How to breakdown and reassemble a Willy’s Jeep in under four minutes. [via]
The Cleverlys’ bluegrass version of “Walk Like An Egyptian.” [via]
After the Cleverly’s drummer’s action, it’s only proper to post a video of clogging, aka, Bluegrass Flamenco. Both bluegrass and clogging are closely related to Irish reels and dancing, so…
Here’s Earl Scruggs with the seminal Irish band The Cheiftains. Nice blend, that.
Have a great weekend, folks, y’all be back here tomorrow.
Great cover of Johnny O’Keefe’s “The Wild One.” Here’s Jerry Lee Lewis’ version of “Wild Child.”
Although Iggy Pop did a great cover (here’s the instrumental track if you want to sing along), Joan Jett’s version is pretty good, and looky who shows up on the street.
Speaking of covers, here’s The Blasters’ 1981 version of Little Willie John’s “I’m Shakin’.” From the Wikipud:
Phil Alvin explained the origin of the band’s name: “I thought Joe Turner’s backup band on Atlantic records – I had these 78s – I thought they were the Blues Blasters. That ends up it was Jimmy McCracklin. I just took the ‘Blues’ off and Joe finally told me, that’s Jimmy McCracklin’s name, but you tell ‘im I gave you permission to steal it.”
Big Joe Turner was a great big band blues singer in the early days of rock and roll rhythm and blues. “Shake, Rattle and Roll” was his first big hit in 1954, but was coopted by Bill Haley & His Comets (who cleaned up the lyrics for the white folks).
That’s all for now, have a great Memorial Day Weekend, see you back here tomorrow.
“El Cumbanchero.” The Buena Vista Social Club is awesome. Tip o’ the Tarboosh to Rodan for reminding me of them.
Continuing with Afro-Cubano jazz, here’s Tito Puente, Poncho Sanchez y Celia Cruz, with “Quimbara.” No idea what that translates to, but I guess it’s a dance style.
This was one of The Iguanas best songs, and the video doesn’t do it justice. (Here’s the studio version w/o video. As an aside, in the live video, the bass player looks like me in my 20s, but with a better haircut. Heh.) Since The Iguanas were from New Orleans, let’s move in that direction…
New Orleans is gonna be in the news again in a couple of days, but not for the right reasons. I suggest we ignore the msm and enjoy the music instead.
Have a great weekend and we’ll see you back here tomorrow.
Martin Mull in 1973 gets back to his roots in the Lake Erie delta.
Martin Mull’s college roommate was Steve Martin who was no slouch on banjo.
Awesome. I can play the plastic scale, too, but putting it into a high-speed vid makes the grade.
Now THIS is really annoying, so much so that I’m not going to post it here. You’re on you’re own, and I dare you to listen to the whole tutorial. I couldn’t do it, but I can listen through this:
David Grisman & Jerry Garcia doing B.B. King’s classic “Thrill is Gone.”
To close it out, here’s B.B. King himself with Billy Preston and, um, Bruce Willis on harp. Have a great weekend folks, and remember that most of us can play harp better than Bruce Willis, who’s got no business at all in that lineup.
Redneck washing machine. When Steve McGranahan‘s not bending cast iron skillits for charity, this funny guy makes videos.
“Why Does Love Got To Be So Sad?” was one of Derek & The Dominos’ greatest hits.
One of my favorite Wailers songs.
Here’s a 44 year old Clarence Gatemouth Brown with a 32 yearold Johnny Jones playing “Chicken Fat” in 1968. [via]
Happy 74th Birthday to Buddy Guy, one of the last original bluesplayers. Here’s a guy who left the south for Chicago and played for sandwiches to keep from starving.
Have a great weekend, folks. See y’all back here tomorrow.
Eubie Blake was awesome. He was 95 in 1978 when this interview was recorded.
During the break there’s an advertisement for the troublesome RadioShack TRS-80 computer system, using magenetic tape cassettes for data storage. Only cost $599! That’s about $2,000 in today’s dollars. Later on, after users complained about problems with the cassette drives, Tandy eventually offered an awesome 5MB hard drive accessory, about the same size as a PC today, for $1,500 – a whopping $4,900 today.
Okay, 1978 was probably the peak of the (gag) disco phase, and the birth of R&B pop love anthems. There is absolutely nothing that ranked in the top 20 that I’d post here, except for maybe for the Stone’s “Miss You.” Worst song they ever did IMO.
On the other hand, this song made No. 41, and Randy Newman gets kudos for writing the most misunderstood song of the year:
Have a great weekend, folks, and meet me back here tomorrow.
The always odd Laurie Anderson can’t pronounce the Espaniel worth a Me Air Duh, but she’s entertaining in her own way.
I was gonna segue into Suzanne Vega, but I forgot how depressing her songs were. So then I looked for Suzy Bogguss, and remembered that I’d already covered her on an earlier Saturday Matinee Post.
So I’m thinking of Suzanne songs and decided to go with Michael Nesmith’s “Joanne” because it rhymes. But there are no decent vids on the Utoobage that do justice for the ex-Monkee’s greatest hit, except for this:
Meanwhile, here’s Joanne’s greatest hit. Have a great weekend folks.
So there you are minding your own business at the bottom of the ocean, when some pufferhead stumbles by and completely blows your cover. It’s enough to piss you off.
Well, what can you do? You’re just a kickass bitchin’ mussel-eatin’ limb-regeneratin’ starfish, with no eyes, no ears and no brain, and you crap through your feet. Yeah, run away while I’m talking to you, woosfish. Face it, you can’t even gripe about it because you don’t even have a Facebook account.
From 1979 comes this story about Rasta Records. Wonder how many stoners ruined their turntables trying to play them.
Nice groove that.
“Jumpin’ At The Woodside” was a CB tradmark, and the speed still amazes me. Here’s a double shot of Count Basie, live from 1972.
From the Utoobage description: videoklip k písni Beat me, daddy, eight-to-the-bar, nalézt ho můžete na CD Nejlepší kusy z repertoiru Ondřeje Havelky a jeho Melody Makers. Have a great weekend, folks.