The Cramps were a product of the legendary 1970s CBGB NY punk scene, as were these folks:
Okay I lied. The Two Man Gentlemen Band never played at CBGBs (which stood for Country, Blue Grass & Blues in case you didn’t know). Let’s go for one more.
Harriers are awesome… and scary as hell if you happen to be the enemy. You hear its death whistle before you see it.
El Mariachi Manchester covers The Smiths‘ “Girl in a Coma” with a poco mariachi, poco ska style. (The trumpet player is using a Harmon mute and Bunkessa said the singer looks like me).
Since I’m in a ska mood, let’s wrap it up with this.
The guy that brings our mail and kills the rats in our building showed up today wearing a baseball jersey with Los Caifanes logo on it, so I asked him about it, and he told me. They remind me a bit of these guys:
Although it’s real bad advice, “Oye, Isabel” is one of The Iguanas‘ catchiest tunes. Okay, let’s go for one more, and since we’re on a latino music kick tonight, here’s some addictive Mambo rhythms from Tito Puente.
Have a great weekend, folks, and we’ll see you back here on Sunday.
The history of Samhain (aka All Hallow’s Eve, aka Halloween) is interesting, and despite what some claim (that it’s “The Devil’s Holiday”) it’s actually the opposite. Check this out.
But that’s not what we’re here for, and we’re not here to post Bobby Pickett‘s “Monster Mash” either even though Leon Russell played on that recording according to Wiki.
Nice try, Bobby, but that sucked donkeys. Ted Cassidy did it right.
So how do we wrap up this Halloween vid post? How ’bout some Tom Waits?
Yeah, when the kids were tads, we’d do up the front stoop right, with spiderwebs, pumpkins that made little kids cry and dogs bark, and blast Tom Waits and Mickey Hart’s Planet Drum cassettes on a boom box that could be heard for blocks. Fun times.
Have a safe Samhain, All Hallow’s Eve, and Halloween, folks. Be back tomorrow for El Día de los Muertos.