Reminds me of Tom Waits’ “Conundrum” that he described as the sound of “a jail door closing behind you” and says it looks “kind of like a Chinese torture device.”
So many uncredited influences crammed into one awesome jam.
Have a great weekend, folks, and I promise we’ll never post the real names of your dogs and cats without permission.
“This Is Your Captain speaking. We’re experiencing some minor turbulence and we ask that you stop screaming.” Wild rides were ridden on at the Birmingham Airport 23 February 2017 [via].
Okay, there’s a link to some surreal 1980s Laurie Anderson stuff above, so let’s go to 2010 live for fun.
Anderson was the Ken Nordine of the 80s (without the baritone voice).
MiniMall has a bit of a retro vibe and consists of:
Merced Stratton — composer, ukulele, vocals
Maral Ohan — composer, vocals
Allegra Rosenberg — composer, bass
Wynne Males — trumpet, vocals
Brennan Doyle — drums
[Merced & Wynne ate sandwiches on our rock-n-roll patio recently because Bunkessa knows them. They were all like harmonizing and musical and stuff.]
Sylvia Fricker supposedly wrote it in a bathtub in Greenwich Village in 1962. Yeah it’s lip-synched, but it’s still fun as hell. One of these days I need to find out who the lead guitar on the left is because he rocks.
Have a great weekend, folks. Be back here tomorrow for more of you-know-what.
Roy Clark played a hayseed on the long-running show HeeHaw. He had some serious chops on both guitar and banjo, and Buck Trent was no slouch either. Ignore the title of the vid and the mugging and be amazed.
The Bros. Landreth cranked some serous swamp rock with “Runaway Train” recorded 9 February 2015. Every country band should have a song about a runaway train in my opinion.
“We researched these dangerous Hollywood-style stunts and my best friend Jim Connor volunteered to let me set him on fire inside my house.” –Rev. Peyton.
Have a great weekend folks, and make sure that you eat or drink at least one thing that someone says is bad for you.
Very few people could play Chuck Berry and out-do him on one of his own songs, but the late Peter Tosh pulled it off. Anyone ever hear Berry play reggae? Tosh is probably the reason.
Have a great holiday weekend, folks, and remember what it’s all about. More coming up tomorrow.
I don’t like the title of this YouTube video at all because mocking young naïve idealistic Marxists is not a good way to explain basic economic principles and move them toward a rational frame of thought. On the other hand, this video illustrates the patience, sentience, and simple brilliance of the late Milton Friedman.
OKAY NEXT.
The Knitts. I like the sound. Kinda retro, kinda young, kinda wow. There’s hope for music after all.
This video annoys the hell out of me, but it’s kinda fun at the same time. Rev. Peyton’s Big Damn Band is Rev. Peyton-Guitar, Washboard Breezy Peyton-Washboard, Ben “Birddog” Bussell-drums.
Have a great weekend, folks. Be back here tomorrow for more really important worldly stuff.
“Waiter, there’s a table in my soup.” -YouTube Commenter
It’s a compilation. Dates, locations and ships are not indicated, but that’s some serious listing. I’d have been hiding in my cabin and praying that the Dramamine didn’t wear off [via].
How about some retro rock?
This one dates from the mid to late 80’s during a resurgence of roots rock / rockabilly spearheaded by The Stray Cats. This was the heyday of The Fabulous Thunderbirds, and Keith Ferguson was their left-handed bassman before he left to form his own band The Tail Gators (yeah, I have some of their vinyl). Ferguson died in 1997 at the age of 50 from liver failure according to Wiki.
Big Guitars From Texas didn’t hit my radar, but there they are, live at Dixie’s Bar and Bus Stop in Austin TX, and featuring Evan Johns, Don Leady, Denny Freeman, Frankie Camaro, Keith Ferguson and Mike Buck, Circa 1985-86.
Have a great weekend folks, and we’ll be back here tomorrow for more awesome.
Nice groove with a great message from Mavis Staples.
[h/t windbag].
The Staple Singers, a family gospel/soul group had a number of hits in the 60’s and 70’s, and “I’ll Take You There” was my favorite due to the killer bass line.
More evidence that “Anthropogenic Climate Change is caused by white people” and no one else. There’s an incredible amount of stupid flying around these days.
I honestly hope you’ve been properly inoculated and are relatively immune from this caustic brand of blatant racism.
Pure percussion by Tito Puente e Los TropiJazz All Stars. I could listen to this stuff all day.
Decades ago (in college) we attended an off-campus house party that seemed to have a live band. I asked the host about it and he replied, “That’s the Rhythm Section. They’re in the basement.” So I went downstairs and found people taking turns on vinyl trash cans, bottles, cans, buckets, with wooden dowels and spoons, and it all sounded great as it morphed, non-stop. No electronics, just stoners people grooving on impromptu syncopated rhythms.
Micky Hart‘s Planet Drumproject got my ear as well. Hard to say what musical instrument came first, the bone flute or the drum. I’d guess the latter, because you can bang on anything to create a tempo, and everything else is secondary. (Vocals don’t count unless you’re talmbout Hollerin.)
Then of course there’s this RetroSka classic:
Have a great weekend, folks. We’ll be back here tomorrow whether you like it or not.