The Shadows were smokin’ on Lawrence Welk circa 1960.
Have a great weekend, folks. Remember to leave the seat up after you’re done peeing on it and always flush with your feet. All you guys, please do the same, and we’ll see you back here tomorrow.
Pushing hay [via]. Makes me itchy just watching it.
“The Ballad of Holland House” is based upon a true story.
Holland Island sits in Chesapeake Bay, near Wenona, Maryland. The five-mile-long island was settled in the 1600s, and at one time had a population of 360 people and 70 buildings. Erosion ate away at the island, which sat on silt and clay, and the residents moved away between 1914 and 1918. The island’s church was moved in 1922, and only one house remained standing. It was built in 1888. For decades, the water ate away at the island, and the last remaining house finally collapsed in October of 2010. What’s left of the island is now a marsh, home to hundreds of sea birds. See pictures of the island and the house -and the cemetery- at the Baltimore Sun[via].
“Anijam” was a 1984 animation experiment created by Marv Newland, and appeared in the movie/video series “Animation Celebration.” No plot, just an exercise in surreal animation focused on an odd character named “Foska.” (Watch for some early computer animation sequences.)
“ANIJAM was created by 22 animators, each doing a different sequence. The first drawing of each sequence is the last drawing of the previous sequence. The animators did not know what action came before, or went after their own sequence. The animators were free to create any animation that they wished. They were required to begin and end their sequence with Foska.”
So where do we go after that level of bizarre? How ’bout this:
“The Flight of The Bumble Bee” [ca. 1900] on trombone is VERY tough to do. I could barely double-tongue on trumpet (dugga-dugga), or triple-tongue (dugga-ta-dugga-ta-dugga) but that guy was quadruple tonguing (dugga-dugga-dugga-dugga) on a trombone at high speed. Spike Jones’ band was awesome.
John Prine & Iris Dement at Sessions at West 54th (full concert) February 2014 [via]. The only thing I have against John Prine is/are his forced rhymes, but his voice and songwriting makes up for it. After all, it’s a Big ‘Ol Goofy World.
Have a great weekend, folks. Be back here tomorrow for more fun.