
This is just mildly disturbing, so we thought we’d share it with you.
[Found here.]

I really like this and I don’t know why, but I guess it’s coming soon.
[Found here.]
Archie Bell & the Drells doin’ the “Tighten Up.” No lip synching there.
Chicago Transit Authority from 1970. Chicago was a lot of funk and whiteboy soul and I loved this band before it got all weeny. They were cool, even after “Color My World,” the slow-dance-rubbing-anthem for teenagers everywhere. (Janessa Vapors was in great demand whenever it was played.)
“Sweet Home Chicago,” a Robert Johnson song, as performed by Buddy Guy in the Elmore James style. I might be mistaken, but it looks like the late Stevie Ray Vaughan‘s band Double Trouble is backing him up. Dan Aykroyd & John Belushi’s “Blues Brothers” resurrected the song, but dedicated it to Magic Sam.
Now for something completely differnet. At the TR board meeting today, we discussed whether or not we should allow/encourage submissions of links to the Utoobage that demonstrate the various talents of our Loyal Readers.
The answer was a solid but wavering YES.
So here’s our first submitutante, Dan, who knows how to shred a guitar and doesn’t mind posting it on the Utoobage. Note that he’s torn the head off his electromo-gitfiddle since it was obviously in his way.
What kinda man follows Tacky Raccoons? Well, there you go. If anyone else would like to contribute, post your hidden talents, toss us some emailage and maybe we’ll give you some pro-bono face time.
Your pal,
Bunk

“Fishy gon’ getcha, gon’ getcha!”



[Top one found here. The last three, with the description below, are from here (and the first of the three is not an animation).]
“The Musée Mécanique is a museum that houses scores of mechanical toys ranging from Victorian penny arcade toys to automata to early 20th Century fortune tellers to pioneering forays into animation to 1980s video games, all collected by San Francisco resident Edward Zelinski. Within these walls you can see: an opium den’s inhabitants luxuriating in their lair, a drunkard’s delirium tremens-inspired dreams, both a French and an English execution scene (!!!), a sultan’s harem, dancing monkeys, the famous “Laughing Sal,” and an epic, ambitious 1930s fairgrounds scene rich in colloquial detail complete with freak show and a angry caged gorilla (see above). And all this to the creepy sounds of tinny carnival music fading in and out from the activated amusements surrounding you.”

Saddened by the loss of his long-time hunting friend Inqui, Suaciq O’Neil mourns in front of a Fuji Kōgaku camera with a 50mm lens using 400+ASA film pushed to 1000, with a manually reduced f-stop that he mentally calculated as being in the realm of either 20/3×0.5, 21/3×0.5, 22/3×0.5, 23/3×0.5, or 24/3×0.5, and with an octopod for stability in the frozen arctic wind.
“Watch out where the huskies go,” he warned.

Since I posted a couple of his videos yesterday, here’s Buddy, in all his hog-ridin’ gut spillin’ awesome glory.
Note that one of his bands, Electric Flag, contributed to the soundtrack to Easy Rider, but were excluded from the album. Go figger.
[Image found here.]
I’d never heard of AikiJujutsu before today. It’s awesome because it depends on the energy of the attacker, rather than the strength of the defender. A Veteran on one of the blogs I’ve been following recently (Blogmocracy, aka LGF2.0) said he likes it because it gives one the options of annoy, hurt, or harm, depending on the level of the attack. Hit the Gurgle/Utoobage buttons for more.
This is very cool… except for the weeny beards that kinda negate the coolness. [Found here.]
I was about to post a video of Electric Flag, but this is even better: Buddy Miles with Buddy Guy in the U.K in 1969. Looks like they’re playing with Paul Butterfield’s band, prior to the blues revival in the U.S.
More Buddy Miles, this time with Jimi Hendrix, 1970. Beyond the valley of cool. (We’ve got a great photo of Buddy Miles coming up tomorrow. Stay tuned.)

Salvador Bartolozzi (1882 – 1950) was one of the most important Spanish comic artists from the 1920s. With his several famous characters, such as the ‘Pipo y Pipa’ and his free adaptation of Collodi’s ‘Pinocho y Chapete’, Bartolozzi counts as an innovator of the Spanish comic strip. Bartolozzi went to Paris, where he stayed for six years. After his return, he joined the publishing house Calleja. Bartolozzi collaborated with several juvenile magazines, such as Pinocho, Macaco and Chiquilín.
[Image and quote found here, via Everlasting Blort.]
Oh, man. We left this one for the last minute, and on “Talk Like A Pirate Day.” Thought for sure that there be some easy pickin’s on the Utoobage, BUT NOOO.
Our first hunt was for Steve Goodman’s classic “Lincoln Park Pirates.” No dice. Then we looked for mashups of the Disney thing, only to turn up infantile garbage. So then we hunted for the Mothership: Rum. Andrews Sisters’ Rum and Coca-Cola. Arrgh.
So we’re gonna throw the whole theme out. Screw it… the karma’s just not there. Gotta get some serious pirate jive growlin’ goin’ instead.
Tom Waits’ “Emotional Weather Report” recorded in Köln, West Germany, April 18, 1977. Waits never sings the same song the same way twice.
Howlin’ Wolf’s “Highway 49,” Washington D.C. Blues Festival, November 1970.
Speaking of Highways, Johnny Winter’s version of Hwy61 is a slide guitar classic.
Mississippi Fred McDowell, one of the greatest slide guitar players ever, playing “John Henry.”