In The Morning, The Mighty Marvelows (1968)
Formed in Chicago in the 1950s as Little Satan & The Demons, later as The Mystics, the group landed a recording deal with ABC-Paramount in 1964 and became The Marvelows. They had little initial success (Billboard suspended its R&B listings in 1963) but scored with I Do in 1965. In 1968, to avoid being confused with The Marvellos, they became The Mighty Marvelows but disbanded the following year.
Marie, The Four Tunes (1953)The Four Tunes originated from The Brown Dots, a quartet started in New York City by Ivory “Deek” Watson after he split from the Ink Spots in late 1944. Marie was written by Irving Berlin and first recorded by Nat Shilkret & the RCA Victor Orchestra (as The Troubadors) in 1928.
Turn Your Head, Little Darlin’, Red Ingle & His Orchestra (1950)Ernest Janson”Red” Ingle was an American musician, singer and songwriter, arranger, cartoonist, caricaturist, pilot, leather carver and saddle maker from Toledo Ohio. He is best known for his comedy records with Spike Jones and his own Natural Seven sides for Capitol.
Party Hard, Little Isidore & The Inquisitors (date unknown) Can’t find a date for this gem, could be 1993 or 2012, but I love it. Little Isidore is/was the alter ego of David Forman, a little known musician with a great resume; he fronts The Inquisitors, aka The Golden Inquisitors, aka The Mighty Inquisitors. Forman is 10 years younger than Little Isidore.
Theme to Barbarella, Bob Crewe & The Glitterhouse (1968)Composer/producer Bob Crewe (aka the Godfather of Easy Listening) invited New York-based group The Glitterhouse to provide the “But Hey” style vocals for the title song of the cult classic Barbarella.
I Love You Darling, 11 Year Old Faith Taylor & the Sweet Teens (1959)According to Luky 1966:
“Faith Taylor was born in Dumas, Arkansas, in 1948. She began performing at the age of four and won her first amateur contest in Little Rock. She came to Chicago with her family in 1957 and continued her music career by singing at small club affairs. She also worked in a few combos, including that of Muddy Waters. In June 1957 she entered and won the ‘Morris B. Sachs Amateur Hour‘ on WGN-TV. The following year a friend of Taylor, Charles Jones, was assembling a vocal group and brought her in as the lead. Other members of this group were alto Yvonne Waddell (17), tenor Saundra Long (16), soprano Mary Collins (17), and bass Curtis Burrell (17). Most of the group came from two South Side high schools, DuSable and Dunbar. Faith Taylor and the Sweet Teens were unlike most ‘teen tenor lead’ groups in being mostly comprised of females. From that start, the group was not going to be a ‘girl group’ but one patterned after Frankie Lymon and the Teenagers.”
There’s a rumor that Sun Ra backed the Sweet Teens for some performances.
Just Wailin’, Louie Myers & the Aces (1956) Originally titled Just Whaling on Chicago’s ABCO Records. The Aces were also known as the Chicago Aces, the Four Aces, the Three Deuces, the Three Dukes, and the Jukes, depending who they were backing. The prolific session group was comprised of brothers Louis and Dave Myers and Fred Below [BEE-low] and backed many great Chicago blues artists.