
[Found here. For the double whammy, fill it with this .]
[Found here.]

Show Stopper, The Cashmeres (HEM Records, 1965) There is little information about this soul group from Washington D.C. (not be confused with The Cashmeres, a doo-wop group from Atlanta GA, or The Cashmeres from Brooklyn NY, or The Cashmeres from Portland OR). A 45rpm copy of Show Stopper is a rarity; according to Discogs, prices range from $680 to $1800 depending on condition.
Almost everything I forgot to post.
Awesome. Drone Photos of the Year.
Brickit is an app for Legos [h/t Miz Beth].
“I look like the Queen of England,” proclaimed Betty.
ICYMI: Martha’s Vineyard Facebook group was bitching at each other.
[Top image by Terry Border from his series Bent Objects.]
From the Archives: 1 year ago. 5 years ago. 10 years ago.
Alen Tkalčec gets around. Travel clips are from Afghanistan, Pakistan, Italy, Greece, Egypt, Turkey, Ethiopia and Slovenia.
One of the happiest break up songs ever. Amazing how Jaleel White (aka Steve Urkel) sounds exactly like Cee Lo Green in this vid from 2011.
The Dead South, always a tad quirky, brings you back down to earth with a slightly disturbing version of a happy traditional.
Have a great weekend and we’ll be back tomorrow, whenever you decide to stop by.

[Found here.]

[Found here.]
The Picasso of circus art.
Fred G. Johnson’s (1892 – 1990) banners were used to illustrate A Century of Progress for the 1933 Chicago World’s Fair His artwork also advertised the Ringling Brothers, Barnum & Bailey and Clyde Beatty circuses.
Hired by banner painter Harry Carlton Cummins to clean equipment and stick up banners, Cummins taught Johnson how to paint them, which he did, producing as many as four a day. The art is fast, subjective and made to deadline.
Not to be confused with the great Fred Johnson, bass singer for The Marcels.