
1958 Gilbert Microscope ad.
[Found here.]

R.I.P. Kenny Rogers (1938-2020).
Ootah after the return from the sledge trip.
Fargo police dog sniffs out black market Purell.
Monty Python Black Knight plush action figure.
Glen Greenwald’s list of media lies (and no, he’s not a Republican).
Running out of bumwad? Order it here. If that’s not what you’re looking for, click here.
Wikipedia is actually debating whether or not to delete references to the 1918 Spanish flu. Now about the Wuhan Chinese Asian Corona virus…
“It’s a funny thing… After the fall of communism, everybody in the world agreed that socialism was a failure. Everybody in the world, more or less, agreed that capitalism was a success. And every capitalist country in the world apparently deduced from that that what the west needed was more socialism.” – Milton Friedman 1993.
[Status update: A Humble Request.]
From the Archives: 1 year ago. 5 years ago. 10 years ago.
[Top image of canned cheeseburger from here.]
I had something similar that shot plastic pellets. Since there were no refills, you had to chase them down after spraying the playground. (Not sure, but I think the bad guy is Otis from The Andy Griffith Show.)
Serbian trio featuring Maestro Stefan Ilic on fiddle [via].
More tractor? Don’t know anything about this one except it’s an Austrian Steyr 80A Sincrobulli.
Robbie Robertson remakes The Band‘s classic The Weight, with performers from around the world. That song is one of my all-time favorites.
We have some tough times ahead, and the best thing to do is to ignore the newsmedia fear-mongers. The biggest threat is not the Wuhan v-word, but the overwrought government reactions to it, so work with what you got until the storm passes… and it will.
See you back here tomorrow.


[Found here.]



The Arnolfini Portrait – Van Eyck
“In early 2004 I was invited to create a new work for an exhibition at an art foundation in Holland. The subject of the exhibition was humor. I decided to depart from the field of new-media experiments, while remaining in the ‘digital’ realm, by having some fun with the great Dutch Masters — Rembrandt, Vermeer, and Van Eyck. My partner Andrea made all of the costumes and spent a long time crouched underneath a cardboard box while I carefully positioned and photographed her fingers. It was a new experience for me when the show’s curator refused to exhibit the work he had commissioned, even though it was already listed in the catalogue. The explanation he provided was that the photos “weren’t funny”. About a week later I received an even more puzzling request to exhibit the project in a Taiwanese digital art festival.” -Golan Levin

[Found here.]