Saturday Matinee – Kmac2021, Stevie Ray Vaughan with Jeff Beck, and Don Nix with the Mar-Keys

Kmac2021 is a one-man Spinal Tap. Reminds me of the vids entitled, “What It’s Really Like To Work In A Music Store.”
Part I
Part II
Part III
Part IV
Part V

Okay, so where do we go from here? Goin’ Down.

Stevie Ray Vaughan & Jeff Beck covered Don Nix‘s “Going Down.”
I always thought it was a Freddie King song. So what else did Nix do? A lot.

From Wiki: Don Nix began his career playing saxophone for the Mar-Keys, which also featured Steve Cropper, Duck Dunn and others. The [1961] hit instrumental single “Last Night” (composed by the band as a whole) was the first of many successful hits to Nix’s credit. […] The Mar-Keys evolved into Booker T. & the M.G.’s.

What a convergence of talent at the right time and the right place. God Bless Stax Records.

Have a soulful weekend, folks, be back here tomorrow.

Saturday Matinee – Tommy COOper, CockatOOs, TerryTOOns & Brenton WOOd

Old trick, but it’s a good ‘un. I had one that was similar – the bottles flipped from right side up to upside down using the same basic gaffe (like this). [via here.]

Attitude.

“Jazz Mad” TerryToons 1931 [via]. From Wiki:

Through much of its history, the studio [Terrytoons] was considered one of the lowest-quality houses in the field, to the point where Paul Terry noted, “Disney is the Tiffany’s in this business, and I am the Woolworth’s.” Terry’s studio had the lowest budgets and was among the slowest to adapt to new technologies such as sound (in about 1930) and Technicolor (in 1938), while its graphic style remained remarkably static for decades. Background music was entrusted to one man, Philip Scheib, and Terry’s refusal to pay royalties for popular songs forced Scheib to compose his own scores. Paul Terry took pride in producing a new cartoon every other week, regardless of the quality of the films.

In keeping with the accidental Double O Theme, here’s one more.

Alfred Jesse Smith, aka, Brenton Wood, had back-to-back hits in 1967: The Oogum Boogum Song and Gimme Little Sign. Filmed in Hacienda Heights California on “Thee Mr. Duran Show,” this video dates to pre-2006. Jump to 01:53 for the song.

Have a great Memorial Day weekend, folks. Remember those we are memorializing and why.

Saturday Matinee – Allotria Jazz Band, Fats Waller, Leon Redbone & Captain Beefheart

Die Allotria Jazzband ist eine Combo, die 1969 in München gegründet wurde und dem traditionellen Jazz verpflichtet ist. [Allotria translates to Monkey Business.] “Wolverine Blues” was written and recorded by Jelly Roll Morton in 1923.

Two decades later, Fats Waller was playing the same style.

Nice lip-sync of a pretty song. According to the UToobage:
“Myra Johnson voiced-over the girl “vocalist” sitting on the piano, who, according to trumpeter Eddie Henderson, is his mother.”

In 1975, over five decades later, Leon Redbone recorded his own version (and this isn’t it. Click the link). Mr. Redbone’s music is meant for eggs and coffee and a side of toast.

That’s a version of Blind Blake‘s recording from 1929.

Captain Beefheart recorded an entirely different song called “Diddy Wah Diddy” that was later covered by The Fabulous Thunderbirds.

Whoa. I just found out that “Diddy Wah Diddy” was written by Willie Dixon and Bo Diddley, and was recorded in 1956.

Now it all makes sense.

Have a great weekend folks and be back here tomorrow for more diddy wah diddy.

Saturday Matinee – Porcapizza (aka Massimo Tortella)

Porcapizza is amazing [via].

Cross Country Skiers


Reminds me of the story of the autistic woman who began whistling an unusual tune. Her caregiver asked what the song was. The woman said the birds wrote it and pointed to the crows sitting on the overhead power lines.

[Found via links from here.]

Saturday Matinee – The Skids, Linkin Bridge & Cinco De Mayo Madrid Flash Mob

The Skids “Into The Valley” [via]. Nice Ramones influence.

Today is the start of The 2018 Kentucky Derby, and yes, it has a themesong.

Linkin Bridge‘s “My Old Kentucky Home” is killer.

Oh, and Cinco De Mayo has everything to do with selling beer in the US and nothing to do with Mexican Independence Day.

This is kinda cool. Mariachi flash mob showed up in Madrid, but Mariachis originated in Mexico not Spain. Go figure.

Have a great weekend. folks, see you back here tomorrow.

 

Saturday Matinee – Dave Allen, NYC 1911, Hormel Pepperoni, YES & The Sensational Alex Harvey Band

That’s Dave Allen (1936-2005) and that’s a 1965 VW 6-volt Beetle. It didn’t have headlights. It had glowlamps. I know because I owned one.

1911 New York City restored hand-cranked film, speed corrected and with an added soundtrack humanizes the populace a bit. A lot of interesting things happened in 1911, itemized here and here. Sheet music sales determined the popularity of songs and Scott Joplin’s rags were hot, like Treemonisha.

Hormel Pepperoni advertisement [h/t Calo]. I’m speechless. Let’s get out of here.

YES stood out a bit from the music of the 70s. Sure, they were art rock, their lyrics were inane and incomprehensible, they’ll make you out and out, but their music was killer.

The Sensational Alex Harvey Band was very underrated IMO.

Have a great weekend, folks. See you back here tomorrow.

Saturday Matinee – Two Ronnies, Bagpipe Rock, Jim Stafford & George Harrison

American humor cannot match that of Ronnie Corbett & Ronnie Barker [via].

Not sure who they are, but they’re a Scottish Bagpipe Rock Band.

Meanwhile, Jim Stafford is both an underrated guitarist, a talented comedian, and he had some minor hits in the 70s, and he’s still alive. Congrats.

Stafford had a number of minor hits, but I remember one in particular. I’d just lost a girlfriend, and this song seemed to make sense of it all. In retrospect it didn’t, but so what.

Dude was and is funny.

Here’s one of the prettiest songs George Harrison ever wrote and one of the most appropriate videos I’ve ever seen.

For some unknown reason that song always makes me tear up, and there’s something in that innocent video that hits my heart.

Have a great weekend, folks. See you back here tomorrow.

Hot Links Away In Margaritaville

Keh-leh-fone-yeh.”

These guys are annoying as hell but they’re talented.

Gregg Shorthand is not a slide-guitar virtuoso. More here.

Flight 24 to The Restaurant at the End of the Universe now boarding. All systems are go.

An original copy of The Chantays‘ classic LP “Pipeline” sells for $27 and more. I have this same stereo copy.

Swing for a Crime is also in my collection. Spy music interspersed with clips from movies, including the unmistakable voice of Lee Marvin (as mobster Vince Stone from The Big Heat, 1953) yelling, “You pig! You lyin’ pig!

It’s always 1700 somewhere. The Department of the Navy Superior Public Service Award has been bestowed upon singer and songwriter Jimmy Buffett. It’s the highest US Naval award allowed for a civilian. Here’s a classic Buffett song that justifies that well-deserved award.

Mallows have been used as a food staple for thousands of years. The common name for Althaea officinalis is “Marsh Mallow” and it has medicinal properties.

The confection referred to as a “marshmallow” dates to the 1800s, and the original recipe used the root sap of the marsh mallow.

Yes, you can make your own marshmallows, and you don’t need to chase down mallow roots.

[Top image: “Osaka’s Marshmellow Kid” [sic] from a collection of fake retro Japanese cartoon characters, found here.]

Saturday Matinee – TUOOGB, Steppenwolf & Link Wray

I’m embarrassed to say that I never heard of The Ukelele Orchestra of Great Britain (TUOOGB) until recently, even though they’ve been around for a while. From their website:

The Ukulele Orchestra of Great Britain is a group of all-singing, all-strumming Ukulele players, using instruments bought with loose change, which believes that all genres of music are available for reinterpretation, as long as they are played on the Ukulele.

Great stuff. The world is your lobster if you have a bass ukulele.

Nice groove.
It’s a cover of Willie Dixons’ “Hoochie Coochie Man” by Steppenwolf at the Riverfront Festival in Louisville, KY, 7 October, 2000.

How ’bout some 1974 retro?

Link Wray played so dirty and nasty. No flourishes.
It was all in-your-face-deal-with-it-badass-rock the way it was always meant to be.

You still want toast?

Have a great weekend, folks. See you back here in a few hours.