Odd scary animation. I love it.
Hardest Working Knees In Show Business.
(This one goes out to you, Calo. Chin up always.)
The Shadows were smokin’ on Lawrence Welk circa 1960.
Have a great weekend, folks. Remember to leave the seat up after you’re done peeing on it and always flush with your feet. All you guys, please do the same, and we’ll see you back here tomorrow.
Mercury(II) thiocyanate decomposition is kinda cool, but some of the U Toobage comments amused me more (posted verbatim):
This was filmed in a North Korean secret science lab where they are trying to build their next president.
How cool would it be to pretend to be a wizard in the medieval ages, just go into a kings throne room and threaten them by summoning satans dick tentacles, pop this experiment down, and as everyone is screaming, command the dick tentacles to stop, and then they all be like. Oh you so great wizard telling satans dick tentacles to stop, and then you would be like muahahah – ill stop, and yes, there is something wrong with me.
Why is he using a little tiny golf club to put down the powder?
Why did watching this bring Hillary to mind ?
and that’s how they grow kale! now you know
i’d smoke that
poke it with a stick…
BTW, the word is spelled “Weirdest.” I before E except after W…
Okay. Enough of that, so let’s go eclectic. How ’bout some 1966 retro?
Here’s The Electric Prunes on Dick Clark’s American Bandstand, circa 1966, lip-synching “I Had Too Much To Dream.”
“Psychotic Reaction” by The Count Five, circa 1966.
The Seeds‘ “Pushin’ Too Hard” circa 1966.
For me, 1966 was a great year because I got a small transistor radio for my birthday. It ate up my allowance money in batteries because I’d fall asleep listening to WSAI into the wee hours on school nights. It was also the year Dad ordered a complete set of the World Book Encyclopedia. That was the edition that had frog dissections and human anatomy on overlapping clear celluloid layers. Very cool.
Have a great weekend, folks. Be back here tomorrow for stuff.
Mott The Hoople, 1973.
The Sensational Alex Harvey Band, 1973.
Rory Gallagher, 1979.
Yeah I was on a 70’s rock vibe tonight. Have a great weekend, folks, and we’ll see you back here tomorrow. –Bunk
Postmodern Jukebox‘s “All About That Bass” has just the right amount of slink with a cool bass stunt.
There’s some serious funkslappin going on in Marcus Miller‘s 2008 jam version of Tower of Power‘s 1973 hit “What Is Hip.”
This 6-string bass street jammer’s pretty good, too.
We’ve posted Willie Dixon‘s classic “Bassology” before, and it’s a good wrap up for this edition of The Saturday Matinee. Have a great weekend, folks.
RT N’ THE 44s is Swimmy Webb, Brendan Willard, Leif Bunting, Johnny Sneed, and RT Valine. Featuring Timbo of Speedbuggy on slide can [via]. Awesome roots rock.
Speedbuggy USA cranks it. How about some more retro?
The Blasters were awesome and put on a great show when I saw them at the Whiskey in 1981 or so. (They were the warmup band for The Fabulous Thunderbirds.) Here are brothers Phil and Dave Alvin pickin’ and flickin’ in 2014.
Have a great weekend, folks.
Be back here tomorrow for more stuff.
If this flag represents slavery, racism and oppression, then every flag of every nation in existence in 1776 did so as well. So what. This country abolished slavery over a hundred years ago, yet slavery still thrives in many parts of the world, most notably Africa and the middle east. Where’s the outrage over that?
There is none because the attack on the Confederate Flag has nothing to do with slavery or racism, and everything to do with attacking fiscally conservative southern politicians.
Let’s rock.
The late racist Dick Clark brings racist Duane Eddy onto American Bandstand to perform “Rebel Rouser” wearing Confederate garb.
The racist band Little Feat performs “Dixie Chicken” featuring racist vocalists Bonnie Raitt and Emmylou Harris.
The Band‘s classic racist song is a good wrap up for this racist edition of The Saturday Matinee. Have a great weekend, folks, and let’s STOP THE IDIOCY
The Tubes “WPOD” featuring Fee Waybill as Quay Lewd in 1977. I missed out on seeing them live, but I have a couple of their early albums. “Don’t Touch Me There” was one of my favorites; lotta talent in that band.
I remember that year (and the Winter of 77-78) and it was about that time I realized that I hated a lot of the garbage the rock stations were pumping (czech out the 1977 Top 100 Billboard List. Leo Sayer? Really?) My music preferences went rogue.
However, there are a couple of songs on that list that I secretly liked, like this one:
The Sanford-Townsend Band‘s “Smoke From A Distant Fire” was such an up-beat song, and it got the girls dancing. (Heh – the band was introduced by Helen Reddy.)
Two years later, Rickie Lee Jones recorded an almost identical song chord-wise, “Chuck E.’s In Love,” and I loved that one, too.
In 1975 Aerosmith came out with their classic “Walk This Way” and it climbed all the way up to No. 90 in 1977. Go figger. The only other song on that Billboard List that I remember liking much was this one:
Manfred Mann’s Earth Band‘s version of Bruce Springsteen‘s “Blinded By The Light” was more popular than the original and made it to No. 36 on the Billboard Top 100 for 1977. (BTW, Mann was never the lead singer. He was the keyboardist.)
Have a great Fathers’ Day Weekend folks, appreciate all that your dad does (or did) for you, and we’ll see you back here tomorrow.
Animals and mirrors [via].
Beware of The Doghouse. Been there. I overlooked the first Valentine’s Day post-marriage as I considered it to be a dating holiday. I ate damp corrugated cardboard for months [via].
The Greg Johnson Set is a band from New Zealand, sounds like a traditional Irish band, performs “People Can’t Talk In This Town” from 1992. Somehow the concept of Freedom of Speech is being quietly vanquished [via].
Lets lighten it up a tad. How ’bout some great rippin’ by Jimmie Vaughan with The Fabulous Thunderbirds?
Have a great weekend. Be back here tomorrow for more powerful stuff.
THIS is pure awesome. Pensen Paletti [aka Peer Jenson of the Monsters of LeiderMaching] wired up his acoustic guitar and added drum synth keys. Wait for the Theme To Peter Gunn.
“Milk Cow Blues” was originally recorded by Sleepy John Estes in 1930. This version is a kinda late night early morning retro country thang performed by Wayne Hancock & Co. in 2008. Hoy hoy hoy, indeed. Here are two other versions:
Doc Watson was awesome.
Aerosmith did a nice cover of “Milk Cow Blues” that had nothing to do with the 1930 original that I can tell, but at least they worked in some Chuck Berry riffs.
Have a great weekend, folks, and we’ll be back here tomorrow whether you like it or not.
[Note that the Utoobage link for Sleepy John Estes’ “Milk Cow Blues” is not the same song.]
Tacky Raccoons 