous Thunderbirds, and speaking of Kim Wilson…

I’ve prolly posted some of these before, but so what. Some are worth reposting, and it’s been a long week. Have a great weekend folks, see you back here tomorrow for more fun.


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