RT N’ THE 44s is Swimmy Webb, Brendan Willard, Leif Bunting, Johnny Sneed, and RT Valine. Featuring Timbo of Speedbuggy on slide can [via]. Awesome roots rock.
The Blasters were awesome and put on a great show when I saw them at the Whiskey in 1981 or so. (They were the warmup band for The Fabulous Thunderbirds.) Here are brothers Phil and Dave Alvin pickin’ and flickin’ in 2014.
Have a great weekend, folks.
Be back here tomorrow for more stuff.
If this flag represents slavery, racism and oppression, then every flag of every nation in existence in 1776 did so as well. So what. This country abolished slavery over a hundred years ago, yet slavery still thrives in many parts of the world, most notably Africa and the middle east. Where’s the outrage over that?
There is none because the attack on the Confederate Flag has nothing to do with slavery or racism, and everything to do with attacking fiscally conservative southern politicians.
The Band‘s classic racist song is a good wrap up for this racist edition of The Saturday Matinee. Have a great weekend, folks, and let’s STOP THE IDIOCY
The Tubes “WPOD” featuring Fee Waybill as Quay Lewd in 1977. I missed out on seeing them live, but I have a couple of their early albums. “Don’t Touch Me There” was one of my favorites; lotta talent in that band.
However, there are a couple of songs on that list that I secretly liked, like this one:
The Sanford-Townsend Band‘s “Smoke From A Distant Fire” was such an up-beat song, and it got the girls dancing. (Heh – the band was introduced by Helen Reddy.)
In 1975 Aerosmith came out with their classic “Walk This Way” and it climbed all the way up to No. 90 in 1977. Go figger. The only other song on that Billboard List that I remember liking much was this one:
Beware of The Doghouse. Been there. I overlooked the first Valentine’s Day post-marriage as I considered it to be a dating holiday. I ate damp corrugated cardboard for months [via].
The Greg Johnson Set is a band from New Zealand, sounds like a traditional Irish band, performs “People Can’t Talk In This Town” from 1992. Somehow the concept of Freedom of Speech is being quietly vanquished [via].
Lets lighten it up a tad. How ’bout some great rippin’ by Jimmie Vaughan with The Fabulous Thunderbirds?
Have a great weekend. Be back here tomorrow for more powerful stuff.
“Milk Cow Blues” was originally recorded by Sleepy John Estesin 1930. This version is a kinda late night early morning retro country thang performed by Wayne Hancock & Co. in 2008. Hoy hoy hoy, indeed. Here are two other versions:
Aerosmith did a nice cover of “Milk Cow Blues” that had nothing to do with the 1930 original that I can tell, but at least they worked in some Chuck Berry riffs.
Have a great weekend, folks, and we’ll be back here tomorrow whether you like it or not.
The Blues had fallen out of favor in the U.S. recording market in the 1960s, as it was considered retro and passé. Many talented blues musicians from the ’40s and ’50s were left with few options until British rock bands took notice and revived the genre by covering various classic American blues songs, often without credit, which fomented a resurgence of interest in the original recordings. The British were largely responsible for restarting the careers of such notables as Muddy Waters and Howlin’ Wolf. Even early blues-based rock and rollers Chuck Berry, Little Richard and Bo Diddley got career boosts, and all were more popular in England than they were in the United States at that time.
Riley B. “Blues Boy” King was one of the greatest bluesmen of all time, known for his roaring vocals and understated guitar solos. He paid the cost to be the boss, and this BBC documentary from 1972 is amazing. There’s no posing, no strutting or preening, just straight talk about influences and style in a refreshingly honest manner. There’s no point in posting other B.B. King videos here because this one covers it all.
R.I.P. Mr. King. That’s one hell of a legacy you left us.
“Squeeze Box” was recorded by The Who in 1975. No sexual innuendo intended they said. Ya, right, I said.
Frank Zappa & The Mothers, Live at The Roxy, 1973. Wait for the slide trombone solo sans trombone. Early polyrhythmic jazz fusion, whether you like it or not.
There’s a little something for everyone on this post. Have a great weekend, and be sure too give your Mamas a great big hug tomorrow. If you don’t, I will.
Tribute to a great singer Ben E. King, who passed away 30 April 2015, as performed by an a cappella group featuring Grandpa Eliott Small.
Prior to his solo career, Ben E. King was a key member of The Drifters, a doo-wop group founded in 1953 and fronted by Clyde McPhatter. King replaced McPhatter as lead singer in 1958, and the New Drifters were born. Most of King’s hits were written by the team of Jerry Lieber and Mike Stoller, prolific songwriters of the time.
Tribute to Johnny Cash (1932-2003) on beer bottles [via].
Tribute to the B-52s by Full Blown Cherry. Yeah, it’s a crappy video, but watch what they pull off. They’re not amateurs, and by 02:50 a roadie has to hold the amp down. Any three-man band that can pull off a Rockabilly Tribute To The Ramones gets my full respect.
Have a great weekend folks, be back here in a few minutes.
Pinkpop Festival or PINKPOP is a large, annual music festival held at Landgraaf, the Netherlands. It is usually held on the Pentecost weekend (Pinksteren in Dutch, hence the name). —Wiki
With the exception of The Specials and Seasick Steve, most of the bands on that line up sucked big green donkeys, and I really tried to find one, just one, that didn’t suck big green donkeys.
Seasick Steve played the same day. Pure roots rock blues with homemade steel. The guy’s a killer, and he knew that the other bands (except for The Specials) sucked big green donkeys, too. But then there was that bar band fronted by someone named Bruce.
Tacky Raccoons 