Pure awesome [via]. It’s a series that’s been going on for a while, and I find it hilarious, but let’s clean the palate. How ’bout a jam from Jimmy Vaughan & The Tilt-A-Whirl Band?
One of my earliest memories was puking on the Tilt-A-Whirl at LeSourdsville Lake and I loved the ride ever since. Have a great weekend, folks, see you back here tomorrow.
TrollfesT is a Norwegian folk metal band (according to Wiki) who want to party in Cabana, and “Solskinnsmedisin” translates to “Sunshine Medical” according to Mr. Google. Where the hell is Norwegia? Bunkarina’s boyfriend thought I might like it, and I did. If that was a bit much, here’s something a bit lighter.
Irma Pany is a singer-songwriter from Cameroon. “Save Me” is kinda catchy, and the video is kinda interesting [via].
Have a great weekend, and we’ll be back tomorrow with more blatant inanity.
All three take me back to the Land of the Onions and the Eels and the days of my youth. Great modern retro rock for this edition of The Saturday Matinee. Have a great weekend, folks, and we’ll see y’all back here tomorrow.
I was talking to a younger co-worker today, and out of the blue he asked what my favorite band was. Good question with an easy answer.
My response was Frank Zappa, any lineup post-Mothers, beginning with “Apostrophe.” Jazz, rock, & pop, Zappa had all genres covered, and he did them all well (especially R&B DooWop). “Peaches En Regalia” is one of my favorite songs [00:54:00].
Zappa was one of the few popular musicians/composers that I would have liked to have met face-to-face, but since I’m not in the industry, and that Frank Zappa passed away years ago, it’s not going to happen.
Dweezil & Co. plays Frank. Jump to 0:2:45 for the start of awesome (and yes, according to FZ, Dweezil was named after his mother’s little toe).
Have a great weekend, folks, and be back here tomorrow.
Shocking Blue had an almost invisible drummer, and here they are *ahem* playing their hit “Venus” in 1969. I never knew they were from the Netherlands until this posting.
The song’s a ripoff of “The Banjo Song” recorded circa 1963 by The Big Three (featuring a young Ellen Naomi Cohen, aka Mama Cass). They co-opted and renamed Stephen Foster’s “Oh! Susannah,” one of the most popular minstrel songs of the late 1800s. Fun facts to know and tell.
Postmodern Jukebox did a one-take mashup of their greatest covers, and it’s pure awesome.
Have a great weekend, folks. We’ve got more inane stuff in the queue.
Mercy Mercy Mercy. This jam cranks, but that can’t be Stanley Jordan on bass (or guitar, or any other instrument) despite the Utoobage description, yet someone was playing a 6-string bass…
Chet Atkins & Les Paul Limehouse Blues 1978. Wait for the end – Atkins shows that he was playing a fold-up guitar.
Using instruments crafted from tin, 2×4’s and salvaged parts, RT has stated that RT N’ THE 44s was born out of “an attempt to make listenable music from junk.” [Wiki]
Here’s a related video from La armonía del vertedero – Orquesta de Instrumentos Reciclados de Cateura de Paraguay:
My late Uncle Bunk had what he called a “BoomBass” that consisted of a cookie tin nailed to a 2×3 with a single wire on a bridge that ran up to a fretboard, with tambourine thingys on the top and a spring peg on the bottom. You played it by banging it on the floor and hitting the wire with a notched dowel. It was also painted very nicely, and someone I know still has it.